Stories to Tell Children by Sara Cone Bryant (good beach reads .TXT) π
Children do not object to these stories in the least, if the stories aregood ones. They accept them with the relish which nature seems ever tohave for all truly nourishing material. And the little tales are one ofthe media through which we elders may transmit some very slight share ofthe benefit received by us, in turn, from actual or transmittedexperience.
The second kind has no preconceived moral to offer, makes no attempt toaffect judgment or to pass on a standard. It simply presents a pictureof life, usually in fable or poetic image, and says to the hearer,"These things are." The hearer, then, consciously or otherwise, passesjudgment on the facts. His mind says, "These things are good"; or, "Thiswas good, and that, bad"; or, "This thing is desirable," or thec
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"I am an angel, and thou art the king!"
Then Robert of Sicily was alone. His royal robes were upon him once more; he wore his crown and his royal ring. He was king. And when the courtiers came back they found their king kneeling by his throne, absorbed in silent prayer.
THE JEALOUS COURTIERS[29]I wonder if you have ever heard the anecdote about the artist of DΓΌsseldorf and the jealous courtiers. This is it. It seems there was once a very famous artist who lived in the little town of DΓΌsseldorf. He did such fine work that the Elector, Prince Johann Wilhelm, ordered a portrait statue of himself, on horseback, to be done in bronze. The artist was overjoyed at the commission, and worked early and late at the statue.
At last the work was done, and the artist had the great statue set up in the public square of DΓΌsseldorf, ready for the opening view. The Elector came on the appointed day, and with him came his favourite courtiers from the castle. Then the statue was unveiled. It was very beautiful,βso beautiful that the prince exclaimed in surprise. He could not look enough, and presently he turned to the artist and shook hands with him, like an old friend. "Herr Grupello," he said, "you are a great artist, and this statue will make your fame even greater than it is; the portrait of me is perfect!"
When the courtiers heard this, and saw the friendly hand-shake, their jealousy of the artist was beyond bounds. Their one thought was, how could they safely do something to humiliate him. They dared not pick flaws in the portrait statue, for the prince had declared it perfect. But at last one of them said, with an air of great frankness, "Indeed, Herr Grupello, the portrait of his Royal Highness is perfect; but permit me to say that the statue of the horse is not quite so successful: the head is too large; it is out of proportion."
"No," said another, "the horse is really not so successful; the turn of the neck, there, is awkward."
"If you would change the right hind-foot, Herr Grupello," said a third, "it would be an improvement."
Still another found fault with the horse's tail.
The artist listened, quietly. When they had all finished, he turned to the prince and said, "Your courtiers, prince, find a good many flaws in the statue of the horse; will you permit me to keep it a few days more, to do what I can with it?"
The Elector assented, and the artist ordered a temporary screen to be built around the statue, so that his assistants could work undisturbed. For several days the sound of hammering came steadily from behind the enclosure. The courtiers, who took care to pass that way, often, were delighted. Each one said to himself, "I must have been right, really; the artist himself sees that something was wrong; now I shall have credit for saving the prince's portrait by my artistic taste!"
Once more the artist summoned the prince and his courtiers, and once more the statue was unveiled. Again the Elector exclaimed at its beauty, and then he turned to his courtiers, one after another, to see what they had to say.
"Perfect!" said the first. "Now that the horse's head is in proportion, there is not a flaw."
"The change in the neck was just what was needed," said the second; "it is very graceful now."
"The rear right foot is as it should be, now," said a third, "and it adds so much to the beauty of the whole!"
The fourth said that he considered the tail greatly improved.
"My courtiers are much pleased now," said the prince to Herr Grupello; "they think the statue much improved by the changes you have made."
Herr Grupello smiled a little. "I am glad they are pleased," he said, "but the fact is, I have changed nothing!"
"What do you mean?" said the prince in surprise. "Have we not heard the sound of hammering every day? What were you hammering at then?"
"I was hammering at the reputation of your courtiers, who found fault simply because they were jealous," said the artist. "And I rather think that their reputation is pretty well hammered to pieces!"
It was, indeed. The Elector laughed heartily, but the courtiers slunk away, one after another, without a word.
PRINCE CHERRY[30]There was once an old king, so wise and kind and true that the most powerful good fairy of his land visited him and asked him to name the dearest wish of his heart, that she might grant it.
"Surely you know it," said the good king; "it is for my only son, Prince Cherry; do for him whatever you would have done for me."
"Gladly," said the great fairy; "choose what I shall give him. I can make him the richest, the most beautiful, or the most powerful prince in the world; choose."
"None of those things are what I want," said the king. "I want only that he shall be good. Of what use will it be to him to be beautiful, rich, or powerful, if he grows into a bad man? Make him the best prince in the world, I beg you!"
