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โHow does he manage to do that?โ
โBy presenting us with a report, a diary of all that he made a note of in his little notepad throughout his life, and I mean it. The tasty part is that whatever surprised him surprised me as well, the outcome being that Iโve blackened the entire book with my underlining. As to their average per page, he ranks, by far, first amongst
Hackneyed and most of all unfair for Panourgias, who has more arrows in his quiver.
Heโs contradicting himself since up until this point he always said he didnโt.
โand he reminds me of a chef who will make good use even out of the egg shells,โ have him say.
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all the writers Iโve ever read.โ
โIs that all?โ
โItโs also how in every phenomenon he gets caught up not so much with the questions that would seem to many as central, but rather with the secondary ones. Which, in the end, prove to be even more central than the โcentralโ ones.โ
โIn the end though, did it interest you as far as content or as an achievement?โ
โMainly the first one, without meaning to disparage the second, all the more that, and credit to him, he doesnโt reveal it as much, and thatโs exactly where he proves how cool he really is.โ
โDoes it flow?โ
โLike a torrent. Even though not a single drop of blood is spilled and not a single leaf moves, it reads like a crime novel. The robbers are every kind of clichรฉ, stereotype, consensus, misconception and delusion, while the investigator chasing them relentlessly is Pa-nourgias. To the point where Iโm under the illusion that his Word has a specific Find function for clichรฉs.โ
โYes, but he suffers in terms of plot.โ
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โAll the better. Because, a plot is a two-edged sword. Half the book is wasted on the writer clearing up the readerโs questions regarding it. And the other half on hinting about whatโs coming next. Pure wastage, in other words, enough to spare. Whereas Panourgias is value for money.โ
โI wonder how the critics havenโt picked up on every-thing that you admire in Panourgias?โ
โI wonder how you wonder. Because, the way in which we approach a piece of writing, how we han-dle it rather, which strategy we use in other words to read it, also depends on the where, the when, the af-ter whom, the why, the given that, the even
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