Each Man Kills by Victoria Glad (classic novels TXT) 📕

"... to live you must feed on the living"

Heading by Vincent Napoli

Now that it's all over, it seems like a bad dream. But when I look at Maria's picture on my desk, I realize it couldn't have been a dream. Actually, it was only six months ago that I sat at this same desk, looking at her picture, wondering what could have happened to her. It had been six weeks since there had been any word from her, and she had promised to write as soon as she arrived in Europe. Considering that my future rested in her small hands, I had every right to be apprehensive.

We had grown up together, had lost our folks within a few years of each other and had been fond of each other the way kids are apt to be. Then the change came: It seemed I loved her, and she was still just "fond" of me. During our early college days I sort of let things ride, but once we went on to graduate school, I began to crowd her.

The next thing I knew, she had signed up with a student tour destined for Central Europe, and told me she would give me my answer when she returned. I had to be content with that, but couldn't help worrying. Maria was a strange girl—withdrawn, dreamy and soft-hearted. Knowing the section she was going to, I was inclined to be uneasy, since it is the realm of gypsies, fortune tellers and the like. It is also the birthplace of many strange legends, and Maria claimed to be strongly psychic. As a matter of fact, she had foretold one or two things which were probably coincidental, like the death of our parents, and which even made an impression on me—and you'd hardly call me a "believer."

This so-called talent of hers led her into trouble on more than one occasion. I remember in her senior year at college she fell under the spell of a short, fat, greasy spook-reader with a strictly phony accent and all but gave her eye teeth away, until I realized something was amiss, got to the bottom of it, and dispatched friend spook-reader pronto. If she should meet some unscrupulous person now, with no one around to get her out of the scrape—but I didn't want to think of that. I was sure this time everything would be all right.

When she didn't write at first, I let it go that she was busy. Finally, six weeks' silent treatment aroused my curiosity. It also aroused my nasty temper, and the next thing I knew I was on a plane bound for the Continent. Within two hours after landing, I found her at a little inn in Transylvania, a quaint little place that looked as if it were made of gingerbread, and was surrounded by the huge, craggy Transylvania Mountain range. I also found Tod Hunter.

"What's wrong, Maria? Why didn't you write?" I asked.

Her usually gay, shining brown eyes flashed angrily. "Why couldn't you leave me alone? I told you not to come after me. I came here so I could think this out. For God's sake, Bill, can't you see I wanted to think? To be by myself?"

"But you promised to write," I persisted, wondering at this change in her, this impatience. Wondered, too, at her wraithlike slimness. She'd always been curved in the right places.

"Maria has been studying much too diligently," Tod said slowly. "She's always tired lately. She hasn't been too well, either. Her throat bothers her."

I wanted to punch his head in. For some reason I didn't like him. Not because I sensed his rivalry; I was above that. God knows I wanted her to be happy, above everything. It was just something about him that irritated me. An attitude. Not supercilious; I could have coped with that. Rather, it was a calm imperturbability that seemed to speak his faith in his eventual success, regardless of any effort on my part.

I don't know how to fight that sort of strategy. I look like I am: blunt and obvious. Suddenly I didn't care if he was there.

"Maria. Ria, darling. This guy's no good for you, can't you see that? What do you know about him?"

She looked at me, her eyes surprised and a little hurt. Then she looked at him, seemed to be looking through him and into herself, if you know what I mean. A slow flush spread from the base of her throat, that thin, almost transparent throat.

"All I have to know," she said softly. "I love him."

She looked out the window. "I'm going up into Konigstein Mountain, to a small sanitarium for my health shortly; the doctor has told me I must go away, and Tod has suggested this place. There Tod and I shall be married."

I knew then how it felt to be on the receiving end of a monkey-punch. That she had come to this decision because of my objections, I had not the slightest doubt. She was going to marry someone about whom she knew absolutely nothing. She was much more ill than she knew. Hunter was undoubtedly after her money; she was considerably well-off. Obviously she was once more being influenced in the wrong direction.

"I won't let you!" I warned. "Give it some more time, if for nothing else, then for old times' sake."

"How about me, Morris?" Tod interrupted. "You haven't asked me my feelings on the subject. I happen to love Maria dearly. Have I no say just because you're a childhood friend of hers?"

"Childhood friend! I was her whole family for years before she ever heard of you! I'll see you in hell before I let her marry you!" I shouted. Looking back, I'm sure that had he said anything else, I would have killed him, if Ria hadn't come between us.

"That's enough, Bill Morris! I've heard all I want to from you. I'm twenty-three, and if I choose to marry Tod, I'll do so and there's nothing you can do about it. Now, please go."

