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hand and said to her, pale with rage:

"The fellow must have been your lover." He had indeed reached this degree of injustice. In fact the unhappy woman, praised and envied, whose name figured in large type on the play bills and might be read on all the walls of Paris, who was seized upon as a successful advertising medium and placed on the tiny gilt labels of the confectioner or perfumer, led the saddest and most humiliating of lives. She dared not open a paper for fear of reading her own praises, wept over the flowers that were thrown to her and which she left to die in a corner of her dressing-room, that she might avoid perpetuating at home the cruel memories of her triumphant evenings. She even wanted to quit the stage, but her husband objected.

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"It will be said that I make you leave it." And the horrible torture continued for both.

One night of a first representation, the songstress was going to the front, when somebody said to her: "Mind what you are about. There is a cabal in the house against you." She laughed at the idea. A cabal against her? And for what reason, Good Heavens! She who only met with sympathy, who did not belong to any coterie! It was true however. In the middle of the opera, in a grand duet with her husband, at the moment when her magnificent voice had reached the highest pitch of its compass, finishing the sound in a succession of notes, even and pure like the rounded pearls of a necklace, a volley of hisses cut her short. The audience was as much moved and surprised as herself. All remained breathless, as though each one felt prisoner within them the passage she had not been able to finish. Suddenly a horrible, mad idea flashed across her mind. He was alone on the stage, in front of her. She gazed at him steadily and saw in his eyes the passing gleam of a cruel smile. The poor woman understood all. Sobs suffocated her.

She could only burst into tears and blindly disappear through the crowded side scenes.

It was her own husband who had had her hissed!

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A MISUNDERSTANDING β€”
THE WIFE'S VERSION.

What can be the matter with him? What can he complain of? I cannot understand it. And yet I have done all I could to make him happy. To be sure, I don't say that instead of a poet I would not rather have married a notary or a lawyer, something rather more serious, rather less vague as a profession; nevertheless, such as he was he took my fancy. I thought him a trifle visionary, but charming all the same, and well-mannered; besides he had some fortune, and I thought that once married poetizing would not prevent him from seeking out some good appointment which would set us quite at ease.

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He, too at that time seemed to find me to his taste. When he came to see me at my aunt's in the country, he could not find words enough to admire the order and arrangement of our little house, kept like a convent, "It is so quaint!" he used to say. He would laugh and call me all sorts of names taken from the poems and romances he had read. That shocked me a little I confess; I should have liked him to be more serious. But it was not until we were married and settled in Paris, that I felt all the difference of our two natures.

I had dreamed of a little home kept scrupulously bright and clean; instead of which, he began at once to encumber our apartment with useless old-fashioned furniture, covered with dust, and with faded tapestries, old as the hills. In everything it was the same. Would you believe that he obliged me to put away in the attic a sweetly pretty Empire clock, which had come to me from my aunt, and some splendidly-framed pictures given me by my school friends. He thought them hideous. I am still wondering why? For after all, his study was one mass of lumber, of old smoky pictures; statuettes I blushed to look at, chipped antiquities of all kinds, good for nothing; vases that would not hold water, odd cups, chandeliers covered with verdigris.

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By the side of my beautiful rosewood piano, he had put another, a little shabby thing with all the polish off, half-the notes wanting, and so old and worn that one could hardly hear it. I began to think: "Good gracious! is an artist then, really a little mad? Does he only care for useless things, and despise all that is useful?"

When I saw his friends', the society he received, it was still worse. Men with long hair, great beards, scarcely combed, badly dressed, who did not hesitate to smoke in my presence, while to listen to them made me quite uncomfortable, so widely opposed were their ideas to mine. They used long words, fine phrases, nothing natural, nothing simple. Then with all this, not a notion of ordinary civilities: you might ask them to dinner twenty times running, and there would be never a call, never a return of any kind. Not even a card or a bonbon on New Year's day. Nothing. Some of these gentry were married and brought their wives to see us. You should have seen the style of these persons! For every day wear, superb toilettes such as thank heaven, I would wear at no time! And so ill-arranged, without order or method. Hair loose, skirts trailing, and such a bold display of their talents! There were some who sang like actresses, played the piano like professors, all talked on every subject just like men. I ask you, is this reasonable?

