The Age of Innocence by Edith Wharton (story read aloud TXT) đź“•
In the centre of this enchanted garden MadameNilsson, in white cashmere slashed with pale blue satin,a reticule dangling from a blue girdle, and large yellowbraids carefully disposed on each side of her muslinchemisette, listened with downcast eyes to M. Capoul'simpassioned wooing, and affected a guileless incomprehensionof his designs whenever, by word or glance, hepersuasively indicated the ground floor window of theneat brick villa projecting obliquely from the right wing.
"The darling!" thought Newland Archer, his glanceflitting back to the young girl with the lilies-of-the-valley. "She doesn't even guess what it's all about."And he contemplated her absorbed young face with athrill of possessorship in which pride in his own masculineinitiation was mingled with a tender reverence forher abysmal purity. "We'll read Faust together
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his hands.
The silence that followed lay on them with the weight
of things final and irrevocable. It seemed to Archer to
be crushing him down like his own grave-stone; in all
the wide future he saw nothing that would ever lift that
load from his heart. He did not move from his place, or
raise his head from his hands; his hidden eyeballs went
on staring into utter darkness.
“At least I loved you—” he brought out.
On the other side of the hearth, from the sofa-corner
where he supposed that she still crouched, he heard a
faint stifled crying like a child’s. He started up and
came to her side.
“Ellen! What madness! Why are you crying? Nothing’s
done that can’t be undone. I’m still free, and
you’re going to be.” He had her in his arms, her face
like a wet flower at his lips, and all their vain terrors
shrivelling up like ghosts at sunrise. The one thing that
astonished him now was that he should have stood for
five minutes arguing with her across the width of the
room, when just touching her made everything so simple.
She gave him back all his kiss, but after a moment he
felt her stiffening in his arms, and she put him aside
and stood up.
“Ah, my poor Newland—I suppose this had to be.
But it doesn’t in the least alter things,” she said, looking
down at him in her turn from the hearth.
“It alters the whole of life for me.”
“No, no—it mustn’t, it can’t. You’re engaged to
May Welland; and I’m married.”
He stood up too, flushed and resolute. “Nonsense!
It’s too late for that sort of thing. We’ve no right to lie
to other people or to ourselves. We won’t talk of your
marriage; but do you see me marrying May after this?”
She stood silent, resting her thin elbows on the mantelpiece,
her profile reflected in the glass behind her. One
of the locks of her chignon had become loosened and
hung on her neck; she looked haggard and almost old.
“I don’t see you,” she said at length, “putting that
question to May. Do you?”
He gave a reckless shrug. “It’s too late to do
anything else.”
“You say that because it’s the easiest thing to say at
this moment—not because it’s true. In reality it’s too
late to do anything but what we’d both decided on.”
“Ah, I don’t understand you!”
She forced a pitiful smile that pinched her face
instead of smoothing it. “You don’t understand because
you haven’t yet guessed how you’ve changed things for
me: oh, from the first—long before I knew all you’d
done.”
“All I’d done?”
“Yes. I was perfectly unconscious at first that people
here were shy of me—that they thought I was a dreadful
sort of person. It seems they had even refused to
meet me at dinner. I found that out afterward; and
how you’d made your mother go with you to the van
der Luydens’; and how you’d insisted on announcing
your engagement at the Beaufort ball, so that I might
have two families to stand by me instead of one—”
At that he broke into a laugh.
“Just imagine,” she said, “how stupid and unobservant
I was! I knew nothing of all this till Granny
blurted it out one day. New York simply meant peace
and freedom to me: it was coming home. And I was so
happy at being among my own people that every one I
met seemed kind and good, and glad to see me. But
from the very beginning,” she continued, “I felt there
was no one as kind as you; no one who gave me
reasons that I understood for doing what at first seemed
so hard and—unnecessary. The very good people didn’t
convince me; I felt they’d never been tempted. But you
knew; you understood; you had felt the world outside
tugging at one with all its golden hands—and yet you
hated the things it asks of one; you hated happiness
bought by disloyalty and cruelty and indifference. That
was what I’d never known before—and it’s better than
anything I’ve known.”
She spoke in a low even voice, without tears or
visible agitation; and each word, as it dropped from
her, fell into his breast like burning lead. He sat bowed
over, his head between his hands, staring at the hearthrug,
and at the tip of the satin shoe that showed under
her dress. Suddenly he knelt down and kissed the shoe.
She bent over him, laying her hands on his shoulders,
and looking at him with eyes so deep that he remained
motionless under her gaze.
“Ah, don’t let us undo what you’ve done!” she cried.
“I can’t go back now to that other way of thinking. I
can’t love you unless I give you up.”
His arms were yearning up to her; but she drew
away, and they remained facing each other, divided by
the distance that her words had created. Then, abruptly,
his anger overflowed.
“And Beaufort? Is he to replace me?”
As the words sprang out he was prepared for an
answering flare of anger; and he would have welcomed
it as fuel for his own. But Madame Olenska only grew
a shade paler, and stood with her arms hanging down
before her, and her head slightly bent, as her way was
when she pondered a question.
