The Christmas Story from David Harum by Edward Noyes Westcott (i am malala young readers edition TXT) 📕

PREFACE

"Dave done the thing his own way," said Aunt Polly to the Widow Cullom. "Kind o' fetched it round fer a merry Chris'mus, didn't he?"

This is the story which is reprinted here from Mr. Westcott's famous book. It was David Harum's nature to do things in his own way, and the quaintness of his methods in raising the Widow Cullom from the depths of despair to the heights of happiness frame a story which is read between laughter and tears, and always with a quickening of affection for the great-hearted benefactor. David Harum's absolute originality, his unexpectedness, the dryness of his humor, the shrewdness of his insight, and the kindliness and generosity beneath the surface, have made him a permanent figure in literature. Moreover, the individual quality of David Harum is so distinctively American that he has been recognized as the typical American, typical of an older generation, perhaps, in mere externals, but nevertheless an embodiment of characteristics essentially national. While only Mr. Westcott's complete book can fully illustrate the personality of David Harum, yet it is equally true that no other episode in the book presents the tenderness and quaintness, and the full quality of David Harum's character, with the richness and pathos of the story which tells how he paid the "int'rist" upon the "cap'tal" invested by Billy P. Fortunately this story lends itself readily to separate publication, and it forms an American "Christmas Carol" which stands by itself, an American counterpart of the familiar tale of Dickens, and imbued with a simplicity, humor, and unstudied pathos peculiarly its own.

The difference between the written and the acted tale is illustrated in the use made of the Christmas story in the play. In the book David tells John Lenox the story of the Widow Cullom and her dealings with 'Zeke Swinney, and reveals the truth to her in his office, and the dinner which follows at his house is prolonged by his inimitable tales. In the play action takes the place of description. In the first act we see 'Zeke Swinney obtaining blood-money from the widow, and the latter makes the acquaintance of Mary Blake, newly entered upon her career of independence as Cordelia Prendergast. In the second act we see the widow giving the second mortgage to David, and thereby strengthening Mary Blake's suspicions, and in the third act David pictures his dreary youth and Billy P.'s act of kindness, and brings the widow to her own, the climax coming with the toast which opens the dinner and closes the play. It was a delicate and difficult task for even so distinguished an actor as Mr. Crane to undertake a part already hedged about by conflicting theories; but his insight and his devotion to the character have succeeded in actually placing before us the David Harum created by Mr. Westcott.

The illustrations of this book, reproduced from stage photographs by the courtesy of Mr. Charles Frohman, include the best pictures of Mr. Crane in character, and also stage views of scenes in the second and third acts, which show the development and culmination of the Widow Cullom episode. The Christmas Story is now published separately for the first time in this volume, which unites a permanent literary value with the peculiar interest of Mr. Crane's interpretations of the famous character.

* * * * *

After many discouragements, the author of David Harum lived long enough to know that his book had found appreciation and was to be published, but he died before it appeared.

Edward Noyes Westcott, the son of Dr. Amos Westcott, a prominent physician of Syracuse, and at one time mayor of the city, was born September 27, 1846. Nearly all his life was passed in his native city of Syracuse. His active career began early at a bank clerk's desk, and he was afterward teller and cashier, then head of the firm of Westcott & Abbott, bankers and brokers, and in his later years he acted as the registrar and financial expert of the Syracuse Water Commission. His artistic temperament found expression only in music until the last years of his life. He wrote articles occasionally upon financial subjects, but it was not until the approach of his last illness that he began David Harum. No character in this book is taken directly from life. Stories which his father had told and his own keen observations and lively imagination furnished his material, but neither David Harum nor any other character is a copy of any individual. No trace of the author's illness appears in the book. "I've had the fun of writing it, anyway," he wrote shortly before his death, "and no one will laugh over David more than I have. I never could tell what David was going to do next." This was the spirit of the brave and gentle author, who died March 31, 1898, unconscious of the fame which was to follow him.

R. H.

NEW YORK, _August, 1900._


The Christmas Story from David Harum


CHAPTER I

It was the 23d of December, and shortly after the closing hour. Peleg had departed and our friend had just locked the vault when David came into the office and around behind the counter.

"Be you in any hurry?" he asked.

John said he was not, whereupon Mr. Harum hitched himself up on to a high office stool, with his heels on the spindle, and leaned sideways upon the desk, while John stood facing him with his left arm upon the desk.

"John," said David, "do ye know the Widdo' Cullom?"

"No," said John, "but I know who she is--a tall, thin woman, who walks with a slight stoop and limp. I noticed her and asked her name because there was something about her looks that attracted my attention--as though at some time she might have seen better days."

