Highways & Byways in Sussex by E. V. Lucas (e reader pdf best .txt) đź“•
[Sidenote: MIDHURST]
If we are to begin our travels in Sussex with the best, then Midhurst is the starting point, for no other spot has so much to offer: a quiet country town, gabled and venerable, unmodernised and unambitious, with a river, a Tudor ruin, a park of deer, heather commons, immense woods, and the Downs only three miles distant. Moreover, Midhurst is also the centre of a very useful little railway system, which, having only a single line in each direction, while serving the traveller, never annoys him by disfiguring the country or letting loose upon it crowds of vandals. Single lines always mean thinly populated country. As a pedestrian poet has sung:--
My heart leaps up when I behold A single railway line; For then I know the wood and wold Are almost wholly mine.
And Midhurst being on no great high road is nearly always quiet. Nothing ever hurries there. The people live their own lives, passing along their few narrow streets and the one broad on
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Not only is Horsham stone on the roofs of the neighbourhood: it is also on the paths, so that one may step from flag to flag for miles, dryshod, or at least without mud.
Horsham's place in history is unimportant: but indirectly it played its part in the fourteenth century, by supplying the War Office of that era with bolts for cross bows, excellent for slaying Scots and Frenchmen. The town was famous also for its horseshoes. In the days of Cromwell we find Horsham to have been principally Royalist; one engagement with Parliamentarians is recorded in which it lost three warriors to Cromwell's one. In the reign of William III. a young man claiming to be the Duke of Monmouth, and travelling with a little court who addressed him as "Your Grace," turned the heads of the women in many an English town—his good looks convincing them at once, as the chronicler says, that he was the true prince. Justices sitting at Horsham, however, having less susceptibility to the testimony of handsome features, found him to be the son of an innkeeper named Savage, and imprisoned him as a vagrant and swindler.
Horsham was the last place in which pressing to death was practised. The year was 1735, and the victim a man unknown, who on being charged with murder and robbery refused to speak. Witnesses having been called to prove him no mute, this old and horrible sentence, proper (as the law considered) to his offence and obstinacy, was passed upon him. The executioner, the story goes, while conveying the body in a wheelbarrow to burial, turned it out in the roadway at the place where the King's Head now stands, and then putting it in again, passed on. Not long afterwards he fell dead at this spot.
The church of St. Mary, which rises majestically at the end of the Causeway, has a slender shingled spire that reaches a great height—not altogether, however, without indecision. There is probably an altitude beyond which shingles are a mistake: they are better suited to the more modest spire of the small village. The church is remarkable also for length of roof (well covered with Horsham stone), and it is altogether a singularly commanding structure. Within is an imposing plainness. The stone effigy of a knight in armour reclines just to the south of the altar: son of a branch of the Braose family—of Chesworth, hard by, now in ruins—of whose parent stock we shall hear more when we reach Bramber. The knight, Thomas, Lord Braose, died in 1395. The youth of Horsham, hostile invincibly, like all boys, to the stone nose, have reduced that feature to the level of the face; or was it the work of the Puritans, who are known to have shared in the nasal objection? South of the churchyard is the river, from the banks of which the church would seem to be all Horsham, so effectually is the town behind it blotted out by its broad back. On the edge of the churchyard is perhaps the smallest house in Sussex: certainly the smallest to combine Gothic windows with the sale of ginger-beer.
Horsham seems always to have been fond of pleasure. Within iron railings in the Carfax, in a trim little enclosure of turf and geraniums, is the ancient iron ring used in the bull-baiting which the inhabitants indulged in and loved until as recently as 1814. That the town is still disposed to entertainment, although of a quieter kind, its walls testify; for the hoardings are covered with the promise of circus or conjuror, minstrels or athletic sports, drama or lecture. In July, when I was there last, Horsham was anticipating a fête, in which a mock bull-fight and a battle of confetti were mere details; while it was actually in the throes of a fair. The booths filled an open space to the west of the town known as the Jew's Meadow, and among the attractions was Professor Adams with his "school of undefeated champions." The plural is in the grand manner, giving the lie to Cashel Byron's pathetic plaint:—
Avoiding Professor Adams, and walking due west, one comes after a couple of miles to Broadbridge Heath, where is Field Place, the birthplace of the greatest of Sussex poets, and perhaps the greatest of the county's sons—Percy Bysshe Shelley. The author of Adonais was born in a little bedroom with a south aspect on August 4, 1792. His father's mother, née Michell, was the daughter of a late vicar of Horsham and member of an old Sussex family; another Horsham cleric, the Rev. Thomas Edwards, gave the boy his first lessons. Field Place is still very much what it was in Shelley's early days—the only days it was a home to him. It stands low, in a situation darkened by the surrounding trees, a rambling house neither as old as one would wish for æsthetic reasons nor as new as comfort might dictate. There is no view. In the garden one may in fancy see again the little boy, like all poetic children, "deep in his unknown day's employ." Indeed, like all children, might be said, for is not every child a poet for a little while? In the Life of Shelley by his cousin Thomas Medwin is printed the following letter to a friend at Horsham, written when he was nine, which I quote not for any particular intrinsic merit, but because it helps to bring him before us in his Field Place days, of which too little is known:—
"Monday, July 18, 1803.
