A Rogue by Compulsion by Victor Bridges (top 10 most read books in the world txt) 📕

Clear soup.

Grilled salmon.

Lamb. New potatoes.

Woodcock.

Pêche Melba.

Marrow on Toast.

I read it through, enjoying each separate word, and then, with a faint sigh, handed it back to him.

"Heaven," I said, "was undoubtedly at the conference."

M. Gaultier picked up a wine list from the table. "And what will
Monsieur drink?" he inquired reverently.

"Monsieur," I replied, "has perfect faith in your judgment. He will drink everything you choose to give him."

Half an hour later I again lay back in my chair, and lapped in a superb contentment gently murmured to myself those two delightful lines of Sydney Smith's—

"Serenely calm, the epicure may say:
Fate cannot harm me, I have dined today."

I sipped my Turkish coffee, lighted the fragrant Cabana which M. Gaultier had selected for me, and debated cheerfully with myself what I should do next. I had had so many unpleasant evenings since my trial that I was determined that this one at all events should be a complete success.

My first impulse of course was to visit George. There was something very engaging in the thought of being ushered into his presence by a respectable butler, and making my excuses for having called at such an unreasonable hour. I pictured to myself how he would look as I gradually dropped my assumed voice, and very slowly the almost incredible truth began to dawn on him.

So charming was the idea that it was only with some reluctance I was able to abandon it. I didn't want to waste George: he had to last me at least three days, and I felt that if I went down there now, warmed and exhilarated with wine and food, I should be almost certain to give myself away. I had no intention of doing that until the last possible moment. I still had a sort of faint irrational hope that by watching George without betraying my identity, I might discover something which would throw a little light on his behaviour to me.

But if I didn't go to Cheyne Walk, what was I to do? I put the question to myself as I slowly lifted the glass of old brandy which the waiter had set down in front of me, and before the fine spirit touched my lips the answer had flashed into my mind. I would go and see Tommy!

It was the perfect solution of the difficulty; and as I put down the glass again I laughed softly in sheer happiness. The prospect of interviewing Tommy without his recognizing me was only a degree less attractive than the thought of a similar experience with George. I knew that the mere sight of his velvet coat and his dear old burly carcase would fill me with the most delightful emotions—emotions which now, amongst all my one-time friends, he and perhaps poor little Joyce would alone have the power to provoke. The others seemed to me as dead as the past to which they belonged.

One thing I was determined on, and that was that I wouldn't give away my secret. It would be difficult not to, for there were naturally a hundred things I wanted to say to Tommy; but, however much I might be tempted, I was resolved to play the game. It was not the thought of my promise to McMurtrie (that sat very easily on my conscience), but the possibility of getting Tommy himself into trouble. I knew that for me he would run any risk in the world with the utmost cheerfulness, but I had no intention of letting him do it. He had done more than enough for me at the time of the trial.

I called for the waiter and paid my bill. It seemed absurdly cheap for such a delightful evening, and I said as much to M. Gaultier, who insisted on accompanying me to the door. He received the remark with a protesting gesture of his hands.

"Most people," he said, "feed. Monsieur eats. To such we do not wish to overcharge. It is a pleasure to provide a dinner which is appreciated."

The porter outside volunteered to call me a taxi, and while he was engaged in that operation I had a sharp look up and down the street to see whether my friend with the scar was hanging about anywhere. I could discern no sign of him, but all the same, when the taxi came up, I took the precaution of directing the man in a fairly audible voice to drive me to the Pavilion, in Piccadilly Circus. It was not until we were within a few yards of that instructive institution that I whistled through the tube and told him to take me on to Chelsea.

I knew Tommy was in the same studio, for Joyce had told me so in her second letter. It was one of a fairly new block of four or five at the bottom of Beaufort Street, about half a mile along the embankment from George's house. All the way down I was debating with myself what excuse I could offer for calling at such a late hour, and finally I decided that the best thing would be to pretend that I was a travelling American artist who had seen and admired some of Tommy's work. Under such circumstances it would be difficult for the latter not to ask me in for a short chat.

I stopped the cab in the King's Road, and getting out, had another good look round to see that I was not being followed. Satisfied on this point, I lighted a second cigar and started off down Beaufort Street.

The stretch of embankment at the bottom seemed to have altered very little since I had last seen it. One or two of the older houses had been done up, but Florence Court, the block of studios in which Tommy lived, was exactly as I remembered it. The front door was open, after the usual casual fashion that prevails in Chelsea, and I walked into the square stone hall, which was lighted by a flickering gas jet.

There was a board on the right, containing the addresses of the various tenants. Opposite No. 3 I saw the name of Mr. T.G. Morrison, and with a slight quickening of the pulse I advanced along the corridor to Tommy's door.

