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*** START OF THIS PROJECT GUTENBERG EBOOK THE FOREIGN HAND TIE *** Produced by Sankar Viswanathan, Greg Weeks, and the Online Distributed Proofreading Team at

Transcriber's Note:

This etext was produced from Analog Science Fact & Fiction December 1961. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.



The Foreign Hand Tie




Just because you can "see" something doesn't mean you understand it—and that can mean that even perfect telepathy isn't perfect communication....


illustrated by barberis

From Istanbul, in Turkish Thrace, to Moscow, U.S.S.R., is only a couple of hours outing for a round trip in a fast jet plane—a shade less than eleven hundred miles in a beeline.

Unfortunately, Mr. Raphael Poe had no way of chartering a bee.

The United States Navy cruiser Woonsocket, having made its placid way across the Mediterranean, up the Aegean Sea, and through the Dardanelles to the Bosporous, stopped overnight at Istanbul and then turned around and went back. On the way in, it had stopped at Gibraltar, Barcelona, Marseilles, Genoa, Naples, and Athens—the main friendly ports on the northern side of the Mediterranean. On the way back, it performed the same ritual on the African side of the sea. Its most famous passengers were the American Secretary of State, two senators, and three representatives.

Its most important passenger was Mr. Raphael Poe.

During the voyage in, Mr. Raphael Poe remained locked in a stateroom, all by himself, twiddling his thumbs restlessly and playing endless games of solitaire, making bets with himself on how long it would be before the ship hit the next big wave and wondering how long it would take a man to go nuts in isolation. On the voyage back, he was not aboard the Woonsocket at all, and no one missed him because only the captain and two other Navy men had known he was aboard, and they knew that he had been dropped overboard at Istanbul.

The sleek, tapered cylindroid might easily have been mistaken for a Naval torpedo, since it was roughly the same size and shape. Actually, it was a sort of hybrid, combining the torpedo and the two-man submarine that the Japanese had used in World War II, plus refinements contributed by such apparently diverse arts as skin-diving, cybernetics, and nucleonics.

Inside this one-man underwater vessel, Raphael Poe lay prone, guiding the little atomic-powered submarine across the Black Sea, past Odessa, and up the Dnieper. The first leg, the four hundred miles from the Bosporous to the mouth of the river, was relatively easy. The two hundred and sixty miles from there to the Dnepropetrovsk was a little more difficult, but not terribly so. It became increasingly more difficult as the Dnieper narrowed and became more shallow.

On to Kiev. His course changed at Dnepropetrovsk, from northeast to northwest, for the next two hundred fifty miles. At Kiev, the river changed course again, heading north. Three hundred and fifty miles farther on, at Smolensk, he was heading almost due east.

It had not been an easy trip. At night, he had surfaced to get his bearings and to recharge the air tanks. Several times, he had had to take to the land, using the caterpillar treads on the little machine, because of obstacles in the river.

At the end of the ninth day, he was still one hundred eighty miles from Moscow, but, at that point, he got out of the submarine and prepared himself for the trip overland. When he was ready, he pressed a special button on the control panel of the expensive little craft. Immediately, the special robot brain took over. It had recorded the trip upstream; by applying that information in reverse—a "mirror image," so to speak—it began guiding itself back toward Istanbul, applying the necessary corrective factors that made the difference between an upstream and a downstream trip. If it had made a mistake or had been discovered, it would have blown itself to bits. As a tribute to modern robotics and ultra-microminiaturization, it is a fact that the little craft was picked up five days later a few miles from Istanbul by the U.S.S. Paducah.

By that time, a certain Vladimir Turenski, a shambling not-too-bright deaf mute, had made his fully documented appearance in Moscow.

Spies, like fairies and other such elusive sprites, traditionally come in rings. The reason for this circumstructural metaphor is obscure, but it remains a fact that a single spy, all by himself, is usually of very little use to anybody. Espionage, on any useful scale, requires organization.

There is, as there should be, a reason for this. The purpose of espionage is to gather information—preferably, useful information—against the wishes of, and in spite of the efforts of, a group—usually referred to as "the enemy"—which is endeavoring to prevent that information from getting into other hands than their own. Such activities obviously imply communication. An espioneur, working for Side A, who finds a bit of important information about Side B must obviously communicate that bit of information to Side A or it is of no use whatsoever.

All of these factors pose complex problems.

To begin with, the espioneur must get himself into a position in which he can get hold of the information he wants. Usually, that means that he must pass himself off as something he is not, a process which requires time. Then, when he gets the information he is after, he must get it to his employers quickly. Information, like fish, becomes useless after a certain amount of time, and, unlike fish, there is no known way of refrigerating it to retard spoilage.

It is difficult to transmit information these days. It is actually easier for the espioneur to transmit it than to get it, generally speaking, but it is difficult for him to do both jobs at once, so the spy ring's two major parts consist of the ones who get the information from the enemy and the ones who transmit it back to their employers.

Without magic, it is difficult for a single spy to be of any benefit. And "magic," in this case, can be defined as some method by which information can be either obtained or transmitted without fear of discovery by the enemy. During World War I, a competent spy equipped with a compact transistorized short-wave communications system could have had himself a ball. If the system had included a miniature full-color television camera, he could have gone hog wild. In those days, such equipment would have been magic.

