In the Palace of the King: A Love Story of Old Madrid by F. Marion Crawford (read my book .TXT) 📕

*** START OF THIS PROJECT GUTENBERG EBOOK IN THE PALACE OF THE KING *** Produced by Kevin Handy, John Hagerson and the Online Distributed Proofreading Team In the Palace of the King
A Love Story of Old Madrid

BY F. MARION CRAWFORD



COPYRIGHT 1900 BY THE MACMILLAN COMPANY
To my old friend
GEORGE P. BRETT

New York, October, 1906
CONTENTS CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
CHAPTER XIII
CHAPTER XIV
CHAPTER XV
CHAPTER XVI
CHAPTER XVII
CHAPTER XVIII
CHAPTER XIX
CHAPTER XX
CHAPTER I

Two young girls sat in a high though very narrow room of the old Moorish palace to which King Philip the Second had brought his court when he finally made Madrid his capital. It was in the month of November, in the afternoon, and the light was cold and grey, for the two tall windows looked due north, and a fine rain had been falling all the morning. The stones in the court were drying now, in patches, but the sky was like a smooth vault of cast lead, closing over the city that lay to the northward, dark, wet and still, as if its life had shrunk down under ground, away from the bitter air and the penetrating damp.

The room was scantily furnished, but the few objects it contained, the carved table, the high-backed chairs and the chiselled bronze brazier, bore the stamp of the time when art had not long been born again. On the walls there were broad tapestries of bold design, showing green forests populated by all sorts of animals in stiff attitudes, staring at one another in perpetual surprise. Below the tapestry a carved walnut wainscoting went round the room, and the door was panelled and flanked by fluted doorposts of the same dark wood, on which rested corbels fashioned into curling acanthus leaves, to hold up the cornice, which itself made a high shelf over the door. Three painted Italian vases, filled with last summer's rose leaves and carefully sealed lest the faint perfume should be lost, stood symmetrically on this projection, their contents slowly ripening for future use. The heap of white ashes, under which the wood coals were still alive in the big brazier, diffused a little warmth through the chilly room.

The two girls were sitting at opposite ends of the table. The one held a long goose-quill pen, and before her lay several large sheets of paper covered with fine writing. Her eyes followed the lines slowly, and from time to time she made a correction in the manuscript. As she read, her lips moved to form words, but she made no sound. Now and then a faint smile lent singular beauty to her face, and there was more light in her eyes, too; then it disappeared again, and she read on, carefully and intently, as if her soul were in the work.

She was very fair, as Spaniards sometimes are still, and were more often in those days, with golden hair and deep grey eyes; she had the high features, the smooth white throat, and the finely modelled ears that were the outward signs of the lordly Gothic race. When she was not smiling, her face was sad, and sometimes the delicate colour left her clear cheek and she grew softly pale, till she seemed almost delicate. Then the sensitive nostrils quivered almost imperceptibly, and the curving lips met closely as if to keep a secret; but that look came seldom, and for the most part her eyes were quiet and her mouth was kind. It was a face that expressed devotion, womanly courage, and sensitiveness rather than an active and dominating energy. The girl was indeed a full-grown woman, more than twenty years of age, but the early bloom of girlhood was on her still, and if there was a little sadness in the eyes, a man could guess well enough that it rose from the heart, and had but one simple source, which was neither a sudden grief nor a long-hidden sorrow, but only youth's one secret--love. Maria Dolores de Mendoza knew all of fear for the man she loved, that any woman could know, and much of the hope that is love's early life; but she knew neither the grief, nor the disappointment, nor the shame for another, nor for herself, nor any of the bitterness that love may bring. She did not believe that such things could be wrung from hearts that were true and faithful; and in that she was right. The man to whom she had given her heart and soul and hope had given her his, and if she feared for him, it was not lest he should forget her or his own honour. He was a man among men, good and true; but he was a soldier, and a leader, who daily threw his life to the battle, as Douglas threw the casket that held the Bruce's heart into the thick of the fight, to win it back, or die. The man she loved was Don John of Austria, the son of the great dead Emperor Charles the Fifth, the uncle of dead Don Carlos and the half brother of King Philip of Spain--the man who won glory by land and sea, who won back Granada a second time from the Moors, as bravely as his great grandfather Ferdinand had won it, but less cruelly, who won Lepanto, his brother's hatred and a death by poison, the foulest stain in Spanish history.

It was November now, and it had been June of the preceding year when he had ridden away from Madrid to put down the Moriscoes, who had risen savagely against the hard Spanish rule. He had left Dolores de Mendoza an hour before he mounted, in the freshness of the early summer morning, where they had met many a time, on a lonely terrace above the King's apartments. There were roses there, growing almost wild in great earthen jars, where some Moorish woman had planted them in older days, and Dolores could go there unseen with her blind sister, who helped her faithfully, on pretence of taking the poor girl thither to breathe the sweet quiet air. For Inez was painfully sensitive of her affliction, and suffered, besides blindness, all that an over-sensitive and imaginative being can feel.

