How to Write Clearly by Edwin A. Abbott (i have read the book a hundred times TXT) 📕

*35. Repeat the Subject when the omission would cause ambiguity or obscurity.*—The omission is particularly likely to cause obscurity after a Relative standing as Subject:—

"He professes to be helping the nation, which in reality is suffering from his flattery, and (he? or it?) will not permit anyone else to give it advice."

The Relative should be repeated when it is the Subject of several Verbs. "All the pleasing illusions which made power gentle and obedience liberal, which harmonized the different shades of life, and which, by a bland assimilation, incorporated into politics the sentiments that beautify and soften private society, are to be dissolved by this new conquering empire of light and reason."

*36. Repeat a Preposition after an intervening Conjunction, especially if a Verb and an Object also intervene.*

"He forgets the gratitude that he owes to those that helped all his companions when he was poor and uninfluential, and (to) John Smith in particular." Here, omit to, and the meaning may be "that helped all his companions, and John Smith in particular." The intervention of the verb and object, "helped" and "companions," causes this ambiguity.

*37. When there are several Verbs at some distance from a Conjunction on which they depend, repeat the Conjunction.*[14]

"When we look back upon the havoc that two hundred years have made in the ranks of our national authors—and, above all, (when) we refer their rapid disappearance to the quick succession of new competitors—we cannot help being dismayed at the prospect that lies before the writers of the present day."

Here omit "when," and we at once substitute a parenthetical statement for what is really a subordinate clause.

In reporting a speech or opinion, "that" must be continually repeated, to avoid the danger of confusing what the writer says with what others say.

"We might say that the Cæsars did not persecute the Christians; (that) they only punished men who were charged, rightly or wrongly, with burning Rome, and committing the foulest abominations in secret assemblies; and (that) the refusal to throw frankincense on the altar of Jupiter was not the crime, but only evidence of the crime." But see (6 b).

*37 a. Repeat Verbs after the conjunctions "than," "as," &c.*

"I think he likes me better than you;" i.e. either "than you like me," or "he likes you."

"Cardinal Richelieu hated Buckingham as sincerely as did the
Spaniard Olivares." Omit "did," and you cause ambiguity.

*38. If the sentence is so long that it is difficult to keep the thread of meaning unbroken, repeat the subject, or some other emphatic word, or a summary of what has been said.*

"Gold and cotton, banks and railways, crowded ports, and populous cities—these are not the elements that constitute a great nation."

This repetition (though useful and, when used in moderation, not unpleasant) is more common with speakers than with writers, and with slovenly speakers than with good speakers.

"The country is in such a condition, that if we delay longer some fair measure of reform, sufficient at least to satisfy the more moderate, and much more, if we refuse all reform whatsoever—I say, if we adopt so unwise a policy, the country is in such a condition that we may precipitate a revolution."

Where the relative is either implied (in a participle) or repeated, the antecedent must often be repeated also. In the following sentence we have the Subject repeated not only in the final summary, but also as the antecedent:—

"But if there were, in any part of the world, a national church regarded as heretical by four-fifths of the nation committed to its care; a church established and maintained by the sword; a church producing twice as many riots as conversions; a church which, though possessing great wealth and power, and though long backed by persecuting laws, had, in the course of many generations, been found unable to propagate its doctrines, and barely able to maintain its ground; a church so odious that fraud and violence, when used against its clear rights of property, were generally regarded as fair play; a church whose ministers were preaching to desolate walls, and with difficulty obtaining their lawful subsistence by the help of bayonets,—such a church, on our principles, could not, we must own, be defended."

*39. It is a help to clearness, when the first part of the sentence prepares the way for the middle and the middle for the end, in a kind of ascent. This ascent is called "climax."*

In the following there are two climaxes, each of which has three terms:—

"To gossip(a) is a fault(b); to libel(a'), a crime(b'); to slander(a''), a sin(b'')."

In the following, there are several climaxes, and note how they contribute to the clearness of a long sentence:—

"Man, working, has contrived(a) the Atlantic Cable, but I declare that it astonishes(b) me far more to think that for his mere amusement(c), that to entertain a mere idle hour(c'), he has created(a') 'Othello' and 'Lear,' and I am more than astonished, I am awe-struck(b'), at that inexplicable elasticity of his nature which enables him, instead of turning away(d) from calamity and grief(e), or instead of merely defying(d') them, actually to make them the material of his amusement(d''), and to draw from the wildest agonies of the human spirit(e') a pleasure which is not only not cruel(f), but is in the highest degree pure and ennobling(f')."

The neglect of climax produces an abruptness that interferes with the even flow of thought. Thus, if Pope, in his ironical address to mankind, had written—

    "Go, wondrous creature, mount where science guides;
    Go, measure earth, weigh air, and state the tides;
    Go, teach Eternal Wisdom how to rule"—

the ascent would have been too rapid. The transition from earth to heaven, and from investigating to governing, is prepared by the intervening climax—

    "Instruct the planets in what orbs to run;
    Correct old Time, and regulate the Sun;
    Go, soar with Plato to th' empyreal sphere,
    To the first good, first perfect, and first fair."

*40. When the thought is expected to ascend and yet descends, feebleness and sometimes confusion is the result. The descent is called "bathos."*

"What pen can describe the tears, the lamentations, the agonies, the animated remonstrances of the unfortunate prisoners?"

