Emile by Jean-Jacques Rousseau (most read book in the world TXT) 📕

At the name of Sophy you would have seen Emile give a start. His attention is arrested by this dear name, and he awakes all at once and looks eagerly at one who dares to bear it. Sophy! Are you the Sophy whom my heart is seeking? Is it you that I love? He looks at her; he watches her with a sort of fear and self-distrust. The face is not quite what he pictured; he cannot tell whether he likes it more or less. He studies every feature, he watches every movement, every gesture; he has a hundred fleeting interpretations for them all; he would give half his life if she would but speak. He looks at me anxiously and uneasily; his eyes are full of questions and reproaches. His every glance seems to say, “Guide me while there is yet time; if my heart yields itself and is deceived, I shall never get over it.”

There is no one in the world less able to conceal his feelings than Emile. How should he conceal them, in the midst of the greatest disturbance he has ever experienced, and under the eyes of four spectators who are all watching him, while she who seems to heed him least is really most occupied with him. His uneasiness does not escape the keen eyes of Sophy; his own eyes tell her that she is its cause; she sees that this uneasiness is not yet love; what matter? He is thinking of her, and that is enough; she will be very unlucky if he thinks of her with impunity.

Mothers, like daughters, have eyes; and they have experience too.

Sophy’s mother smiles at the success of our schemes. She reads the hearts of the young people; she sees that the time has come to secure the heart of this new Telemachus; she makes her daughter speak. Her daughter, with her native sweetness, replies in a timid tone which makes all the more impression. At the first sound of her voice, Emile surrenders; it is Sophy herself; there can be no doubt about it. If it were not so, it would be too late to deny it.

The charms of this maiden enchantress rush like torrents through his heart, and he begins to drain the draughts of poison with which he is intoxicated. He says nothing; questions pass unheeded; he sees only Sophy, he hears only Sophy; if she says a word, he opens his mouth; if her eyes are cast down, so are his; if he sees her sigh, he sighs too; it is Sophy’s heart which seems to speak in his. What a change have these few moments wrought in her heart! It is no longer her turn to tremble, it is Emile’s. Farewell liberty, simplicity, frankness. Confused, embarrassed, fearful, he dare not look about him for fear he should see that we are watching him.

Ashamed that we should read his secret, he would fain become invisible to every one, that he might feed in secret on the sight of Sophy. Sophy, on the other hand, regains her confidence at the sight of Emile’s fear; she sees her triumph and rejoices in it.

“No’l mostra gia, ben che in suo cor ne rida.”

Tasso, Jerus. Del., c. iv. v. 33.

Her expression remains unchanged; but in spite of her modest look and downcast eyes, her tender heart is throbbing with joy, and it tells her that she has found Telemachus.

If I relate the plain and simple tale of their innocent affections you will accuse me of frivolity, but you will be mistaken. Sufficient attention is not given to the effect which the first connection between man and woman is bound to produce on the future life of both. People do not see that a first impression so vivid as that of love, or the liking which takes the place of love, produces lasting effects whose influence continues till death. Works on education are crammed with wordy and unnecessary accounts of the imaginary duties of children; but there is not a word about the most important and most difficult part of their education, the crisis which forms the bridge between the child and the man. If any part of this work is really useful, it will be because I have dwelt at great length on this matter, so essential in itself and so neglected by other authors, and because I have not allowed myself to be discouraged either by false delicacy or by the difficulties of expression. The story of human nature is a fair romance. Am I to blame if it is not found elsewhere? I am trying to write the history of mankind.

If my book is a romance, the fault lies with those who deprave mankind.

This is supported by another reason; we are not dealing with a youth given over from childhood to fear, greed, envy, pride, and all those passions which are the common tools of the schoolmaster; we have to do with a youth who is not only in love for the first time, but with one who is also experiencing his first passion of any kind; very likely it will be the only strong passion he will ever know, and upon it depends the final formation of his character.

His mode of thought, his feelings, his tastes, determined by a lasting passion, are about to become so fixed that they will be incapable of further change.

You will easily understand that Emile and I do not spend the whole of the night which follows after such an evening in sleep. Why! Do you mean to tell me that a wise man should be so much affected by a mere coincidence of name! Is there only one Sophy in the world?

