The Eagle's Shadow by James Branch Cabell (online e book reader .txt) 📕

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[Illustration: "Margaret"]

THE

EAGLE'S SHADOW

By

JAMES BRANCH CABELL


Illustrated by Will Graf�
Decorated by Bianthe Ostortag


1904

Published, October, 1904

To

Martha Louise Branch

In trust that the enterprise may be judged
less by the merits of its factor than
by those of its patron





CONTENTS

CHAPTER

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

XXIV.

XXV.

XXVI.

XXVII.

XXVIII.

XXIX.

XXX.

XXXI.

XXXII.

XXXIII.




THE CHARACTERS

Colonel Thomas Hugonin, formerly in the service of Her Majesty the
Empress of India, Margaret Hugonin's father.

Frederick R. Woods, the founder of Selwoode, Margaret's uncle by
marriage.

Billy Woods, his nephew, Margaret's quondam fianc�.

Hugh Van Orden, a rather young young man, Margaret's adorer.

Martin Jeal, M.D., of Fairhaven, Margaret's family physician.

Cock-Eye Flinks, a gentleman of leisure, Margaret's chance
acquaintance.

Petheridge Jukesbury, president of the Society for the Suppression of
Nicotine and the Nude, Margaret's almoner in furthering the cause of
education and temperance.

Felix Kennaston, a minor poet, Margaret's almoner in furthering the
cause of literature and art.

Sarah Ellen Haggage, Madame President of the Ladies' League for the
Edification of the Impecunious, Margaret's almoner in furthering the
cause of charity and philanthropy. Kathleen Eppes Saumarez, a lecturer
before women's clubs, Margaret's almoner in furthering the cause of
theosophy, nature study, and rational dress.

Ad�le Haggage, Mrs. Haggage's daughter, Margaret's rival with Hugh Van
Orden.

And Margaret Hugonin.

The other participants in the story are Wilkins, C�lestine, The Spring
Moon and The Eagle.




LIST OF ILLUSTRATIONS

"Margaret"

"'Altogether,' says Colonel Hugonin, 'they strike me as being the
most ungodly menagerie ever gotten together under one roof since Noah
landed on Ararat'"

"Then, for no apparent reason, Margaret flushed, and Billy ... thought
it vastly becoming"

"Billy Woods"

"Billy unfolded it slowly, with a puzzled look growing in his
countenance"

"'My lady,' he asked, very softly, 'haven't you any good news for me
on this wonderful morning?'"

"Miss Hugonin pouted. 'You needn't, be such a grandfather,' she
suggested helpfully."

"Regarded them with alert eyes"




THE EAGLE'S SHADOW


I

This is the story of Margaret Hugonin and of the Eagle. And with your
permission, we will for the present defer all consideration of the
bird, and devote our unqualified attention to Margaret.

I have always esteemed Margaret the obvious, sensible, most
appropriate name that can be bestowed upon a girl-child, for it is a
name that fits a woman--any woman--as neatly as her proper size in
gloves.

Yes, the first point I wish to make is that a woman-child, once
baptised Margaret, is thereby insured of a suitable name. Be she grave
or gay in after-life, wanton or pious or sullen, comely or otherwise,
there will be no possible chance of incongruity; whether she develop a
taste for winter-gardens or the higher mathematics, whether she take
to golf or clinging organdies, the event is provided for. One has only
to consider for a moment, and if among a choice of Madge, Marjorie,
Meta, Maggie, Margherita, Peggy, and Gretchen, and countless
others--if among all these he cannot find a name that suits her to a
T--why, then, the case is indeed desperate and he may permissibly
fall back upon Madam or--if the cat jump propitiously, and at his own
peril--on Darling or Sweetheart.