She was quite blind, with no memory of light, though she had been born seeing, as other children. A scarlet fever had destroyed her sight. Motherless from her birth, her father often absent in long campaigns, she had been at the mercy of a heartless nurse, who had loved the fair little Dolores and had secretly tormented the younger child, as soon as she was able to understand, bringing her up to believe that she was so repulsively ugly as to be almost a monster. Later, when the nurse was gone, and Dolores was a little older, the latter had done all she could to heal the cruel wound and to make her sister know that she had soft dark hair, a sad and gentle face, with eyes that were quite closed, and a delicate mouth that had a little half painful, half pathetic way of twitching when anything hurt her,--for she was easily hurt. Very pale always, she turned her face more upwards than do people who have sight, and being of good average woman's height and very slender and finely made, this gave her carriage an air of dignity that seemed almost pride when she was offended or wounded. But the first hurt had been deep and lasting, and she could never quite believe that she was not offensive to the eyes of those who saw her, still less that she was sometimes almost beautiful in a shadowy, spiritual way. The blind, of all their sufferings, often feel most keenly the impossibility of knowing whether the truth is told them about their own looks; and he who will try and realize what it is to have been always sightless will understand that this is not vanity, but rather a sort of diffidence towards which all people should be very kind. Of all necessities of this world, of all blessings, of all guides to truth, God made light first. There are many sharp pains, many terrible sufferings and sorrows in life that come and wrench body and soul, and pass at last either into alleviation or recovery, or into the rest of death; but of those that abide a lifetime and do not take life itself, the worst is hopeless darkness. We call ignorance 'blindness,' and rage 'blindness,' and we say a man is 'blind' with grief.

Inez sat opposite her sister, at the other end of the table, listening. She knew what Dolores was doing, how during long months her sister had written a letter, from time to time, in little fragments, to give to the man she loved, to slip into his hand at the first brief meeting or to drop at his feet in her glove, or even, perhaps, to pass to him by the blind girl's quick fingers. For Inez helped the lovers always, and Don John was very gentle with her, talking with her when he could, and even leading her sometimes when she was in a room she did not know. Dolores knew that she could only hope to exchange a word with him when he came back, and that the terrace was bleak and wet now, and the roses withered, and that her father feared for her, and might do some desperate thing if he found her lover talking with her where no one could see or hear. For old Mendoza knew the world and the court, and he foresaw that sooner or later some royal marriage would be made for Don John of Austria, and that even if Dolores were married to him, some tortuous means would be found to annul her marriage, whereby a great shame would darken his house. Moreover, he was the King's man, devoted to Philip body and soul, as his sovereign, ready to give his life ten times for his sovereign's word, and thinking it treason to doubt a royal thought or motive. He was a rigid old man, a Spaniard of Spain's great days, fearless, proud, intolerant, making Spain's honour his idol, capable of gentleness only to his children, and loving them dearly, but with that sort of severity and hardness in all questions where his authority was concerned which can make a father's true affection the most intolerable burden to a girl of heart, and which, where a son is its object, leads sooner or later to fierce quarrels and lifelong estrangement. And so it had happened now. For the two girls had a brother much older than they, Rodrigo; and he had borne to be treated like a boy until he could bear no more, and then he had left his father's house in anger to find out his own fortune in the world, as many did in his day,--a poor gentleman seeking distinction in an army of men as brave as himself, and as keen to win honour on every field. Then, as if to oppose his father in everything, he had attached himself to Don John, and was spoken of as the latter's friend, and Mendoza feared lest his son should help Don John to a marriage with Dolores. But in this he was mistaken, for Rodrigo was as keen, as much a Spaniard, and as much devoted to the honour of his name as his father could be; and though he looked upon Don John as the very ideal of what a soldier and a prince should be, he would have cut off his own right hand rather than let it give his leader the letter Dolores had been writing so long; and she knew this and feared her brother, and tried to keep her secret from him.

Inez knew all, and she also was afraid of Rodrigo and of her father, both for her sister's sake and her own. So, in that divided house, the father was against the son, and the daughters were allied against them both, not in hatred, but in terror and because of Dolores' great love for Don John of Austria.

As they sat at the table it began to rain again, and the big drops beat against the windows furiously for a few minutes. The panes were round and heavy, and of a greenish yellow colour, made of blown glass, each with a sort of knob in the middle, where the iron blowpipe had been separated from the hot mass. It was impossible