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night for your safety my vigil I’ve kept,

While you, my dear spouses, so quietly slept—

The Hens

What kindness, what sacrifice, wonderful bird!

The Cock

All night for your safety my slumber I scorn;

Now when I would utter my ode to the morn

He mimics my melody with his fog-horn.

                  Wake! Wake!

I spy from my eyrie up here on this heap

That I am myself and the world is asleep.

The Ass

The style of these birds is too fine for to-day;

I see I must waken the world with my bray.

The Pigs

All night we have starved—not a crust, not a crum

And lain awake thinking of breakfast to come;

If we grunt all together, perhaps we’ll get some.

The Hunter

  I spring from my bed like one from the dead,

    I leap from my lair like the fawn;

  The still stars are flashing their fires overhead,

    And lo the white light of the dawn.

 

  I rise from my dreams to plunge in the streams;

    I run in the rainbows of dew;

  I bathe in the wind and the warm sunbeams,

    And drink of the light of the blue.

 

  I am strong, I am wise; there is fire in my eyes;

    My thews are of marble and blood;

  I am that that I am, whate’er may arise;

    I am Might, I am Man, I am God.

The Philosopher

Still weary, I wake to watch the dawn break,

  Victorious o’er all unawares;

For wisdom is born ’twixt the night and the morn

  On the lips of the passionate stars,

As they faint at the gray pale face of day

  Peering through cloudy bars.

 

With my hands so old I gather the gold

  Of the flowers around me spread;

For every one is sprouted and spun

  From the bones of a wise man dead;

And I plant them again with wisdom and pain,

  Until they be perfected.

 

I am weak, I am old, but I gather the gold

  From the sifted sands of the sod,

To crown man a king over everything

  On a pinnacle yet untrod;

And when I have done then Heaven is won:

  I am Mind, I am Man, I am God.

(The Sun rises with a thunder-clap of light.)

The Sun

From the throng’d and thick world under,

I arise with step of thunder.

Through the mantle of my fire,

Through my flaming locks of hair,

Glows the form that all desire,

But more bright than they can bear;

For although I make men see,

None can dare to gaze on me.

Whether I rise in fire or blood,

Mortals hail me lord or god.

Then, before my battling knees,

Bubbling boil the surging seas,

And the clouds are writhing brent

By my fiery chastisement.

With my right hand held on high,

I let Life, the Angel, fly;

With my left, I grip and quell

Death, the Old Man, drag’d from hell.

But ye men, who bow so low

At my gorgeous orient, know

That for ever in chains I go.

I am lord for I am slave;

Conqueror because I save;

Master for I must obey;

God because I burn away.

Though my lordly planets pace,

Peers before my sovran face,

In them every grain of sand

Governs me with like command.

So within my empery,

Only he who serves is free

And shall win the victory.

           The Boy awakes

PHILOSOPHIES

By SIR RONALD ROSS

Third Impression. 2s. net.

    “It is fitting that in this, our great journal, there should be recognition of another to whom must be given the double laurel of science and poetry.”—Dr. S. Weir Mitchell, in Journal of the American Medical Association.

    “Sir Ronald Ross’s little book, ‘Philosophies,’ has never received much attention in the press, but it contains some of the best of contemporary verse.”—Solomon Eagle, in The New Statesman.

    “To the man of science, no song of triumph could be nobler. . . . The poet of science has here given us one of the rarest gifts in literature.”—The Nation.

    “Yes, the thunder and the fire have filled his lips with flame, and his little book is an event in the development of English Poetry.”—Sir Edward Russell, in The Liverpool Daily Post.

    “First and last the work of a poet. . . . Cannot for a moment be considered as a bye-product of a mind engaged with science. . . . The quality of the poetry will be already evident from the few quotations given; its austere distinction, its freedom from mere ornament, its closeness to the large imagination beneath it. . . . Professor Ross can shape his morality into great and statuesque imagination. . . . Readers must be left to find out for themselves the grave thought, concise yet dignified phrasing and tremendous tropical imagery of ‘In Exile.’”—Mr. Lascelles Abercrombie, in The Liverpool Courier.

    “I read it (In Exile) aloud last night to my wife. We think that it is by far the most splendid poem of modern times. It is magnificent. It moved us both very deeply. I know nothing like it. . . . I am very proud to have my name in the preface of a book that seems to me the only living book of poems published in this land in my generation. Your ‘Philosophies’ will, I feel sure, alter the direction of intellectual energy throughout the land. They are full of the most wise and splendid poetry.”—Mr. John Masefield.

Fables (250 copies privately printed)        5/- net.

    “He is a poet and not a mere satirist.”—Sir Edward Russell.

    “It is distinguished, it is deft, it is always rich, it is often beautiful, and the veins of its orthodox figures are filled with colours so fine that they become wholly vital and romantic.”—The late Mr. Dixon Scott.

The Setting Sun       1/6 net.

    A satire on the state of Britain before the war.

LONDON: JOHN MURRAY, ALBEMARLE ST., W.1

PRINTED BY

HAZELL, WATSON AND VINEY, LD.,

LONDON AND AYLESBURY,

ENGLAND.

Transcriber’s Notes:

Punctuation has been corrected without note. Other errors have been corrected as noted below:

 

Page 18, As venemous-narrow’d as a ==> As venomous-narrow’d as a

Page 19, You are at tremble. ==> You are atremble.

Page 70, is by ar the most ==> is by far the most

 

 






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