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By George Madden Martin. Illustrated by Charles Louis Hinton.
Emmy Lou is irresistibly lovable, because she is so absolutely real. She is just a bewitchingly innocent, huggable little maid. The book is wonderfully human.

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BEN HUR. A Tale of the Christ. By General Lew Wallace.
This famous Religious-Historical Romance with its mighty story, brilliant pageantry, thrilling action and deep religious reverence, hardly requires an outline. The whole world has placed "Ben-Hur" on a height of pre-eminence which no other novel of its time has reached. The clashing of rivalry and the deepest human passions, the perfect reproduction of brilliant Roman life, and the tense, fierce atmosphere of the arena have kept their deep fascination.

THE PRINCE OF INDIA. By General Lew Wallace.
A glowing romance of the Byzantine Empire, showing, with vivid imagination, the possible forces behind the internal decay of the Empire that hastened the fall of Constantinople.

The foreground figure is the person known to all as the Wandering Jew, at this time appearing as the Prince of India, with vast stores of wealth, and is supposed to have instigated many wars and fomented the Crusades.

Mohammed's love for the Princess Irene is beautifully wrought into the story, and the book as a whole is a marvelous work both historically and romantically.

THE FAIR GOD. By General Lew Wallace. A Tale of the Conquest of Mexico. With Eight Illustrations by Eric Pape.
All the annals of conquest have nothing more brilliantly daring and dramatic than the drama played in Mexico by Cortes. As a dazzling picture of Mexico and the Montezumas it leaves nothing to be desired.

The artist has caught with rare enthusiasm the spirit of the Spanish conquerors of Mexico, its beauty and glory and romance.

TARRY THOU TILL I COME or, Salathiel, the Wandering Jew. By George Croly. With twenty illustrations by T. de Thulstrup.
A historical novel, dealing with the momentous events that occurred, chiefly in Palestine, from the time of the Crucifixion to the destruction of Jerusalem.

The book, as a story, is replete with Oriental charm and richness, and the character drawing is marvelous. No other novel ever written has portrayed with such vividness the events that convulsed Rome and destroyed Jerusalem in the early days of Christianity.

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THE LEOPARD'S SPOTS: A Story of the White Man's Burden, 1865-1900. With illustrations by C. D. Williams.
A tale of the South about the dramatic events of Destruction, Reconstruction and Upbuilding. The work is able and eloquent and the verifiable events of history are followed closely in the development of a story full of struggle.

THE CLANSMAN. With illustrations by Arthur I. Keller.
While not connected with it in any way, this is a companion volume to the author's "epoch-making" story The Leopard's Spots. It is a novel with a great deal to it, and which very properly is going to interest many thousands of readers. * * * It is, first of all, a forceful, dramatic, absorbing love story, with a sequence of events so surprising that one is prepared for the fact that much of it is founded on actual happenings; but Mr. Dixon has, as before, a deeper purposeβ€”he has aimed to show that the original formers of the Ku Klux Klan were modern knights errant taking the only means at hand to right intolerable wrongs.

THE TRAITOR. A Story of the Fall of the Invisible Empire. Illustrations by C. D. Williams.
The third and last book in this remarkable trilogy of novels relating to Southern Reconstruction. It is a thrilling story of love, adventure, treason, and the United States Secret Service dealing with the decline and fall of the Ku Klux Klan.

COMRADES. Illustrations by C. D. Williams.
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THE ONE WOMAN. A Story of Modern Utopia.
A love story and character study of three strong men and two fascinating women. In swift, unified, and dramatic action, we see Socialism a deadly force, in the hour of the eclipse of Faith, destroying the home life and weakening the fiber of Anglo Saxon manhood.

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