The Man with the Clubfoot by Valentine Williams (uplifting books for women txt) ๐
My heart sank with disappointment and wretchedness as I read the inscription.
Here is the document:
* * * * *
Herr Willem van Urutius, Automobilgeschรคft, Nymwegen. Alexandtr-Straat 81 bis.
Berlin, Iten Juli, 16.
O Eichenholz! O Eichenholz! Wie leer sind deine Blรคtter.
Wie Achiles in dem Zelte.
Wo zweie sich zanken Erfreut sich der Dritte.
* * * * *
(Translation.)
Mr. Willem van Urutius, Automobile Agent, Nymwegen. 81 bis Alexander-Straat.
Berlin, 1st July, 16.
O Oak-tree! O Oak-tree, How empty are thy leaves.
Like Achiles in the tent.
When two people fall out The third party rejoices.
* * * * *
I stared at this nonsensical document in silence. My thoughts were almost too bitter for words.
At last I spoke.
"What's all this rigmarole got to do with Francis, Dicky?" I aske
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"Herr Doktor," I said, "I don't want your money. I want to be fair with you. When the ... the person we know of sends for you, we will go together. You shall tell the large part you have played in this affair. I only want credit for what I have done, nothing more...."
A knock came at the door. The porter entered.
"A telegram for the Herr Doktor," he said, presenting a salver.
Somewhere near by a band was playing dance music ... one of those rousing, splendidly accented Viennese waltzes. There seemed to be a ball on, for through the open door of the room, I heard, mingled with the strains of the music, the sound of feet and the hum of voices.
Then the door closed, shutting out the outer world again.
"You permit me," said Grundt curtly, as he broke the seal of the telegram. So as not to seem to observe him, I got up and walked across to the window, and leaned against the warm radiator.
"Well?" said a voice from the arm-chair.
"Well?" I echoed.
"I have made you my proposal, Herr Doktor: you have made yours. Yours is quite unacceptable. I have told you with great frankness why it is necessary that I should have your portion of the document and the sum I am prepared to pay for it. I set its value at five thousand dollars. I will pay you the money over in cash, here and now, in good German bank-notes, in exchange for those slips of paper."
The man's suavity had all but vanished: his voice was harsh and stern. His eyes glittered under his shaggy brows as he looked at me. Had I been less agitated, I should have noted this, as a portent of the coming storm, also his great ape's hands picking nervously at the telegram in his lap.
"I have already told you," I said firmly, "that I don't want your money. You know my terms!"
He rose up from his seat and his figure seemed to tower.
"Terms?" he cried in a voice that quivered with suppressed passion, "terms? Understand that I give orders. I accept terms from no man. We waste time here talking. Come, take the money and give me the paper."
I shook my head. My brain was clear, but I felt the crisis was coming. I took a good grip with my hands of the marble slab covering the radiator behind me to give me confidence. The slab yielded: mechanically I noted that it was loose.
The man in front of me was shaking with rage.
"Listen!" he said. "I'll give you one more chance. But mark my words well. Do you know what happened to the man that stole that document? The English took him out and shot him on account of what was found in his house when they raided it. Do you know what happened to the interpreter at the internment camp, who was our go-between, who played us false by cutting the document in half? The English shot him too, on account of what was found in letters that came to him openly through the post? And who settled Schulte? And who settled the other man? Who contrived the traps that sent them to their doom? It was I, Grundt, I, the cripple, I, the Clubfoot, that had these traitors despatched as an example to the six thousand of us who serve our Emperor and empire in darkness! You dog, I'll smash you!"
He was gibbering like an angry ape: his frame was shaking with fury: every hair in the tangle on his face and hands seemed to bristle with his Berserker frenzy.
But he kept away from me, and I saw that he was still fighting to preserve his self-control.
I maintained a bold front.
"This may do for your own people," I said contemptuously, "but it doesn't impress me, I'm an American citizen!"
He was calmer now, but his eyes glittered dangerously.
"An American citizen?" he said in an icy tone. Then he fairly hissed at me:
"You fool! Blind, besotted fool! Do you think you can trifle with the might of the German Empire? Ah! I've played a pretty game with you, you dirty English dog! I've watched you squirming and writhing whilst the stupid German told you his pretty little tale and plied you with his wine and his cigars. You're in our power now, you miserable English hound! Do you understand that? Now call on your fleet to come and save you!
"Listen! I'll be frank with you to the last. I've had my suspicions of you from the first, when they telephoned me that you had escaped from the hotel, but I wanted to make sure. Ever since you have been in this room it has been in my power to push that bell there and send you to Spandau, where they rid us of such dirty dogs as you.
"But the game amused me. I liked to see the Herr Englander playing the spy against me, the master of them all. Do you know, you fool, that old Schratt knows English, that she spent years of her harlot's life in London, and that when you allowed her a glimpse of that passport, your own passport, the one you so cleverly burned, she remembered the name? Ah! you didn't know that, did you?
