Stories to Tell Children by Sara Cone Bryant (good beach reads .TXT) π
Children do not object to these stories in the least, if the stories aregood ones. They accept them with the relish which nature seems ever tohave for all truly nourishing material. And the little tales are one ofthe media through which we elders may transmit some very slight share ofthe benefit received by us, in turn, from actual or transmittedexperience.
The second kind has no preconceived moral to offer, makes no attempt toaffect judgment or to pass on a standard. It simply presents a pictureof life, usually in fable or poetic image, and says to the hearer,"These things are." The hearer, then, consciously or otherwise, passesjudgment on the facts. His mind says, "These things are good"; or, "Thiswas good, and that, bad"; or, "This thing is desirable," or thec
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"Will you give me the Emperor's gold crown for a song?" said the little Nightingale.
"Yes," said Death; and the little Nightingale bought the Emperor's crown for a song.
"Oh, sing again, little Nightingale," begged Death.
"Will you give me the Emperor's sceptre for another song?" said the little grey Nightingale.
"Yes," said Death; and the little Nightingale bought the Emperor's sceptre for another song.
Once more Death begged for a song, and this time the little Nightingale obtained the banner for her singing. Then she sang one more song, so sweet and so sad that it made Death think of his garden in the churchyard, where he always liked best to be. And he rose from the Emperor's heart and floated away through the window.
When Death was gone, the Emperor said to the little Nightingale, "Oh, dear little Nightingale, you have saved me from Death! Do not leave me again. Stay with me on this little gold perch, and sing to me always!"
"No, dear Emperor," said the little Nightingale, "I sing best when I am free; I cannot live in a palace. But every night when you are quite alone, I will come and sit in the window and sing to you, and tell you everything that goes on in your kingdom: I will tell you where the poor people are who ought to be helped, and where the wicked people are who ought to be punished. Only, dear Emperor, be sure that you never let anybody know that you have a little bird who tells you everything."
After the little Nightingale had flown away, the Emperor felt so well and strong that he dressed himself in his royal robes and took his gold sceptre in his hand. And when the courtiers came in to see if he were dead, there stood the Emperor with his sword in one hand and his sceptre in the other, and said, "Good-morning!"
MARGERY'S GARDEN[26]There was once a little girl named Margery, who had always lived in the city. The flat where her mother and father lived was at the top of a big building, and you couldn't see a great deal from the windows, except chimney-pots on other people's roofs. Margery did not know much about trees and flowers, but she loved them dearly; whenever it was a fine Sunday she used to go with her mother and father to the park and look at the lovely flower-beds. They seemed always to be finished, though, and Margery was always wishing she could see them grow.
One spring, when Margery was nine, her father obtained a new situation and they removed to a little house with a nice big piece of ground a short distance outside the town where his new position was. Margery was delighted. And the very first thing she said, when her father told her about it, was, "Oh, may I have a garden? May I have a garden?"
Margery's mother was almost as eager for a garden as she was, and Margery's father said he expected to live on their vegetables all the rest of his life! So it was soon agreed that the garden should be the first thing attended to.
Behind the cottage were apple trees, a plum tree, and two or three pear trees; then came a stretch of rough grass, and then a stone wall, with a gate leading into the fields. It was on the grass plot that the garden was to be. A big piece was to be used for wheat and peas and beans, and a little piece at the end was to be given to Margery.
"What shall we have in it?" asked her mother.
"Flowers," said Margery, with shining eyes,β"blue, and white, and yellow, and pink,βevery kind of flower!"
"Surely, flowers," said her mother, "and shall we not have a little salad garden in the middle?"
"What is a salad garden?" Margery asked.
"It is a garden where you have all the things that make nice salad," said her mother, laughing, for Margery was fond of salads; "you have lettuce, and endive, and mustard and cress, and parsley, and radishes, and beetroot, and young onions."
"Oh! how good it sounds!" said Margery. "I should love a salad garden."
That very evening, Margery's father took pencil and paper, and drew out a plan for her garden; first, they talked it all over, then he drew what they decided on; it looked like the diagram on the next page.
"The outside strip is for flowers," said Margery's father, "and next is a footpath, all the way round the beds; that is to let you get at the flowers to weed and to pick; there is a wider path through the middle, and the rest is for rows of salad vegetables."
"Papa, it is glorious!" said Margery.
Papa laughed. "I hope you will still think it glorious when the weeding time comes," he said, "for you know, you and mother have promised to take care of this garden, while I take care of the big one."
"I wouldn't not take care of it for anything!" said Margery. "I want to feel that it is my very own."
Her father kissed her, and said it was certainly her "very own."
Two evenings after that, when Margery was called in from her first ramble in the fields, she found the postman at the door.