"She was a woman of many accomplishments and virtues, graceful in her movements, winning in her address, a kind friend, a faithful and loving wife, a most affectionate mother, and she played beautifully on the pianoforte."

INTENTIONAL BATHOS has a humorous incongruity and abruptness that is sometimes forcible. For example, after the climax ending with the line—

"Go, teach Eternal Wisdom how to rule,"

Pope adds—

"Then drop into thyself, and be a fool."

*40 a. A new construction should not be introduced without cause.*—A sudden and apparently unnecessary change of construction causes awkwardness and roughness at least, and sometimes breaks the flow of the sentence so seriously as to cause perplexity. Thus, write "virtuous and accomplished," or "of many virtues and accomplishments," not "of many virtues and accomplished;" "riding or walking" or "on foot or horseback," not "on foot or riding." In the same way, do not put adjectives and participles, active and passive forms of verbs, in too close juxtaposition. Avoid such sentences as the following:—

"He had good reason to believe that the delay was not an accident (accidental) but premeditated, and for supposing (to suppose, or else, for believing, above) that the fort, though strong both by art and naturally (nature), would be forced by the treachery of the governor and the indolent (indolence of the) general to capitulate within a week."

"They accused him of being bribed (receiving bribes from) by the king and unwilling (neglecting) to take the city."

*41. Antithesis adds force, and often clearness.*—The meaning of liberal in the following sentence is ascertained by the antithesis:—

"All the pleasing illusions which made power(a) gentle(b) and obedience(a') liberal(b') … are now to be destroyed."

There is a kind of proportion. As gentleness is to power, so liberality (in the sense here used) is to obedience. Now gentleness is the check on the excess of power; therefore liberal here applies to that which checks the excess of obedience, i.e. checks servility. Hence liberal here means "free."

The contrast also adds force. "They aimed at the rule(a), not at the destruction(a'), of their country. They were men of great civil(b) and great military(b') talents, and, if the terror(c), the ornament(c') of their age."

Excessive antithesis is unnatural and wearisome:—

"Who can persuade where treason(a) is above reason(a'), and might(b) ruleth right(b'), and it is had for lawful(c) whatsoever is lustful(c'), and commotioners(d) are better than commissioners(d'), and common woe(e) is named common wealth(e')?"

*42. Epigram.*—It has been seen that the neglect of climax results in lameness. Sometimes the suddenness of the descent produces amusement: and when the descent is intentional and very sudden, the effect is striking as well as amusing. Thus:—

(1) "You are not only not vicious, you are virtuous," is a climax.

(2) "You are not vicious, you are vice," is not climax, nor is it bathos: it is epigram.[15]

Epigram may be defined as a "short sentence expressing truth under an amusing appearance of incongruity." It is often antithetical.

  "The Russian grandees came to { and diamonds," climax.
     court dropping pearls { and vermin," epigram.

  "These two nations were divided { and the bitter remembrance
     by mutual fear { of recent losses," climax.
                                   { and mountains," epigram.

There is a sort of implied antithesis in:—

"He is full of information—(but flat also) like yesterday's Times."

"Verbosity is cured (not by a small, but) by a large vocabulary."

The name of epigram may sometimes be given to a mere antithesis; e.g. "An educated man should know something of everything, and everything of something."

*43. Let each sentence have one, and only one, principal subject of thought.*

"This great and good man died on the 17th of September, 1683, leaving behind him the memory of many noble actions, and a numerous family, of whom three were sons; one of them, George, the eldest, heir to his father's virtues, as well as to his principal estates in Cumberland, where most of his father's property was situate, and shortly afterwards elected member for the county, which had for several generations returned this family to serve in Parliament." Here we have (1) the "great and good man," (2) "George," (3) "the county," disputing which is to be considered the principal subject. Two, if not three sentences should have been made, instead of one. Carefully avoid a long sentence like this, treating of many different subjects on one level. It is called heterogeneous.

*44. The connection between different sentences must be kept up by Adverbs used as Conjunctions, or by means of some other connecting words at the beginning of each sentence.*—Leave out the conjunctions and other connecting words, and it will be seen that the following sentences lose much of their meaning:—

"Pitt was in the army for a few months in time of peace. His biographer (accordingly) insists on our confessing, that, if the young cornet had remained in the service, he would have been one of the ablest commanders that ever lived. (But) this is not all. Pitt (, it seems,) was not merely a great poet in esse and a great general in posse, but a finished example of moral excellence…. (The truth is, that) there scarcely ever lived a person who had so little claim to this sort of praise as Pitt. He was (undoubtedly) a great man. (But) his was not a complete and well-proportioned greatness. The public life of Hampden or of Somers resembles a regular drama which can be criticised as a whole, and every scene of which is to be viewed in connection with the main action. The public life of Pitt (, on the other hand,) is," &c.

The following are some of the most common connecting adverbs, or connecting phrases: (1) expressing consequence, similarity, repetition, or resumption of a subject—accordingly, therefore, then, naturally, so that, thus, in this way, again, once more, to resume, to continue, to sum up, in fact, upon this; (2) expressing opposition—nevertheless, in spite of this, yet, still, however, but, on the contrary, on the other hand; (3) expressing suspension—undoubtedly … but; indeed … yet; on the one hand … on the other; partly … partly; some … others.

Avoid a style like that of Bishop Burnet, which strings together a number of sentences with "and" or "so," or with no conjunction at all:

"Blake with the fleet happened to be