As I reached it I saw that there was a card tied to the knocker. I knew that this was a favourite trick of Tommy's when he was away, and with a sharp sense of disappointment I bent down to read what was written on it. With some difficulty, for the light was damnable, I made out the following words, roughly scribbled in pencil:

"Out of Town. Please leave any telegrams or urgent letters at No. 4.
T.M."

I dropped the card and stood wondering what to do. If Tommy had some pal living next door, as seemed probable from his notice, the latter would most likely know what time he was expected to return. For a moment I hesitated: then retracing my steps, I walked back into the hall and glanced at the board to see who might be the tenant of No. 4.

To my surprise I found it was a woman—a "Miss Vivien."

At first I thought I must be wrong, for women had always been the one agreeable feature of life for which Tommy had no manner of use. There it was, however, as plain as a pikestaff, and with a feeling of lively interest I turned back towards the flat. Whoever Miss Vivien might be, I was determined to have a look at her. I felt that the girl whom Tommy would leave in charge of his more important correspondence must be distinctly worth looking at.

I rang the bell, and after a short wait the door was opened by a little maid about the size and age of Gertie 'Uggins, dressed in a cap and a print frock.

"Is Miss Vivien in?" I asked boldly.

She shook her head. "Miss Vivien's out. 'Ave you got an appointment?"

"No," I said. "I only want to know where Mr. Morrison is, and when he's coming back. There's a notice on his door asking that any letters or telegrams should be left here, so I thought Miss Vivien might know."

She looked me up and down, with a faint air of suspicion.

"'E's away in 'is boat," she said shortly. "'E won't be back not till
Thursday."

So Tommy still kept up his sailing! This at least was news, and news which had a rather special interest for me. I wondered whether the "boat" was the same little seven-tonner, the Betty, in which we had spent so many cheerful hours together off the Crouch and the Blackwater.

"Thanks," I said; and then after a moment's pause I added, "I suppose if I addressed a letter here it would be forwarded?"

"I s'pose so," she admitted a little grudgingly.

There seemed to be nothing more to say, so bidding the damsel good-night, I walked off down the passage and out on to the embankment. If I had drawn a blank as far as seeing Tommy was concerned, my evening had not been altogether fruitless. I felt vastly curious as to who Miss Vivien might be. Somehow or other I couldn't picture Tommy with a woman in his life. In the old days, partly from shyness and partly, I think, because they honestly bored him, he had always avoided girls with a determination that at times bordered on rudeness. And yet, unless all the signs were misleading, it was evident that he and his next-door neighbour were on fairly intimate terms. The most probable explanation seemed to me that she was some elderly lady artist who darned his socks for him, and shed tears in secret over the state of his wardrobe. There was a magnificent uncouthness about Tommy which would appeal irresistibly to a certain type of motherly woman.

I strolled up the embankment in the direction of Chelsea Bridge, smiling to myself over the idea. Whether it was right or not, it presented such a pleasing picture that I had walked several hundred yards before I quite woke up to my surroundings. Then with a sudden start I realized that I was quite close to George's house.

It was a big red-brick affair, standing back from the embankment facing the river. As I came opposite I could see that there was a light on the first floor, in the room which I knew George used as a study. I stopped for a minute, leaning back against the low wall and staring up at the window.

I wondered what my cousin was doing. Perhaps he was sitting there, looking through the evening paper in the vain hope of finding news of my capture. I could almost see the lines on his forehead and the nervous, jerky way in which he would be biting his fingers—a trick of his that had always annoyed me intensely. He would bite harder than ever if he only knew that I was standing outside in the darkness not more than twenty yards away from him!

I waited for a little while in the hope that he might come to the window, but this luxury was denied me.

"Good-night, George," I said softly; "we'll meet in the morning," and then, with a last affectionate look at the lighted blind, I continued my way along the embankment.

I was not sure which turning I ought to take for Edith Terrace, but an obliging policeman who was on duty outside the Tate Gallery put me on the right track. There was something delicately pleasing to my sense of humour in appealing to a constable, and altogether it was in a most contented frame of mind that I inserted my latch-key into Mrs. Oldbury's door and let myself into the house. My first day's holiday seemed to me to have been quite a success.

I woke next morning at seven, or perhaps I should say I was awakened by Gertie 'Uggins, who to judge from the noise was apparently engaged in wrecking the sitting-room. I looked at my watch, and then halloed to her through the door. The tumult ceased, and a head, elaborately festooned with curl-papers, was inserted into the room.

"Yer want yer barf?" it asked.

"I do, Gertrude," I said; "and after that I want my breakfast. I have a lot to do today."

The head withdrew itself, tittering; and a moment later I heard a shrill voice calling down the kitchen stairs.

"Grahnd floor wants