Are they all alike in heart and in name? Is every Sophy he meets his Sophy? Is he mad to fall in love with a person of whom he knows so little, with whom he has scarcely exchanged a couple of words?

Wait, young man; examine, observe. You do not even know who our hosts may be, and to hear you talk one would think the house was your own.

This is no time for teaching, and what I say will receive scant attention. It only serves to stimulate Emile to further interest in Sophy, through his desire to find reasons for his fancy. The unexpected coincidence in the name, the meeting which, so far as he knows, was quite accidental, my very caution itself, only serve as fuel to the fire. He is so convinced already of Sophy’s excellence, that he feels sure he can make me fond of her.

Next morning I have no doubt Emile will make himself as smart as his old travelling suit permits. I am not mistaken; but I am amused to see how eager he is to wear the clean linen put out for us. I know his thoughts, and I am delighted to see that he is trying to establish a means of intercourse, through the return and exchange of the linen; so that he may have a right to return it and so pay another visit to the house.

I expected to find Sophy rather more carefully dressed too; but I was mistaken. Such common coquetry is all very well for those who merely desire to please. The coquetry of true love is a more delicate matter; it has quite another end in view. Sophy is dressed, if possible, more simply than last night, though as usual her frock is exquisitely clean. The only sign of coquetry is her self-consciousness.

She knows that an elaborate toilet is a sign of love, but she does not know that a careless toilet is another of its signs; it shows a desire to be like not merely for one’s clothes but for oneself.

What does a lover care for her clothes if he knows she is thinking of him? Sophy is already sure of her power over Emile, and she is not content to delight his eyes if his heart is not hers also; he must not only perceive her charms, he must divine them; has he not seen enough to guess the rest?

We may take it for granted that while Emile and I were talking last night, Sophy and her mother were not silent; a confession was made and instructions given. The morning’s meeting is not unprepared.

Twelve hours ago our young people had never met; they have never said a word to each other; but it is clear that there is already an understanding between them. Their greeting is formal, confused, timid; they say nothing, their downcast eyes seem to avoid each other, but that is in itself a sign that they understand, they avoid each other with one consent; they already feel the need of concealment, though not a word has been uttered. When we depart we ask leave to come again to return the borrowed clothes in person, Emile’s words are addressed to the father and mother, but his eyes seek Sophy’s, and his looks are more eloquent than his words. Sophy says nothing by word or gesture; she seems deaf and blind, but she blushes, and that blush is an answer even plainer than that of her parents.

We receive permission to come again, though we are not invited to stay. This is only fitting; you offer shelter to benighted travellers, but a lover does not sleep in the house of his mistress.

We have hardly left the beloved abode before Emile is thinking of taking rooms in the neighbourhood; the nearest cottage seems too far; he would like to sleep in the next ditch. “You young fool!” I said in a tone of pity, “are you already blinded by passion? Have you no regard for manners or for reason? Wretched youth, you call yourself a lover and you would bring disgrace upon her you love!

What would people say of her if they knew that a young man who has been staying at her house was sleeping close by? You say you love her! Would you ruin her reputation? Is that the price you offer for her parents’ hospitality? Would you bring disgrace on her who will one day make you the happiest of men?” “Why should we trouble ourselves about the empty words and unjust suspicions of other people?” said he eagerly. “Have you not taught me yourself to make light of them? Who knows better than I how greatly I honour Sophy, what respect I desire to show her? My attachment will not cause her shame, it will be her glory, it shall be worthy of her. If my heart and my actions continually give her the homage she deserves, what harm can I do her?” “Dear Emile,” I said, as I clasped him to my heart, “you are thinking of yourself alone; learn to think for her too. Do not compare the honour of one sex with that of the other, they rest on different foundations. These foundations are equally firm and right, because they are both laid by nature, and that same virtue which makes you scorn what men say about yourself, binds you to respect what they say of her you love. Your honour is in your own keeping, her honour depends on others. To neglect it is to wound your own honour, and you fail in what is due to yourself if you do not give her the respect she deserves.”

Then while I explain the reasons for this difference, I make him realise how wrong it would be to pay no attention to it. Who can say if he will really be Sophy’s husband? He does not know how she feels towards him; her own heart or her parents’ will may already have formed other engagements; he knows nothing of her,