“He’s waiting for you now at Mrs. Struthers’s; why
don’t you go to him?” Archer sneered.
She turned to ring the bell. “I shall not go out this
evening; tell the carriage to go and fetch the Signora
Marchesa,” she said when the maid came.
After the door had closed again Archer continued to
look at her with bitter eyes. “Why this sacrifice? Since
you tell me that you’re lonely I’ve no right to keep you
from your friends.”
She smiled a little under her wet lashes. “I shan’t be
lonely now. I WAS lonely; I WAS afraid. But the emptiness
and the darkness are gone; when I turn back into
myself now I’m like a child going at night into a room
where there’s always a light.”
Her tone and her look still enveloped her in a soft
inaccessibility, and Archer groaned out again: “I don’t
understand you!”
“Yet you understand May!”
He reddened under the retort, but kept his eyes on
her. “May is ready to give me up.”
“What! Three days after you’ve entreated her on
your knees to hasten your marriage?”
“She’s refused; that gives me the right—”
“Ah, you’ve taught me what an ugly word that is,”
she said.
He turned away with a sense of utter weariness. He
felt as though he had been struggling for hours up the
face of a steep precipice, and now, just as he had
fought his way to the top, his hold had given way and
he was pitching down headlong into darkness.
If he could have got her in his arms again he might
have swept away her arguments; but she still held him
at a distance by something inscrutably aloof in her look
and attitude, and by his own awed sense of her sincerity.
At length he began to plead again.
“If we do this now it will be worse afterward—worse
for every one—”
“No—no—no!” she almost screamed, as if he frightened her.
At that moment the bell sent a long tinkle through
the house. They had heard no carriage stopping at the
door, and they stood motionless, looking at each other
with startled eyes.
Outside, Nastasia’s step crossed the hall, the outer
door opened, and a moment later she came in carrying
a telegram which she handed to the Countess Olenska.
“The lady was very happy at the flowers,” Nastasia
said, smoothing her apron. “She thought it was her
signor marito who had sent them, and she cried a little
and said it was a folly.”
Her mistress smiled and took the yellow envelope.
She tore it open and carried it to the lamp; then, when
the door had closed again, she handed the telegram to
Archer.
It was dated from St. Augustine, and addressed to
the Countess Olenska. In it he read: “Granny’s telegram
successful. Papa and Mamma agree marriage after
Easter. Am telegraphing Newland. Am too happy
for words and love you dearly. Your grateful May.”
Half an hour later, when Archer unlocked his own
front-door, he found a similar envelope on the hall-table
on top of his pile of notes and letters. The message
inside the envelope was also from May Welland, and
ran as follows: “Parents consent wedding Tuesday after
Easter at twelve Grace Church eight bridesmaids
please see Rector so happy love May.”
Archer crumpled up the yellow sheet as if the gesture
could annihilate the news it contained. Then he pulled
out a small pocket-diary and turned over the pages
with trembling fingers; but he did not find what he
wanted, and cramming the telegram into his pocket he
mounted the stairs.
A light was shining through the door of the little
hall-room which served Janey as a dressing-room and
boudoir, and her brother rapped impatiently on the
panel. The door opened, and his sister stood before
him in her immemorial purple flannel dressing-gown,
with her hair “on pins.” Her face looked pale and
apprehensive.
“Newland! I hope there’s no bad news in that
telegram? I waited on purpose, in case—” (No item of his
correspondence was safe from Janey.)
He took no notice of her question. “Look here—
what day is Easter this year?”
She looked shocked at such unchristian ignorance.
“Easter? Newland! Why, of course, the first week in
April. Why?”
“The first week?” He turned again to the pages of
his diary, calculating rapidly under his breath. “The
first week, did you say?” He threw back his head with
a long laugh.
“For mercy’s sake what’s the matter?”
“Nothing’s the matter, except that I’m going to be
married in a month.”
Janey fell upon his neck and pressed him to her
purple flannel breast. “Oh Newland, how wonderful!
I’m so glad! But, dearest, why do you keep on laughing?
Do hush, or you’ll wake Mamma.”
XIX.
The day was fresh, with a lively spring wind full of
dust. All the old ladies in both families had got out
their faded sables and yellowing ermines, and the smell
of camphor from the front pews almost smothered the
faint spring scent of the lilies banking the altar.
Newland Archer, at a signal from the sexton, had
come out of the vestry and placed himself with his best
man on the chancel step of Grace Church.
The signal meant that the brougham bearing the
bride and her father was in sight; but there was sure to
be a considerable interval of adjustment and consultation
in the lobby, where the bridesmaids were already
hovering like a cluster of Easter blossoms. During this
unavoidable lapse of time the bridegroom, in proof of
his eagerness, was expected to expose himself alone to
the gaze of the assembled company; and Archer had
gone through this formality as resignedly as through all
the others which made of a nineteenth century New
York wedding a rite that seemed to belong to the dawn
of history. Everything was equally easy—or equally
painful, as one chose to put it—in the path he was
committed to tread, and he had obeyed the flurried
injunctions of his best man as piously as other bridegrooms
had obeyed his own, in the days when he had
guided them through the
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