All this is not à propos of nothing. Mr. Raphael Poe was, in his own way, a magician.

It is not to be supposed that the United States of America had no spy rings in the Union of Soviet Socialist Republics at that time. There were plenty of them. Raphael Poe could have, if it were so ordained, availed himself of the services of any one or all of them. He did not do so for two reasons. In the first place, the more people who are in on a secret, the more who can give it away. In other words, a ring, like a chain, is only as strong as its weakest section. In the second place, Raphael Poe didn't need any assistance in the first place.

That is, he needed no more assistance that most magicians do—a shill in the audience. In this particular case, the shill was his brother, Leonard Poe.

Operation Mapcase was as ultra-secret as it could possibly be. Although there were perhaps two dozen men who knew of the existence of the operation by its code name, such as the Naval officers who had helped get Raphael Poe to his destination, there were only five men who really knew what Operation Mapcase was all about.

Two of these were, of course, Raphael and Leonard Poe. Two others were the President of the United States and the Secretary of Defense. The fifth was Colonel Julius T. Spaulding, of United States Army Intelligence.

On the seventh day after Raphael Poe's arrival in Moscow, the other four men met in Blair House, across the street from the White House, in a room especially prepared for the purpose. No one but the President knew the exact purpose of the meeting, although they had an idea that he wanted more information of some kind.

The President himself was the last to arrive. Leaving two Secret Service men standing outside the room, he carefully closed the door and turned to face the Secretary of Defense, Colonel Spaulding, and Leonard Poe. "Sit down, gentlemen," he said, seating himself as he spoke.

"Gentlemen, before we go any further, I must conduct one final experiment in order to justify Operation Mapcase. I will not explain it just yet." He looked at Lenny Poe, a small, dark-haired man with a largish nose. "Mr. Poe, can you contact your brother at this moment?"

Lenny Poe was a man who was not overawed by anyone, and had no inclination to be formal, not even toward the President. "Yeah, sure," he said matter-of-factly.

The President glanced at his watch. "It is now five minutes of ten. That makes it five minutes of six in the evening in Moscow. Is your brother free to move around? That is, can he go to a certain place in the city?"

Lenny closed his eyes for a moment, then opened them. "Rafe says he can go any place that the average citizen would be allowed to go."

"Excellent," said the President. He gave Lenny an address—an intersection of two streets not far from Red Square. "Can he get there within fifteen minutes?"

"Make it twenty," said Lenny.

"Very well. Twenty minutes. When he gets there, I'll ask you to relay further instructions."

Lenny Poe closed his eyes, folded his arms, and relaxed in his chair. The other three men waited silently.

Nineteen minutes later, Lenny opened his eyes and said: "O.K. He's there. Now what?"

"There is a lamppost on that corner, I believe," said the President. "Can your brother see it?"

Lenny closed his eyes again. "Sure. There's a guy leaning against it."

The President's eyes brightened. "Describe him!"

Lenny, eyes still closed, said: "Five feet ten, heavy set, gray hair, dark-rimmed glasses, brown suit, flashy necktie. By the cut of his clothes, I'd say he was either British or American, probably American. Fifty-five or fifty-six years old."

It was obvious to the Secretary of Defense and to Colonel Spaulding that the President was suppressing some inward excitement.

"Very good, Mr. Poe!" he said. "Now, you will find a box of colored pencils and a sketch pad in that desk over there. Can you draw me a fairly accurate sketch of that man?"

"Yeah, sure." Lenny opened his eyes, moved over to the desk, took out the pencils and sketch pad, and went to work. He had to close his eyes occasionally, but his work was incredibly rapid and, at the same time, almost photographically accurate.

As the picture took form, the President's inward excitement increased perceptibly. When it was finally finished, Lenny handed the sketch to the President without a word.

The President took it eagerly and his face broke out in his famous grin. "Excellent! Perfect!" He looked at Lenny. "Your brother hasn't attracted the man's attention in any way, has he?"

"Nope," said Lenny.

"Fine. The experiment is over. Relay my thanks to your brother. He can go ahead with whatever he was doing now."

"I don't quite understand," said the Secretary of State.

"I felt it necessary to make one final experiment of my own devising," the President said. "I wanted Raphael Poe to go to a particular place at a particular time, with no advance warning, to transmit a picture of something he had never seen before. I arranged this test myself, and I am positive that there could be no trickery."

"Never seen before?" the Secretary repeated bewilderedly. He gestured at the sketch. "Why, that's obviously Bill Donovan, of the Moscow delegation. Poe could have seen a photograph of him somewhere before."

"Even so," the President pointed out, "there would be no way of knowing that he would be at that spot. But that's beside the point. Look at that necktie!"

"I had noticed it," the Defense Secretary admitted.

It was certainly an outstanding piece of neckwear. As drawn by Leonard Poe, it was a piece of brilliant chartreuse silk, fully three and a half inches wide at its broadest. Against that background, rose-pink nude girls were cavorting with pale mauve satyrs.

"That tie," said the President, "was sent to me fifteen years ago by on of my constituents, when I was in Congress. I never wore it, of course, but it would have been criminal to have thrown away such a magnificently obscene example of bad taste as that.

"I sent it to Donovan in a sealed diplomatic pouch by special

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