The Book of the Thousand Nights and a Night, vol 13 by Sir Richard Francis Burton (summer reading list txt) 📕

off and there they separated, each going along one of the roads, having agreed to meet at the same spot that day four years. One learns to be an excellent astronomer and, on quitting, his master gives him a telescope,[FN#415] saying, “With this thou canst see whatever takes place either on earth or in heaven, and nothing can remain concealed from thee.” Another becomes a most expert thief. The third learns to be a sharpshooter and gets from his master a gun which would never fail him: whatever he aimed at he was sure to hit. And the youngest becomes a very clever tailor and is presented by his master with a needle, which could sew anything together, hard or soft. At the end of the four years they met according to agreement, and returning together to their father’s house, they satisfied the old man with a display of their abilities Soon after this the king’s daughter was carried off by a dragon, and the king proclaimed that whoever brought her back should have her to wife. This the four clever brothers thought was a fine chance for them, and they resolved to liberate the king’s daughter. The astronomer looked through his telescope and saw the princess far away on a rock in the sea and the dragon watching beside her.

Then they went and got a ship from the king, and sailed over the sea till they came to the rock, where the princess was sitting and the dragon was asleep with his head in her lap. The hunter feared to shoot lest he should kill the princess. Then the thief crept up the rock and stole her from under the dragon so cleverly that the monster did not awake. Full of joy, they hurried off with her and sailed away. But presently the dragon awoke and missing the princess flew after them through the air. Just as he was hovering above the ship to swoop down upon it, the hunter shot him through the heart and he tumbled down dead, but falling on the vessel his carcase smashed it into pieces. They laid hold of two planks and drifted about till the tailor with his wonderful needle sewed the planks together, and then they collected the fragments of the ship which the tailor also sewed together so skilfully that their ship was again sea-worthy, and they soon got home in safety. The king was right glad to see his daughter and told the four brothers they must settle among themselves which of them should have her to wife. Upon this they began to wrangle with one another. The astronomer said, “If I had not seen the princess, all your arts would have been useless, so she is mine.” The thief claimed her, because he had rescued her from the dragon; the hunter, because he had shot the monster; and the tailor, because he had sewn the ship together and saved them all from drowning. Then the king decreed: “Each of you has an equal right, and as all of you cannot have her, none of you shall; but I will give to each as a reward half a kingdom,” with which the four clever brothers were well contented.

 

The story has assumed a droll form among the Albanians, in which no fewer than seven remarkably endowed youths play their parts in rescuing a king’s daughter from the Devil, who had stolen her out of the palace. One of the heroes could hear far off; the second could make the earth open; the third could steal from any one without his knowing it; the fourth could throw an object to the end of the world; the fifth could erect an impregnable tower; the sixth could bring down anything however high it might be in the air and the seventh could catch whatever fell from any height. So they set off together, and after travelling along way, the first lays his ear to the ground. “I hear him,” he says. Then the second causes the earth to open, and down they go, and find the Devil sound asleep, snoring like thunder, with the princess clasped to his breast.

The third youth steals her without waking the fiend. Then the fourth takes off the Devil’s shoes and flings them to the end of the world, and off they all go with the princess. The Devil wakes and goes after them, but first he must find his shoes—though what need he could have for shoes it is not easy to say; but mayhap the Devil of the Albanians is minus horns, hoof and tail! This gives the fifth hero time to erect his impregnable tower before the fiend returns from the end of the world. When he comes to the tower he finds all his skill is naught, so he has recourse to artifice, which indeed has always been his forte. He begs piteously to be allowed one last look of his beloved princess.

They can’t refuse him so slight a favour, and make a tiny hole in the tower wall, but, tiny as it is, the Devil is able to pull the princess through it and instantly mounts on high with her. Now is the marksman’s opportunity: he shoots at the fiend and down he comes, “like a hundred of bricks” (as we don’t say in the classics), at the same time letting go the princess, who is cleverly caught by the seventh hero, and is none the worse for her aerial journey. The princess chooses the seventh for her husband, as he is the youngest and best looking, but her father the king rewards his companions handsomely and all are satisfied.

 

The charming history of Prince Ahmad and his fairy bride is “conspicuous from its absence” in all these versions, but it reappears in the Italian collection of Nerucci: “Novelle Popolari Montalesi,” No. xl., p. 335, with some variations from Galland’s story:

 

A certain king had three daughters, and a neighbouring king had three sons, who were much devoted to the chase. They arrived at the city of the first king, and all fell in love with his daughter[FN#416] and wanted to marry her.