The second proof that this name must be the best of all possible names
is that Margaret Hugonin bore it. And so the murder is out. You may
suspect what you choose. I warn you in advance that I have no part
whatever in her story; and if my admiration for her given name appear
somewhat excessive, I can only protest that in this dissentient world
every one has a right to his own taste. I knew Margaret. I admired
her. And if in some unguarded moment I may have carried my admiration
to the point of indiscretion, her husband most assuredly knows all
about it, by this, and he and I are still the best of friends. So you
perceive that if I ever did so far forget myself it could scarcely
have amounted to a hanging matter.

I am doubly sure that Margaret Hugonin was beautiful, for the reason
that I have never found a woman under forty-five who shared my
opinion. If you clap a Testament into my hand, I cannot affirm that
women are eager to recognise beauty in one another; at the utmost they
concede that this or that particular feature is well enough. But when
a woman is clean-eyed and straight-limbed, and has a cheery heart,
she really cannot help being beautiful; and when Nature accords her
a sufficiency of dimples and an infectious laugh, I protest she is
well-nigh irresistible. And all these Margaret Hugonin had.

And surely that is enough.

I shall not endeavour, then, to picture her features to you in any
nicely picked words. Her chief charm was that she was Margaret.

And besides that, mere carnal vanities are trivial things; a gray
eye or so is not in the least to the purpose. Yet since it is the
immemorial custom of writer-folk to inventory such possessions of
their heroines, here you have a catalogue of her personal attractions.
Launce's method will serve our turn.

Imprimis, there was not very much of her--five feet three, at the
most; and hers was the well-groomed modern type that implies a
grandfather or two and is in every respect the antithesis of that
hulking Venus of the Louvre whom people pretend to admire. Item, she
had blue eyes; and when she talked with you, her head drooped forward
a little. The frank, intent gaze of these eyes was very flattering
and, in its ultimate effect, perilous, since it led you fatuously to
believe that she had forgotten there were any other trousered beings
extant. Later on you found this a decided error. Item, she had a quite
incredible amount of yellow hair, that was not in the least like gold
or copper or bronze--I scorn the hackneyed similes of metallurgical
poets--but a straightforward yellow, darkening at the roots; and she
wore it low down on her neck in great coils that were held in place
by a multitude of little golden hair-pins and divers corpulent
tortoise-shell ones. Item, her nose was a tiny miracle of perfection;
and this was noteworthy, for you will observe that Nature, who is an
adept at eyes and hair and mouths, very rarely achieves a creditable
nose. Item, she had a mouth; and if you are a Gradgrindian with a
taste for hairsplitting, I cannot swear that it was a particularly
small mouth. The lips were rather full than otherwise; one saw in them
potentialities of heroic passion, and tenderness, and generosity, and,
if you will, temper. No, her mouth was not in the least like the pink
shoe-button of romance and sugared portraiture; it was manifestly
designed less for simpering out of a gilt frame or the dribbling of
stock phrases over three hundred pages than for gibes and laughter
and cheery gossip and honest, unromantic eating, as well as another
purpose, which, as a highly dangerous topic, I decline even to
mention.

There you have the best description of Margaret Hugonin that I am
capable of giving you. No one realises its glaring inadequacy more
acutely than I.

Furthermore, I stipulate that if in the progress of our comedy she
appear to act with an utter lack of reason or even common-sense--as
every woman worth the winning must do once or twice in a
lifetime--that I be permitted to record the fact, to set it down in
all its ugliness, nay, even to exaggerate it a little--all to the end
that I may eventually exasperate you and goad you into crying out,
"Come, come, you are not treating the girl with common justice!"

For, if such a thing were possible, I should desire you to rival even
me in a liking for Margaret Hugonin. And speaking for myself, I can
assure you that I have come long ago to regard her faults with the
same leniency that I accord my own.



II

We begin on a fine May morning in Colonel Hugonin's rooms at Selwoode,
which is, as you may or may not know, the Hugonins' country-place.
And there we discover the Colonel dawdling over his breakfast, in an
intermediate stage of that careful toilet which enables him later in
the day to pass casual inspection as turning forty-nine.