"Something for you, Margery," said her mother, with the look she had when something nice was happening.
It was a box, quite a big box, with a label on it that said:β
Miss Margery Brown,
Primrose Cottage,
21 Narcissus Road,
Colchester.
From Seeds and Plants Company, Reading.
Margery could hardly wait to open it. It was filled with little packages, all with printed labels; and in the packages, of course, were seeds. It made Margery dance, just to read the names,βnasturtium, giant helianthus, canariensis, calendula, Canterbury bells: more names than I can tell you; and other packages, bigger, that said, "Sweet Peas," "French beans," "Carrots," "Wallflowers," and such things! Margery could almost smell the posies, she was so excited. Only, she had seen so little of flowers that she did not know what all the names meant. She did not know that a helianthus was a sunflower until her mother told her so, and she had never seen the dear, blue, bell-shaped flowers that always grow in old-fashioned gardens, and are called Canterbury bells. She thought the calendula must be a strange, grand flower, by its name; but her mother told her it was the gay, sturdy, everydayish little flower called a marigold. There was a great deal for a little city girl to be surprised about, and it did seem as if morning was a long way off!
"Did you think you could plant them in the morning?" asked her mother. "You know, dear, the ground has to be made ready first; it takes a little time,βit may be several days before you can plant."
That was another surprise. Margery had thought she could begin to sow the seed right off.
But this was what had happened. Early the next morning, a man came driving up to the cottage with two strong white horses; in his wagon was a plough. I suppose you have seen ploughs, but Margery never had, and she watched with great interest, while the man and her father took the plough from the cart and harnessed the horses to it. It was a great, three-cornered piece of sharp steel, with long handles coming up from it, so that a man could hold it in place. It looked like this:β
"I brought a two-horse plough because it's virgin soil," the man said. Margery wondered what in the world he meant; it had not been cultivated, of course, but what had that do with the kind of plough? "What does he mean, father?" she whispered, when she got a chance. "He means that this land has not been ploughed before; it will be hard to turn the soil, and one horse could not pull the plough," said her father.
It took the man two hours to plough the little strip of land. He drove the sharp end of the plough into the soil, and held it firmly so, while the horses drew it along in a straight line. Margery found it fascinating to watch the long line of dark earth and green grass come rolling up and turn over, as the knife passed it. She could see that it took real skill and strength to keep the line even, and to avoid the stones. Sometimes the plough struck a hidden stone, and then the man was jerked almost off his feet. But he only laughed, and said, "Tough piece of land; it will be a lot better next year."
When he had ploughed, the man went back to his cart and unloaded another farm implement. This one was like a three-cornered platform of wood, with a long, curved, strong rake under it. It was called a harrow, and it looked like the diagram on the next page.
The man harnessed the horses to it, and then he stood on the platform and drove all over the strip of land. It was fun to watch, but perhaps it was a little hard to do. The man's weight kept the harrow steady, and let the teeth of the rake scratch and cut the ground up, so that it did not stay in ridges.
"He scrambles the ground, father!" said Margery.
"It needs 'scrambling,'" laughed her father. "We are going to get more weeds than we want on this fresh soil, and the more the ground is broken, the fewer there will be."
After the ploughing and harrowing, the man drove off, and Margery's father said that he himself would do the rest of the work in the late afternoons, when he came home from business; they could not afford too much help, he said, and he had learned to take care of a garden when he was a boy. So Margery did not see any more done until the next day.
But the next day there was hard work for Margery's father! Every bit of that ground had to be broken up still more with a spade, and then the clods which were full of grass-roots had to be taken on a fork and shaken, till the earth fell out; when the grass was thrown to one side. That would not have had to be done if the land had been ploughed in the autumn; the grass would have rotted in the ground, and would have made food for the plants. Now, Margery's father put the fertiliser on the top, and then raked it into the earth.
At last, it was time to make the place for the seeds. Margery and her mother helped. Father tied one end of a cord to a little stake, and drove the stake in the ground at one end of the garden. Then he took the cord to the other end of the garden and pulled it tight, tied it to another stake, and drove that down. That made a straight line. Then he hoed a trench, a few inches deep, the whole length of the cord, and scattered fertiliser in it. Pretty soon the whole garden was lined with little trenches.
"Now for the seed," said father.
Margery ran and brought the seed box. "May I help?" she asked.
"If you watch me sow one row, I think you can do the next," said her father.
So Margery watched. Her father took a handful of peas, and, stooping, walked slowly along the line, letting the seed trickle through his fingers. It was pretty to watch; it made Margery think of a photograph her teacher had, a photograph of a famous picture called "The Sower." Perhaps you have seen it.
Putting in the seed was not so easy to do as to watch;
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