"Okay, Ria," I said, "if that's the way you want it. But I'm not through. If you won't protect yourself, I'll do it for you. I'd like to know more about the mysterious Mr. Tod Hunter, American, and I do wish, for your own sake, you'd do the same. I wouldn't care if you married King Tut, so long as you knew all about him. People just don't marry strangers; not if they're smart. For God's sake, ask him about himself!"

"All right, Bill," she replied, smiling patiently. "I'll ask him. Now, do stop being childish."

"Okay, darling," I said sheepishly. "But do me one more favor. Don't marry him until I get back. Only a little while; give me a week. Just wait a little longer."

As I closed the door, I could still feel his smile, mocking—yet a little sad.

But Maria didn't wait. I was gone a week. I had walked my legs off trying to track down the elusive Mister Hunter and discovered exactly—nothing. All his landlady could tell me was that he was an American who had come to this climate for his health, and that he slept late mornings. I was licked and I knew it. If I had been a pup, I would have fitted my tail neatly between my legs and made for home. But I wasn't a pup, so I headed straight for Ria's flat to face the music.

They were waiting for me, she and Tod. When I saw her, I wished I were dead.

She lay in Tod's arms, her body a mere whisper of a body. White and cold she was, like frozen milk on a cold winter's day. They were both dead.

You know how it is when at a wake someone views the deceased and says kindly, "She's beautiful," and "she" isn't beautiful at all; just a made-up, lifeless handful of clay. Dead as dead, and frightening. Well, it wasn't that way this time. Their fair skins were faintly pink-tinted and their blonde heads, hers ashen and his a reddish cast, gleamed brightly. And they sat so close in the sofa before the fire, his head resting in the hollow of her throat. They looked—peaceful; no line marred their faces. I almost fancied I saw them breathe. And on her third finger, left hand, was the ring—a thin, platinum band. He had won, and in winning somehow he had lost. How they had died and why they found each other and death at the same time, I would probably never know. I only knew one thing: I had to get away from there—quickly. I almost ran the distance to my flat. Stumbled into the place and poured a triple Scotch which I could scarcely hold. The Scotch seared my throat and tasted bitter; someone must have poured salt in it. Then I realized that it was tears—my tears. I, Bill Morris, who hadn't cried since my fifth birthday—I was sobbing like a baby.

I didn't call the police. That would mean I would have to go back and watch them cover that lovely body, carry it away and submit it to untold indignities in order to ascertain the cause of death. The cleaning girl would find them in the morning and would notify the police.

But it wasn't so simple as that. In the morning I found I couldn't shake off the guilt which possessed me. Even two bottles of Scotch hadn't helped me to forget. I was dead drunk and cold sober at the same time.

I phoned Ria's landlady and told her I had failed to reach the Hunters by phone, that I was sure something was amiss. Would she please go to their flat and see if anything was wrong.

She was amused. "Really, Mr. Morris, you must be mistaken. Miss Maria went out just an hour ago with her new husband. Surely you are jesting. Why she has never looked better. So happy. They have left for Konigstein. They have also left you a note.

I told her I would be right over, and hopped a cab. I began to think I was losing my mind. I had seen them both—dead. The landlady had seen them this morning—alive!"

When I arrived, the landlady looked at me for a long moment, taking in my rough, dark-blue complexion, unpressed clothes, red-rimmed eyes, then wagged a finger playfully.

"You are playing a joke, no? A wedding joke, maybe. Here, too, we haze newlyweds. But of course I understood. Who could help loving Miss Maria? Be of good heart, young man. For you there will be another, some day. But I talk too much. Here is your letter."

I went where I would be undisturbed, to the reading room of the library on the same street as my flat. To the musty, oblong, dimly lit room whose threshold sunshine and fresh air dared not cross. Without the saving warmth of sunlight or the fresh, clean relief of sweet-smelling air, I read. Read, inhaling the pungent, sour smell of the Scotch I had consumed during the long, sleepless night. Read, and then doubted that I had read at all—but the blue ink on the white paper forced me to acknowledge its actuality. It had been written by Hunter, in a neat, scholar's script.

Dear Morris: (It began)

Why should I not have wanted Maria? You did; others doubtless did. Why then should she not be mine? There are many things worse than being married to me; she might have married a man who beat her!

With her I have known the two happiest days of my life. I want no more than that. I have no right to ask for more. Have we, any of us, a right to endless bliss on this earth? Hardly.

You thought of her welfare above all; for that I owe you some explanation. You must be patient, you must believe, and in the end, you must do as I ask. You must.

You wanted to know about me—of my life before Maria. Before Maria? It seems strange to think about it. There is no life without Maria. Still, there was a time when for me she didn't exist. I have been constantly going forward to the day when I would meet her, yet there was a time when I didn't know where I would find her, or even what her name would be!

It was chance that brought us together. For me, good chance; for you, possibly