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โEven, even, even! Understand this, once and for all: describing a situation is one thing, adopting it is an-other, the writer is one thing and another his charac-ters whom in crafting that way, means he surpasses them and sees them more with compassion, almost
In the logic of โkeep talking, some of it will remainโ, I will allow you to invoke the same line of defence as in the interview.
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pity, than with admiration. Another aspect is also his incarnations which have weaselled their way into his books somewhere.โ
โThen maybe, even worse, and personally Iโm leaning toward this particular hypothesis: Is he refusing any publicity because he himself rates his works as below average?โ
โAnd still publishes them? Why?โ
โHe must seek a second opinion, for better or for worse. Besides, he probably thought, you never know, someone might take the bait.โ
โGosh! Weโve not only taken the bait; weโve fallen right into it face first.โ
โAnyway, how do you imagine him to be?โ
โItโs strange, but, with every writer, writing and ap-pearance go together hand in hand. One affects, al-most imposes on, the other.โ
โItโs almost as though youโre telling me that you would identify him in the same way the victim iden-tifies the perpetrator out of twenty or so ugly mugs at the police precinct, behind a glass screen.โ
โUnquestionably.โ
+ like Hitchcock in his films.
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โDo you completely rule out the possibility that he might be, I donโt know, pot-bellied, bald, a hunch-back, bow-legged, a cheapskate and an old crock?โ
โBut it ceases to matter. His work acts as the Pool of Siloam and purifies all of his defects, it rechristens them, it makes them cherishable.โ
โVery nice. And now the crucial million-dollar ques-tion: If I were
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