In the Palace of the King: A Love Story of Old Madrid by F. Marion Crawford (read my book .TXT) 📕

sashes and gleaming basket-hilted swords, that stuck up behind them as their owners pressed down the hilts and strutted along, twisting their short black moustaches in the hope of meeting some court lady on their way. Then another and older man passed, also in a soldier's dress, but with bent head, apparently deep in thought. After that no one came for some time--then a servant, who pulled something out of his pocket and began to eat it, before he was in the corridor.

Then a woman came past the little window. Dolores saw her as distinctly as she had seen the four men. She came noiselessly and stealthily, putting down her foot delicately, like a cat. She was a lady, and she wore a loose cloak that covered all her gown, and on her head a thick veil, drawn fourfold across her face. Her gait told the girl that she was young and graceful--something in the turn of the head made her sure that she was beautiful, too--something in the whole figure and bearing was familiar. The blood sank from Dolores' cheeks, and she felt a chill slowly rising to her heart. The lady entered the corridor and went on quickly, turned, and was out of sight.

Then all at once, Dolores laughed to herself, noiselessly, and was happy again, in spite of her danger. There was nothing to disturb her, she reflected. The terrace was long, there were doubtless other apartments beyond Don John's, though she had not known it. The lady had indeed walked cautiously, but it might well be that she had reasons for not being seen there, and that the further rooms were not hers. The Alcazar was only an old Moorish castle, after all, restored and irregularly enlarged, and altogether very awkwardly built, so that many of the apartments could only be reached by crossing open terraces.

When Don John came to get her in the sentry-box, Dolores' momentary doubt was gone, though not all her curiosity. She smiled as she came out of her hiding-place and met his eyes--clear and true as her own. She even hated herself for having thought that the lady could have come from his apartment at all. The light was streaming from his open door as he led her quickly towards it. There were three windows beyond it, and there the terrace ended. She looked at the front as they were passing, and counted again three windows between the open door and the corner where the sentry-box stood.

"Who lives in the rooms beyond you?" she asked quickly.

"No one--the last is the one where you are to be." He seemed surprised.

They had reached the open door, and he stood aside to let her go in.

"And on this side?" she asked, speaking with a painful effort.

"My drawing-room and dining-room," he answered.

She paused and drew breath before she spoke again, and she pressed one hand to her side under her cloak.

"Who was the lady who came from here when all the men were gone?" she asked, very pale.

CHAPTER V

Don John was a man not easily taken off his guard, but he started perceptibly at Dolores' question. He did not change colour, however, nor did his eyes waver; he looked fixedly into her face.

"No lady has been here," he answered quietly.

Dolores doubted the evidence of her own senses. Her belief in the man she loved was so great that his words seemed at first to have destroyed and swept away what must have been a bad dream, or a horrible illusion, and her face was quiet and happy again as she passed him and went in through the open entrance. She found herself in a vestibule from which doors opened to the right and left. He turned in the latter direction, leading the way into the room.

It was his bedchamber. Built in the Moorish manner, the vaulting began at the height of a man's head, springing upward in bold and graceful curves to a great height. The room was square and very large, and the wall below the vault was hung with very beautiful tapestries representing the battle of Pavia, the surrender of Francis the First, and a sort of apotheosis of the Emperor Charles, the father of Don John. There were two tall windows, which were quite covered by curtains of a dark brocade, in which the coats of Spain and the Empire were woven in colours at regular intervals; and opposite them, with the head to the wall, stood a vast curtained bedstead with carved posts twice a man's height. The vaulting had been cut on that side, in order that the foot of the bed might stand back against the wall. The canopy had coats of arms at the four corners, and the curtains were of dark green corded silk, heavily embroidered with gold thread in the beautiful scrolls and arabesques of the period of the Renascence. A carved table, dark and polished, stood half way between the foot of the bedstead and the space between the windows, where a magnificent kneeling-stool with red velvet cushions was placed under a large crucifix. Half a dozen big chairs were ranged against the long walls on each side of the room, and two commodious folding chairs with cushions of embossed leather were beside the table. Opposite the door by which Dolores had entered, another communicated with the room beyond. Both were carved and ornamented with scroll work of gilt bronze, but were without curtains. Three or four Eastern, rugs covered the greater part of the polished marble pavement, which here and there reflected the light of the tall wax torches that stood on the table in silver candlesticks, and on each side of the bed upon low stands. The vault above the tapestried walls was very dark blue, and decorated with gilded stars in relief. Dolores thought the room gloomy, and almost funereal. The bed looked like a catafalque, the candles like funeral torches, and the whole place breathed the magnificent discomfort of royalty, and seemed hardly intended for a human habitation.

