The Prince and the Pauper, Part 9. by Mark Twain (finding audrey .TXT) đź“•
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THE PRINCE AND THE PAUPER
by Mark Twain
Part Nine
The Great Seal
I will set down a tale as it was told to me by one who had it of his father, which latter had it of HIS father, this last having in like manner had it of HIS father—and so on, back and still back, three hundred years and more, the fathers transmitting it to the sons and so preserving it. It may be history, it may be only a legend, a tradition. It may have happened, it may not have happened: but it COULD have happened. It may be that the wise and the learned believed it in the old days; it may be that only the unlearned and the simple loved it and credited it.
CONTENTS XXXII. Coronation Day.
XXXIII. Edward as King.
Conclusion. Justice and Retribution.
Notes.
ILLUSTRATIONS CORONATION DAY
"GATHERS UP THE LADY'S LONG TRAIN"
"TOM CANTY APPEARED"
"AND FELL ON HIS KNEES BEFORE HIM"
"THE GREAT SEAL—FETCH IT HITHER"
"SIRE, THE SEAL IS NOT THERE"
"BETHINK THEE, MY KING"
"LONG LIVE THE TRUE KING!"
"TO CRACK NUTS WITH"
EDWARD AS KING
"HE STRETCHED HIMSELF ON THE GROUND"
"ARRESTED AS A SUSPICIOUS CHARACTER"
"IT IS HIS RIGHT"
"STRIP THIS ROBBER"
"TOM ROSE AND KISSED THE KING'S HAND"
JUSTICE AND RETRIBUTION
NOTES
Chapter XXXII. Coronation Day.
Let us go backward a few hours, and place ourselves in Westminster Abbey, at four o'clock in the morning of this memorable Coronation Day. We are not without company; for although it is still night, we find the torch-lighted galleries already filling up with people who are well content to sit still and wait seven or eight hours till the time shall come for them to see what they may not hope to see twice in their lives—the coronation of a King. Yes, London and Westminster have been astir ever since the warning guns boomed at three o'clock, and already crowds of untitled rich folk who have bought the privilege of trying to find sitting-room in the galleries are flocking in at the entrances reserved for their sort.
The hours drag along tediously enough. All stir has ceased for some time, for every gallery has long ago been packed. We may sit, now, and look and think at our leisure. We have glimpses, here and there and yonder, through the dim cathedral twilight, of portions of many galleries and balconies, wedged full with other people, the other portions of these galleries and balconies being cut off from sight by intervening pillars and architectural projections. We have in view the whole of the great north transept—empty, and waiting for England's privileged ones. We see also the ample area or platform, carpeted with rich stuffs, whereon the throne stands. The throne occupies the centre of the platform, and is raised above it upon an elevation of four steps. Within the seat of the throne is enclosed a rough flat rock—the stone of Scone—which many generations of Scottish kings sat on to be crowned, and so it in time became holy enough to answer a like purpose for English monarchs. Both the throne and its footstool are covered with cloth of gold.
Stillness reigns, the torches blink dully, the time drags heavily. But at last the lagging daylight asserts itself, the torches are extinguished, and a mellow radiance suffuses the great spaces. All features of the noble building are distinct now, but soft and dreamy, for the sun is lightly veiled with clouds.
At seven o'clock the first break in the drowsy monotony occurs; for on the stroke of this hour the first peeress enters the transept, clothed like Solomon for splendour, and is conducted to her appointed place by an official clad in satins and velvets, whilst a duplicate of him gathers up the lady's long train, follows after, and, when the lady is seated, arranges the train across her lap for her. He then places her footstool according to her desire, after which he puts her coronet where it will be convenient to her hand when the time for the simultaneous coroneting of the nobles shall arrive.
By this time the peeresses are flowing in in a glittering stream, and the satin-clad officials are flitting and glinting everywhere, seating them and making them comfortable. The scene is animated enough now. There is stir and life, and shifting colour everywhere. After a time, quiet reigns again; for the peeresses are all come and are all in their places, a solid acre or such a matter, of human flowers, resplendent in variegated colours, and frosted like a Milky Way with diamonds. There are all ages here: brown, wrinkled, white-haired dowagers who are able to go back, and still back, down the stream of time, and recall the crowning of Richard III. and the troublous days of that old forgotten age; and there are handsome middle-aged dames; and lovely and gracious young matrons; and gentle and beautiful young girls, with beaming eyes and fresh complexions, who may possibly put on their jewelled coronets awkwardly when the great time comes; for the matter will be new to them, and their excitement will be a sore hindrance. Still, this may not happen, for the hair of all these ladies has been arranged with a special view to the swift and successful lodging of the crown in its place when the signal comes.
We have seen that this massed array of peeresses is sown thick with diamonds, and we also see that it is a marvellous spectacle—but now we are about to be astonished in earnest. About nine, the clouds suddenly break away and a shaft of sunshine cleaves the mellow atmosphere, and drifts slowly along the ranks of ladies; and every rank it touches flames into a dazzling splendour of many-coloured fires, and we tingle to our finger-tips with the electric thrill that is shot through us by the surprise and the beauty of the spectacle! Presently a special envoy from some distant corner of the Orient, marching with the general body of foreign ambassadors, crosses this bar of sunshine, and we catch our breath, the glory that streams and flashes and palpitates about him is so overpowering; for he is crusted from head to heel with gems, and his slightest movement showers a dancing radiance all around him.