"Shall I tell you what was in that telegram they just brought me? It was from Schratt, our faithful Schratt, who shall have a bangle for this night's work, to say that the corpse at the hotel has a chain round its neck with an identity disc in the name of Semlin. Ha! you didn't know that either, did you?
"And you would bargain and chaffer with me! You would dictate your terms, you scum! You with your head in a noose, a spy that has failed in his mission, a miserable wretch that I can send to his death with a flip of my little finger! You impudent hound! Well, you'll get your deserts this time, Captain Desmond Okewood ... but I'll have that paper first!"
Roaring "Give it to me!" he rushed at me like some frenzied beast of the jungle. The veins stood out at his temples, his hairy nostrils opened and closed as his breath came faster, his long arms shot out and his great paws clutched at my throat.
But I was waiting for him. As he came at me, I heard his clubfoot stump once on the polished floor, then, from the radiator behind me, I raised high in my arms the heavy marble slab, and with every ounce of strength in my body brought it crashing down on his head.
He fell like a log, the blood oozing sluggishly from his head on to the parquet. I stopped an instant, snatched the cigar-case from the pocket where he had placed it, extracted the document and fled from the room.
CHAPTER XI MISS MARY PRENDERGAST RISKS HER REPUTATIONThe rooms of our suite were intercommunicating so that you could pass from one to the other without going into the corridor at all. Schmalz had retired this way, going from my room through the bathroom to his own room. In the excitement of the moment I forgot all about this, else I should not have omitted such an elementary precaution as slipping the bolt of the door communicating between my room and the bathroom.
As I stepped out into the corridor, with the crash of that heavy body still ringing in my ears, I thought I caught the sound of a light step in the bathroom; the next moment I heard a door open and then a loud exclamation of horror in the room I had just left.
The corridor was dim and deserted. The place seemed uninhabited. No boots stood outside the rooms, and open doors, one after the other, were sufficient indication that the apartments they led to were untenanted.
I didn't pause to reason or to plan. On hearing that long drawn out cry of horror, I dashed blindly down the corridor at top speed, followed it round to the right and then, catching sight of a small staircase, rushed up it three steps at a time. As I reached the top I heard a loud cry somewhere on the floor below. Then a door banged, there was the sound of running feet and ... silence.
I found myself on the next floor in a corridor similar to the one I had just left. Like it, it was desolate and dimly lit. Like it, it showed room after room silent and empty. Agitated as I was, the contrast with the bright and busy vestibule and the throng of uniformed servants below was so marked that it struck me with convincing force. Even the hotels, it seemed, were part and parcel of the great German publicity bluff which I had noted in my reading of the German papers at Rotterdam.
I had no plan in my head, only a wild desire to put as much distance as possible between me and that ape-man in the room below. So, after pausing a moment to listen and draw breath, I started off again. Suddenly a door down the corridor, not ten paces away from me, opened and a woman came out. I stopped dead in my headlong course, but it was too late and I found myself confronting her.
She was young and very beautiful with masses of thick brown hair clustering round a very white forehead. She was in evening dress, all in white, with an ermine wrap.
Even as I looked at her I knew her and she knew me.
"Monica," I whispered.
"Why! Desmond!" she said.
A regular hubbub echoed from below. Voices were crying out, doors were banging, there was the sound of feet.
The girl was speaking, saying in her low and pleasant voice phrases that were vague to me about her surprise, her delight at seeing me. But I did not listen to her. I was straining my ears towards that volume of chaotic noises which came swelling up from below.
"Monica!" I interrupted swiftly, "have you any place to hide me? This place is dangerous for me.... I must get away. If you can't save me, don't stay here but get away yourself as fast as you can. They're after me and if they catch you with me it will be bad for you!"
Without a word the girl turned round to the room she had just left. She beckoned to me, then knocked and went in. I followed her. It was a big, pleasant bedroom, elegantly furnished with a soft carpet and silk hangings, and I know not what, with shaded lights and flowers in profusion. Sitting up in bed was a stout, placid-looking woman in a pink silk kimono with her hair coquettishly braided in two short pigtails which hung down on either side of her face.
Monica closed the door softly behind her.
"Why, Monica!" she exclaimed in horrorโand her speech was that of the United Statesโ"what on earth ...?"
"Not a word, Mary, but let me explain...."
"But for land's sake, Monica...."
"Mary, I want you to help...."
"But say, child, a man ... in my bedroom ... at this time o' night...."
"Oh, shucks, Mary! let me talk."
The distress of the woman in bed was so comic that I could scarcely help laughing. She had dragged the bed-clothes up till only her eyes could be seen. Her pigtails bobbed about in her emotion.
"Now, Mary dear, listen here. You're a friend of mine. This is Desmond Okewood, another, a very old and dear friend of mine too. Well, you know, Mary, this isn't a healthy country these times for an English officer. That's what Desmond here is. I didn't know he was in Germany. I don't know a thing about him except what he's told me and that's that he's in danger and wants me to help him. I met him outside and brought him right in here, as I know you would want me to, wouldn't you, dear?"
The lady poked her nose
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