Dolores barely glanced at it all, as her companion locked the first door and led her on to the next room. He knew that he had not many minutes to spare, and was anxious that she should be in her hiding-place before his servants came back. She followed him and went in. Unlike the bedchamber, the small study was scantily and severely furnished. It contained only a writing-table, two simple chairs, a straight-backed divan covered with leather, and a large chest of black oak bound with ornamented steel work. The window was curtained with dark stuff, and two wax candles burned steadily beside the writing-materials that were spread out ready for use.

"This is the room," Don John said, speaking for the first time since they had entered the apartments.

Dolores let her head fall back, and began to loosen her cloak at her throat without answering him. He helped her, and laid the long garment upon the divan. Then he turned and saw her in the full light of the candles, looking at him, and he uttered an exclamation.

"What is it?" she asked almost dreamily.

"You are very beautiful," he answered in a low voice. "You are the most beautiful woman I ever saw."

The merest girl knows the tone of a man whose genuine admiration breaks out unconsciously in plain words, and Dolores was a grown woman. A faint colour rose in her cheek, and her lips parted to smile, but her eyes were grave and anxious, for the doubt had returned, and would not be thrust away. She had seen the lady in the cloak and veil during several seconds, and though Dolores, who had been watching the men who passed, had not actually seen her come out of Don John's apartments, but had been suddenly aware of her as she glided by, it seemed out of the question that she should have come from any other place. There was neither niche nor embrasure between the door and the corridor, in which the lady could have been hidden, and it was hardly conceivable that she should have been waiting outside for some mysterious purpose, and should not have fled as soon as she heard the two officers coming out, since she evidently wished to escape observation. On the other hand, Don John had quietly denied that any woman had been there, which meant at all events that he had not seen any one. It could mean nothing else.

Dolores was neither foolishly jealous nor at all suspicious by nature, and the man was her ideal of truthfulness and honour. She stood looking at him, resting one hand on the table, while he came slowly towards her, moving almost unconsciously in the direction of her exquisite beauty, as a plant lifts itself to the sun at morning. He was near to her, and he stretched out his arms as if to draw her to him. She smiled then, for in his eyes she forgot her trouble for a moment, and she would have kissed him. But suddenly his face grew grave, and he set his teeth, and instead of taking her into his arms, he took one of her hands and raised it to his lips, as if it had been the hand of his brother's wife, the young Queen.

"Why?" she asked in surprise, and with a little start.

"You are here under my protection," he answered. "Let me have my own way."

"Yes, I understand. How good you are to me!" She paused, and then went on, seating herself upon one of the chairs by the table as she spoke. "You must leave me now," she said. "You must lock me in and keep the key. Then I shall know that I am safe; and in the meantime you must decide how I am to escape--it will not be easy." She stopped again. "I wonder who that woman was!" she exclaimed at last.

"There was no woman here," replied Don John, as quietly and assuredly as before.

He was leaning upon the table at the other side, with both hands resting upon it, looking at her beautiful hair as she bent her head.

"Say that you did not see her," she said, "not that she was not here, for she passed me after all the men, walking very cautiously to make no noise; and when she was in the corridor she ran--she was young and light-footed. I could not see her face."

"You believe me, do you not?" asked Don John, bending over the table a little, and speaking very anxiously.

She turned her face up instantly, her eyes wide and bright.

"Should I be here if I did not trust you and believe you?" she asked almost fiercely. "Do you think--do you dare to think--that I would have passed your door if I had supposed that another woman had been here before me, and had been turned out to make room for me, and would have stayed here--here in your room--if you had not sent her away? If I had thought that, I would have left you at your door forever. I would have gone back to my father. I would have gone to Las Huelgas to-morrow, and not to be a prisoner, but to live and die there in the only life fit for a broken-hearted woman. Oh, no! You dare not think that,--you who would dare anything! If you thought that, you could not love me as I love you,--believing, trusting, staking life and soul on your truth and faith!"

The generous spirit had risen in her eyes, roused not against him, but by all his question might be made to mean; and as she met his look of grateful gladness her anger broke away, and left only perfect love and trust behind it.

"A man would die for you, and wish he might die twice," he answered, standing upright, as if a weight had been taken from him and he were free to breathe.

She looked up at the pale, strong features of the young fighter, who was so great and glorious almost before the down had thickened on his lip; and she saw something almost above nature in his face,--something high and angelic, yet manly and well fitted to face earthly battles. He was her sun, her young god, her perfect image of perfection, the very source of her trust. It would have killed her to doubt him. Her whole soul went up to him in her eyes; and as he was ready to die for her, she knew that for him she would suffer every anguish death could hold, and not flinch.

Then she looked down, and suddenly laughed a little oddly, and her finger pointed towards the pens and paper.

"She has left something behind," she said. "She was clever to get in here and slip out again without being seen."

Don John looked where she pointed, and