Her father said it was impossible to content them all, but if one of them would ask her, and if he pleased her, he would not oppose the marriage. They could not agree which it was to be, and her father proposed that they should all travel, and the one who at the end of six months brought the most beautiful and wonderful present should marry her. They set out in different directions and at the end of six months they meet by appointment at a certain inn. The eldest brings a magic carpet on which he is wafted whithersoever he will. (It goes a hundred miles in a day.) The second brings a telescope which shows whatever is happening a hundred miles away. The youngest brings three stones of a grape, one of which put into the mouth of a person who is dying restores him to life. They at once test the telescope by wishing to see the princess, and they find her dying—at the last gasp indeed. By means of the carpet they reach the palace m time to save her life with one of the grape-stones. Each claims the victory. Her father, almost at his wits’ end to decide the question, decrees that they shall shoot with the crossbow, and he who shoots farthest shall win the princess. The second brother shoots farther than the first; but the youngest shoots so far that they cannot find where kits arrow has fallen. He persists in the search and falls down a deep hole, from the bottom of which he can scarcely see a speck of the sky. There an ogre (mago) appears to him and also a bevy of young fairy maidens of extreme beauty. They lead him to a marvellous palace, give him refreshments and provide him with a room and a bed, where every night one of the fairies bears him company. He spends his days in pleasure until the king’s daughter is almost forgotten. At last he begins to think he ought to learn what has become of his brothers, his father, and the lady. The chief fairy however, tries to dissuade him warning him that evil will befall him if he return to his brothers. He persists, and she tells him that the princess is given to his eldest brother, who reigns in his father-in-law’s stead the latter having died, and that his own father is also dead; and she warns him again not to go.

But he goes. His eldest brother says that he thought he was dead “in that hole.” The hero replies that, on the contrary, he fares so well with a bevy of young and beautiful fairies that he does not even envy him, and would not change places with him for all the treasures in the world. His brother, devoured by rage, demands that the hero bring him within eight days a pavilion of silk which will lodge three hundred soldiers, otherwise he will destroy his palace of delights. The hero, affrighted, returns to the fairies and relates his brother’s threats. The chief fairy says, “Didn’t I tell you so? You deserve that I should leave you to your fate; but, out of pity for your youth, I will help you.” And he returns to his brother within eight days with the required pavilion. But his brother is not satisfied: he demands another silk pavilion for 600 soldiers, else he will lay waste the abode of the fairies.

This pavilion he also receives from the fairies, and it was much finer and richer than the first. His brother’s demands rise when he sees that the hero does not find any difficulty in satisfying him. He now commands that a column of iron 12 cubits (braccia) high be erected in the midst of a piazza. The chief of the fairies also complies with this requirement. The column is ready in a moment, and as the hero cannot carry it himself, she gives it to the guardian ogre, who carries it upon his shoulders, and presents himself, along with the hero, before the eldest brother. As soon as the latter comes to see the column set in the piazza the ogre knocks him down and reduces him to pulp (cofaccino, lit., a cake), and the hero marries his brother’s widow and becomes king in his stead.

 

Almost suspiciously like the story in Galland in many of the details is an Icelandic version in Powell and Magn�sson’s collection, yet I cannot conceive how the peasantry of that country could have got it out of “Les Mille et une Nuits.” There are two ways by which the story might have reached them independently of Galland’s work: the Arabs and Persians traded extensively in former times with Scandinavia, through Russia, and this as well as other Norse tales of undoubtedly Eastern extraction may have been communicated by the same channel;[FN#417] or the Norsemen may have taken it back with them from the South of Europe. But however this may be, the Icelandic version is so quaint in its diction, has such a fresh aroma about it, and such novel particulars, that I feel justified in giving it here in full: It is said that once, in the days of old, there was a good and wealthy king who ruled over a great and powerful realm; but neither his name nor that of his kingdom is given, nor the latter’s whereabouts in the world. He had a queen, and by her three sons, who were all fine youths and hopeful, and the king loved them well. The king had taken, too, a king’s daughter from a neighbouring kingdom, to foster her, and she was brought up with his sons. She was of the same age as