"Miss Kate,
"Horsham,
"Sussex.
"Dear Kate,—We have proposed a day at the pond next Wednesday, and if you will come to-morrow morning I would be much obliged to you, and if you could any how bring Tom over to stay all the night, I would thank you. We are to have a cold dinner over at the pond, and come home to eat a bit of roast chicken and peas at about nine o'clock. Mama depends upon your bringing Tom over to-morrow, and if you don't we shall be very much disappointed. Tell the bearer not to forget to bring me a fairing, which is some ginger-bread, sweetmeat, hunting-nuts, and a pocket-book. Now I end.
"I am not
"Your obedient servant,
"P. B. Shelley."
We are proud to call Shelley the Sussex poet, but he wrote no Sussex poems, and a singularly uncongenial father (for the cursing of whom and the King the boy was famous at Eton) made him glad to avoid the county when he was older. It was, however, to a Sussex lady, Miss Hitchener of Hurstpierpoint, that Shelley, when in Ireland in 1812, forwarded the box of inflammatory matter which the Custom House officers confiscated—copies of his pamphlet on Ireland and his "Declaration of Rights" broadside, which Miss Hitchener was to distribute among Sussex farmers who would display them on their walls. These were the same documents that Shelley used to put in bottles and throw out to sea, greatly to the perplexity of the spectators and not a little to the annoyance of the Government. Miss Hitchener, as well as the revolutionary, was kept under surveillance, as we learn from the letter from the Postmaster-General of the day, Lord Chichester:—"I return the pamphlet declaration. The writer of the first is son of Mr. Shelley, member for the Rape of Bramber, and is by all accounts a most extraordinary man. I hear he has married a servant, or some person of very low birth; he has been in Ireland for some time, and I heard of his speaking at the Catholic Convention. Miss Hitchener, of Hurstpierpoint, keeps a School there, and is well spoken of; her Father keeps a Publick House in the Neighbourhood, he was originally a Smuggler and changed his name from Yorke to Hitchener before he took the Public House. I shall have a watch upon the daughter and discover whether there is any Connection between her and Shelley."
There Shelley's connection with Sussex may be said to end. Yet a poet, whether he will or no, is shaped by his early surroundings. In some verses by Mr. C. W. Dalmon called "The Sussex Muse," I find the influence of Shelley's surroundings on his mind happily recorded:—
Cottages at Slinfold
Cottages at Slinfold.Two miles south-west of Field Place, by a footpath which takes us beside the Arun, here a narrow stream, and a deserted water mill, we come to the churchyard of Slinfold, a little quiet village with a church of almost suburban solidity and complete want of Sussex feeling. James Dallaway, the historian of Western Sussex, was rector here from 1803 to 1834. He lived, however, at Leatherhead, Slinfold being a sinecure. A Slinfold epitaph on an infant views bereavement with more philosophy than is usual: in conclusion calling upon Patience thus to comfort the parents:
A quarter of a mile west is Stane Street, striking London-wards from Billingshurst, and we may follow it for a while on our way to Rudgwick, near the county's border. We leave the Roman road (which once ran as straight as might be as far as Billingsgate, but is now diverted and lost in many spots) at the drive to Dedisham, on the left, and thus save a considerable corner. Dedisham, in its hollow, is an ancient agricultural settlement: a farm and feudatory cottages in perfect completeness, an isolated self-sufficing community, lacking nothing—not even the yellow ferret in the cage. The footpath beyond the homestead crosses a field where we find the Arun once again—here a stream winding between steep banks, sure home of kingfisher and water-rats.
Rudgwick, which is three miles farther west along the hard high road, is a small village on a hill, with the most comfortable looking church-tower in Sussex hiding behind the inn and the general shop. In the churchyard lies a Frusannah—a name new to me.
Rudgwick was the birthplace, in 1717, of Reynell Cotton, destined to be the author of the best song in praise of cricket. He
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