"Alas, I cannot make him good," said the fairy; "he must do that for himself. I can give him good advice, reprove him when he does wrong, and punish him if he will not punish himself; I can and will be his best friend, but I cannot make him good unless he wills it."
The king was sad to hear this, but he rejoiced in the friendship of the fairy for his son. And when he died, soon after, he was happy to know that he left Prince Cherry in her hands.
Prince Cherry grieved for his father, and often lay awake at night, thinking of him. One night, when he was all alone in his room, a soft and lovely light suddenly shone before him, and a beautiful vision stood at his side. It was the good fairy. She was clad in robes of dazzling white, and on her shining hair she wore a wreath of white roses.
"I am the Fairy Candide," she said to the prince. "I promised your father that I would be your best friend, and as long as you live I shall watch over your happiness. I have brought you a gift; it is not wonderful to look at, but it has a wonderful power for your welfare; wear it, and let it help you."
As she spoke, she placed a small gold ring on the prince's little finger. "This ring," she said, "will help you to be good; when you do evil, it will prick you, to remind you. If you do not heed its warnings a worse thing will happen to you, for I shall become your enemy." Then she vanished.
Prince Cherry wore his ring, and said nothing to anyone of the fairy's gift. It did not prick him for a long time, because he was good and merry and happy. But Prince Cherry had been rather spoiled by his nurse when he was a child; she had always said to him that when he should become king he could do exactly as he pleased. Now, after a while, he began to find out that this was not true, and it made him angry.
The first time that he noticed that even a king could not always have his own way was on a day when he went hunting. It happened that he got no game. This put him in such a bad temper that he grumbled and scolded all the way home. The little gold ring began to feel tight and uncomfortable. When he reached the palace his pet dog ran to meet him.
"Go away!" said the prince, crossly.
But the little dog was so used to being petted that he only jumped up on his master, and tried to kiss his hand. The prince turned and kicked the little creature. At the instant, he felt a sharp prick in his little finger, like a pin prick.
"What nonsense!" said the prince to himself. "Am I not king of the whole land? May I not kick my own dog, if I choose? What evil is there in that?"
A silver voice spoke in his ear: "The king of the land has a right to do good, but not evil; you have been guilty of bad temper and of cruelty to-day; see that you do better to-morrow."
The prince turned sharply, but no one was to be seen; yet he recognised the voice as that of Fairy Candide.
He followed her advice for a little, but presently he forgot, and the ring pricked him so sharply that his finger had a drop of blood on it. This happened again and again, for the prince grew more self-willed and headstrong every day; he had some bad friends, too, who urged him on, in the hope that he would ruin himself and give them a chance to seize the throne. He treated his people carelessly and his servants cruelly, and everything he wanted he felt that he must have.
The ring annoyed him terribly; it was embarrassing for a king to have a drop of blood on his finger all the time! At last he took the ring off and put it out of sight. Then he thought he should be perfectly happy, having his own way; but instead, he grew more unhappy as he grew less good. Whenever he was crossed, or could not have his own way instantly, he flew into a passion.
Finally, he wanted something that he really could not have. This time it was a most beautiful young girl, named Zelia; the prince saw her, and loved her so much that he wanted at once to make her his queen. To his great astonishment, she refused.
"Am I not pleasing to you?" asked the prince in surprise.
"You are very handsome, very charming, prince," said Zelia; "but you are not like the good king, your father; I fear you would make me very miserable if I were your queen."
In a great rage, Prince Cherry ordered the young girl to be put in prison; and the key of her dungeon he kept. He told one of his friends, a wicked man who flattered him for his own purposes, about the thing, and asked his advice.
"Are you not king?" said the bad friend. "May you not do as you will? Keep the girl in a dungeon till she does as you command, and if she will not, sell her as a slave."
"But would it not be a disgrace for me to harm an innocent creature?" said the prince.
"It would be a disgrace to you to have it said that one of your subjects dared disobey you!" said the courtier.
He had cleverly touched the prince's worst trait, his pride. Prince Cherry went at once to Zelia's dungeon, prepared to do this cruel thing.
Zelia was gone. No one had the key save the prince himself; yet she was gone. The only person who could have dared to help her, thought the prince, was his old tutor, Suliman, the only man left who ever rebuked him for anything. In fury, he ordered Suliman to be put in fetters and brought before him.
As his servants left him, to carry out the wicked order, there was a clash, as of thunder, in the room, and then a blinding light. Fairy Candide stood before him. Her beautiful face was stern, and her silver voice rang like a trumpet, as she said, "Wicked and selfish prince, you have become baser than the beasts you hunt; you are furious as a lion, revengeful as a serpent, greedy as a
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