"That's the party," said David. "She has seen better days, but she's eat an' drunk sorro' mostly fer goin' on thirty year, an' darned little else a good share o' the time, I reckon."

"She has that appearance certainly," said John.

"Yes, sir," said David, "she's had a putty tough time, the widdo' has, an' yet," he proceeded after a momentary pause, "the' was a time when the Culloms was some o' the kingpins o' this hull region. They used to own quarter o' the county, an' they lived in the big house up on the hill where Doc Hays lives now. That was considered to be the finest place anywheres 'round here in them days. I used to think the Capitol to Washington must be somethin' like the Cullom house, an' that Billy P. (folks used to call him Billy P. 'cause his father's name was William an' his was William Parker), an' that Billy P. 'd jest 's like 's not be president. I've changed my mind some on the subject of presidents since I was a boy."

Here Mr. Harum turned on his stool, put his right hand into his sack-coat pocket, extracted therefrom part of a paper of "Maple Dew," and replenished his left cheek with an ample wad of "fine-cut." John took advantage of the break to head off what he had reason to fear might turn into a lengthy digression from the matter in hand by saying, "I beg pardon, but how does it happen that Mrs. Cullom is in such circumstances? Has the family all died out?"

"Wa'al," said David, "they're most on 'em dead, all on 'em, in fact, except the widdo's son Charley, but as fur's the family's concerned, it more 'n _died_ out--it _gin_ out! 'D ye ever hear of Jim Wheton's calf? Wa'al, Jim brought three or four veals into town one spring to sell. Dick Larrabee used to peddle meat them days. Dick looked 'em over an' says, 'Look here, Jim,' he says, 'I guess you got a "deakin" in that lot,' he says. 'I dunno what you mean,' says Jim. 'Yes, ye do, goll darn ye!' says Dick, 'yes, ye do. You didn't never kill that calf, an' you know it. That calf died, that's what that calf done. Come, now, own up,' he says. 'Wa'al,' says Jim, 'I didn't _kill_ it, an' it didn't _die_ nuther--it jes' kind o' _gin out_.'"

John joined in the laugh with which the narrator rewarded his own effort, and David went on: "Yes, sir, they jes' petered out. Old Billy, Billy P.'s father, inher'tid all the prop'ty--never done a stroke of work in his life. He had a collige education, went to Europe, an' all that, an' before he was fifty year old he hardly ever come near the old place after he was growed up. The land was all farmed out on shares, an' his farmers mostly bamboozled him the hull time. He got consid'able income, of course, but as things went along and they found out how slack he was they kept bitin' off bigger chunks all the time, an' sometimes he didn't git even the core. But all the time when he wanted money--an' he wanted it putty often, I tell ye--the easiest way was to stick on a morgige; an' after a spell it got so 't he'd have to give a morgige to pay the int'rist on the other morgiges."

"But," said John, "was there nothing to the estate but land?"

"Oh, yes," said David, "old Billy's father left him some consid'able pers'nal, but after that was gone he went into the morgige bus'nis as I tell ye. He lived mostly up to Syrchester and around, an' when he got married he bought a place in Syrchester and lived there till Billy P. was about twelve or thirteen year old, an' he was about fifty. By that time he'd got 'bout to the end of his rope, an' the' wa'n't nothin' for it but to come back here to Homeville an' make the most o' what the' was left--an' that's what he done, let alone that he didn't make the most on't to any pertic'ler extent. Mis' Cullom, his wife, wa'n't no help to him. She was a city woman an' didn't take to the country no way, but when she died it broke old Billy up wus 'n ever. She peaked an' pined, an' died when Billy P. was about fifteen or so. Wa'al, Billy P. an' the old man wrastled along somehow, an' the boy went to collige fer a year or so. How they ever got along 's they did I dunno. The' was a story that some far-off relation left old Billy some money, an' I guess that an' what they got off'm what farms was left carried 'em along till Billy P. was twenty-five or so, an' then he up an' got married. That was the crownin' stroke," remarked David. "She was one o' the village girls--respectable folks, more 'n ordinary good lookin' an' high steppin', an' had had some schoolin'. But the old man was prouder 'n a cock-turkey, an' thought nobody wa'n't quite good enough fer Billy P., an' all along kind o' reckoned that he'd marry some money an' git a new start. But when he got married--on the quiet, you know, cause he knowed the old man would kick--wa'al, that killed the trick, an' the old man into the bargain. It took the gumption all out of him, an' he didn't live a year. Wa'al, sir,