At present the old gentleman is discussing the members of his
daughter's house-party. We will omit, by your leave, a number of
picturesque descriptive passages--for the Colonel is, on occasion, a
man of unfettered speech--and come hastily to the conclusion, to the
summing-up of the whole matter.

"Altogether," says Colonel Hugonin, "they strike me as being the most
ungodly menagerie ever gotten together under one roof since Noah
landed on Ararat."

Now, I am sorry that veracity compels me to present the Colonel
in this particular state of mind, for ordinarily he was as
pleasant-spoken a gentleman as you will be apt to meet on the
longest summer day.


[Illustration: "'Altogether,' says Colonel Hugonin, 'they strike me as
being the most ungodly menagerie ever gotten together under one roof
since Noah landed on Ararat.'"]

You must make allowances for the fact that, on this especial morning,
he was still suffering from a recent twinge of the gout, and that his
toast was somewhat dryer than he liked it; and, most potent of all,
that the foreign mail, just in, had caused him to rebel anew against
the proprieties and his daughter's inclinations, which chained him to
Selwoode, in the height of the full London season, to preside over a
house-party every member of which he cordially disliked. Therefore,
the Colonel having glanced through the well-known names of those at
Lady Pevensey's last cotillion, groaned and glared at his daughter,
who sat opposite him, and reviled his daughter's friends with point
and fluency, and characterised them as above, for the reason that he
was hungered at heart for the shady side of Pall Mall, and that their
presence at Selwoode prevented his attaining this Elysium. For, I am
sorry to say that the Colonel loathed all things American, saving his
daughter, whom he worshipped.

And, I think, no one who could have seen her preparing his second cup
of tea would have disputed that in making this exception he acted with
a show of reason. For Margaret Hugonin--but, as you know, she is
our heroine, and, as I fear you have already learned, words are very
paltry makeshifts when it comes to describing her. Let us simply say,
then, that Margaret, his daughter, began to make him a cup of tea, and
add that she laughed.

Not unkindly; no, for at bottom she adored her father--a comely
Englishman of some sixty-odd, who had run through his wife's fortune
and his own, in the most gallant fashion--and she accorded his
opinions a conscientious, but at times, a sorely taxed, tolerance.
That very month she had reached twenty-three, the age of omniscience,
when the fallacies and general obtuseness of older people become
dishearteningly apparent.

"It's nonsense," pursued the old gentleman, "utter, bedlamite
nonsense, filling Selwoode up with writing people! Never heard of such
a thing. Gad, I do remember, as a young man, meeting Thackeray at a
garden-party at Orleans House--gentlemanly fellow with a broken nose--
and Browning went about a bit, too, now I think of it. People had 'em
one at a time to lend flavour to a dinner--like an olive; we didn't
dine on olives, though. You have 'em for breakfast, luncheon, dinner,
and everything! I'm sick of olives, I tell you, Margaret!" Margaret
pouted.

"They ain't even good olives. I looked into one of that fellow
Charteris's books the other day--that chap you had here last week.
It was bally rot--proverbs standing on their heads and grinning
like dwarfs in a condemned street-fair! Who wants to be told that
impropriety is the spice of life and that a roving eye gathers
remorse? You may call that sort of thing cleverness, if you like; I
call it damn' foolishness." And the emphasis with which he said this
left no doubt that the Colonel spoke his honest opinion.

"Attractive," said his daughter patiently, "Mr. Charteris is very,
very clever. Mr. Kennaston says literature suffered a considerable
loss when he began to write for the magazines."

And now that Margaret has spoken, permit me to call your attention to
her voice. Mellow and suave and of astonishing volume was Margaret's
voice; it came not from the back of her throat, as most of our women's
voices do, but from her chest; and I protest it had the timbre of a
violin. Men, hearing her voice for the first time, were wont to stare
at her a little and afterward to close their hands slowly, for always
its modulations had the tonic sadness of