Let us change the tense for convenience. The time drifted along—one hour—two hours—two hours and a half; then the deep booming of artillery told that the King and his grand procession had arrived at last; so the waiting multitude rejoiced. All knew that a further delay must follow, for the King must be prepared and robed for the solemn ceremony; but this delay would be pleasantly occupied by the assembling of the peers of the realm in their stately robes. These were conducted ceremoniously to their seats, and their coronets placed conveniently at hand; and meanwhile the multitude in the galleries were alive with interest, for most of them were beholding for the first time, dukes, earls, and barons, whose names had been historical for five hundred years. When all were finally seated, the spectacle from the galleries and all coigns of vantage was complete; a gorgeous one to look upon and to remember.
Now the robed and mitred great heads of the church, and their attendants, filed in upon the platform and took their appointed places; these were followed by the Lord Protector and other great officials, and these again by a steel-clad detachment of the Guard.
There was a waiting pause; then, at a signal, a triumphant peal of music burst forth, and Tom Canty, clothed in a long robe of cloth of gold, appeared at a door, and stepped upon the platform. The entire multitude rose, and the ceremony of the Recognition ensued.
Then a noble anthem swept the Abbey with its rich waves of sound; and thus heralded and welcomed, Tom Canty was conducted to the throne. The ancient ceremonies went on, with impressive solemnity, whilst the audience gazed; and as they drew nearer and nearer to completion, Tom Canty grew pale, and still paler, and a deep and steadily deepening woe and despondency settled down upon his spirits and upon his remorseful heart.
At last the final act was at hand. The Archbishop of Canterbury lifted up the crown of England from its cushion and held it out over the trembling mock-King's head. In the same instant a rainbow-radiance flashed along the spacious transept; for with one impulse every individual in the great concourse of nobles lifted a coronet and poised it over his or her head—and paused in that attitude.
A deep hush pervaded the Abbey. At this impressive moment, a startling apparition intruded upon the scene—an apparition observed by none in the absorbed multitude, until it suddenly appeared, moving up the great central aisle. It was a boy, bareheaded, ill shod, and clothed in coarse plebeian garments that were falling to rags. He raised his hand with a solemnity which ill comported with his soiled and sorry aspect, and delivered this note of warning—
"I forbid you to set the crown of England upon that forfeited head. I am the King!"
In an instant several indignant hands were laid upon the boy; but in the same instant Tom Canty, in his regal vestments, made a swift step forward, and cried out in a ringing voice—
"Loose him and forbear! He IS the King!"
A sort of panic of astonishment swept the assemblage, and they partly rose in their places and stared in a bewildered way at one another and at the chief figures in this scene, like persons who wondered whether they were awake and in their senses, or asleep and dreaming. The Lord Protector was as amazed as the rest, but quickly recovered himself, and exclaimed in a voice of authority—
"Mind not his Majesty, his malady is upon him again—seize the vagabond!"
He would have been obeyed, but the mock-King stamped his foot and cried out—
"On your peril! Touch him not, he is the King!"
The hands were withheld; a paralysis fell upon the house; no one moved, no one spoke; indeed, no one knew how to act or what to say, in so strange and surprising an emergency. While all minds were struggling to right themselves, the boy still moved steadily forward, with high port and confident mien; he had never halted from the beginning; and while the tangled minds still floundered helplessly, he stepped upon the platform, and the mock-King ran with a glad face to meet him; and fell on his knees before him and said—
"Oh, my lord the King, let poor Tom Canty be first to swear fealty to thee, and say, 'Put on thy crown and enter into thine own again!'"
The Lord Protector's eye fell sternly upon the new-comer's face; but straightway the sternness vanished away, and gave place to an expression of wondering surprise. This thing happened also to the other great officers. They glanced at each other, and retreated a step by a common and unconscious impulse. The thought in each mind was the same: "What a strange resemblance!"
The Lord Protector reflected a moment or two in perplexity, then he said, with grave respectfulness—
"By your favour, sir, I desire to ask certain questions which—"
"I will answer them, my lord."
The Duke asked him many questions about the Court, the late King, the prince, the princesses—the boy answered them correctly and without hesitating. He described the rooms of state in the palace, the late King's apartments, and those of the Prince of Wales.
It was strange; it was wonderful; yes, it was unaccountable—so all said that heard it. The tide was beginning to turn, and Tom Canty's hopes to run high, when the Lord Protector shook his head and said—
"It is true it is most wonderful—but it is no more than our lord the King likewise can do." This remark, and this reference to himself as still the King, saddened Tom Canty, and he felt his hopes crumbling from under him. "These are not PROOFS," added the Protector.
The tide was turning very fast now, very fast indeed—but in the wrong direction; it was leaving poor Tom Canty stranded on the throne, and sweeping the other out to sea. The Lord Protector communed with himself—shook his head—the thought forced itself upon him, "It is perilous to the State and to us all, to entertain so fateful a riddle as this; it could divide the nation and undermine the throne." He turned
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