Ought serious women once married to think of anything but the care of their household? This is what I tried to make my husband understand, when he was vexed at seeing me give up my music. Music is all very well when one is a little girl and has nothing better to do. But candidly, I should consider myself very ridiculous if I sat down every day to the piano.

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Oh! I am quite aware that his great complaint against me is that I wished to draw him from the strange society I considered so dangerous for him. "You have driven away all my friends?" he often used to say reproachfully. Yes, I did do so, and I don't regret it. Those creatures would have ended by driving him crazy. After leaving them, he would often spend the night in making rhymes and in marching up and down and talking aloud. As if he were not already sufficiently eccentric and original in himself without being excited by others! What caprices, what whims have I not put up with! Suddenly one morning, he would appear in my room: "Quick, get your hatβ€”we are off to the country." Then one must leave everything, sewing, household affairs, take a carriage, go by rail, spend a mint of money! And I, who only thought of economy! For after all, it is not with fifteen thousand francs (six hundred pounds) a year that one can be counted rich in Paris or make any provision for one's children. At first he used to laugh at my observations, and try to make me laugh; then when he saw how firmly I was resolved to remain serious, he found fault with my simplicity and my taste for home. Am I to blame because I detest theatres and concerts, and those artistic soirΓ©es to which he wished to drag me, and where he met his old acquaintances, a lot of scatterbrains, dissipated and Bohemian?

At one time, I thought he was becoming more reasonable. I had managed to with-draw him from his good-for-nothing circle of friends, and to gather round us a society of sensible people, well-settled in life, who might be of use to us. But no! Monsieur was bored. He was always bored, from morning till night. At our little soirees, where I was careful to arrange a whist table and a tea table, all as it should be, he would appear with such a face! in such a temper! When we were alone, it was just the same. Nevertheless, I was full of little attentions. I used to say to him: "Read me something of what you are doing." He recited to me verses, tirades, of which I understood nothing, but I put on an air of interest, and here and there made some little remark, which by the way, inevitably had the knack of annoying him. In a year, working night and day, he could only make of all his rhymes, one single volume which never sold, I said to him: "Ah! you see," just in a reasoning spirit, to bring him to something more comprehensible, more remunerative, He got into a frightful rage, and afterwards sank into a state of gloomy depression which made me very unhappy. My friends advised me as well as they could: "You see, my dear, it is the ennui and bad temper of an unoccupied man. If he worked a little more, he would not be so gloomy."

Then I set to work, and all my belongings too, to seek him an appointment, I moved heaven and earth, I made I don't know how many visits to the wives of government officials, heads of departments; I even penetrated into a minister's office. It was a surprise I reserved for him, I said to my-self: "We shall see whether he will be pleased this time," At length, the day when I received his nomination in a lovely envelope with five big seals, I carried it myself to his table, half wild with joy. It was provision for the future, comfort, self content, the tranquillity of regular work. Do you know what he did? He said: "He would never forgive me." After which he tore the minister's letter into a thousand pieces, and rushed out, banging the doors. Oh! these artists, poor unsettled brains taking life all the wrong way! What could be done with such a man? I should have liked to talk to him, to reason with him. In vain. Those were indeed right, who had said to me: "He is a madman." Of what use moreover to talk to him? We do not speak the same language. He would not understand me, any more than I understand him. And now, here we must sit and look at each other. I see hatred in his glance, and yet I have true affection for him. It is very painful.

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THE HUSBAND'S VERSION.

I had thought of everything, taken all my precautions. I would not have a Parisian, because Parisian women alarm me. I would not have a rich wife because she might be too exacting and extravagant. I also dreaded family ties, that terrible network of homely affections, which monopolizes, imprisons, dwarfs and stifles. My wife was the realization of my fondest dreams. I said to myself: "She will owe me everything."

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What pleasure to educate this simple mind to the contemplation of beauty, to initiate this pure soul to my enthusiasms and hopes, to give life, in short, to this statue! The fact is she had the air of a statue, with her great serious calm eyes, her regular Greek profile, her features, which although rather too marked and severe, were softened by the rose-tinted bloom of youth and the shadow of the waving hair. Added to all this was a faint provincial accent that was my especial joy, an accent to which with closed eyes, I listened as a recollection of happy childhood, the echo of a tranquil life

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