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it and there was no use kidding myself.

But staring at the control panel wouldn't keep us from crashing if that was in the cards. I looked around and there were Pop and Alice glaring at each other across the closing door. He looked mean. She looked agonized and was pressing her burnt hand into her side with her elbow as if he'd stamped on the hand, maybe. I didn't see any blood though. I didn't see the box and 'chute either, though I did see Alice's bag of groceries. I guessed Pop had made the drop.

Now, it occurred to me, was a bully time for Voice Two to melt the plane—if he hadn't already tried. My first thought had been that the spatter of hot metal had come from the Savannah craft spitting us, but there was no way to be sure.

I looked around at the viewport in time to see rocks and stunted trees jump out of the haze. Good old Ray, I thought, always in at the death. But just then the plane took a sickening bounce, as if its antigravity had only started to operate within yards of the ground. Another lurching fall and another bounce, less violent. A couple of repetitions of that, each one a little gentler, and then we were sort of bumping along on an even keel with the rocks and such sliding past fast about a hundred feet below, I judged. We'd been spoiled for altitude work, it seemed, but we could still cripple along in some sort of low-power repulsion field.

I looked at the North America screen and the buttons, wondering if I should start us back west again or leave us set on Atla-Hi and see what the hell happened—at the moment I hardly cared what else Savannah did to us. I needn't have wasted the mental energy. The decision was made for me. As I watched, the Atla-Hi button jumped up by itself and the button for the cracking plant went down and there was some extra bumping as we swung around.

Also, the violet patch of Atla-Hi went real dim and the button for it no longer had a violet nimbus. The Los Alamos blue went dull too. The cracking-plant dot glowed a brighter green—that was all.

All except for one thing. As the violet dimmed I thought I heard Voice One very faintly (not as if speaking directly but as if the screen had heard and remembered—not a voice but the fluorescent ghost of one): "Thank you and good luck!"

CHAPTER 6

Many a man has dated his ruin from some murder or other that perhaps he thought little of at the time.

—Thomas de Quincey

"And a long merry siege to you, sir, and roast rat for Christmas!" I responded, very out loud and rather to my surprise.

"War! How I hate war!"—that was what Pop exploded with. He didn't exactly dance in senile rage—he was still keeping too sharp a watch on Alice—but his voice sounded that way.

"Damn you, Pop!" Alice contributed. "And you too, Ray! We might have pulled something, but you had to go obedience-happy." Then her anger got the better of her grammar, or maybe Pop and me was corrupting it. "Damn the both of you!" she finished.

It didn't make much sense, any of it. We were just cutting loose, I guess, after being scared to say anything for the last half hour.

I said to Alice, "I don't know what you could have pulled, except the chain on us." To Pop I remarked, "You may hate war, but you sure helped that one along. Those grenades you dropped will probably take care of a few hundred Savannans."

"That's what you always say about me, isn't it?" he snapped back. "But I don't suppose I should expect any kinder interpretation of my motives." To Alice he said, "I'm sorry I had to slap your burnt fingers, sister, but you can't say I didn't warn you about my low-down tactics." Then to me again: "I do hate war, Ray. It's just murder on a bigger scale, though some of the boys give me an argument there."

"Then why don't you go preach against war in Atla-Hi and Savannah?" Alice demanded, still very hot but not quite so bitter.

"Yeah, Pop, how about it?" I seconded.

"Maybe I should," he said, thoughtful all at once. "They sure need it." Then he grinned. "Hey, how'd this sound: HEAR THE WORLD-FAMOUS MURDERER POP TRUMBULL TALK AGAINST WAR. WEAR YOUR STEEL THROAT PROTECTORS. Pretty good, hey?"

We all laughed at that, grudgingly at first, then with a touch of wholeheartedness. I think we all recognized that things weren't going to be very cheerful from here on in and we'd better not turn up our noses at the feeblest fun.

"I guess I didn't have anything very bright in mind," Alice admitted to me, while to Pop she said, "All right, I forgive you for the present."

"Don't!" Pop said with a shudder. "I hate to think of what happened to the last bugger made the mistake of forgiving me."

We looked around and took stock of our resources. It was time we did. It was getting dark fast, although we were chasing the sun, and there weren't any cabin lights coming on and we sure didn't know of any way of getting any.

We wadded a couple of satchels into the hole in the World Screen without trying to probe it. After a while it got warmer again in the cabin and the air a little less dusty. Presently it started to get too smoky from the cigarettes we were burning, but that came later.

We screwed off the walls the few storage bags we hadn't inspected. They didn't contain nothing of consequence, not even a flashlight.

I had one last go at the buttons, though there weren't any left with nimbuses on them—the darker it got, the clearer that was. Even the Atla-Hi button wouldn't push now that it had lost its violet halo. I tried the gunnery patterns, figuring to put in a little time taking pot shots at any mountains that turned up, but the buttons that had been responding so well a few minutes ago refused to budge. Alice suggested different patterns, but none of them worked. That console was really locked—maybe the shot from Savannah was partly responsible, though Atla-Hi remote-locking things was explanation enough.

"The buggers!" I said. "They didn't have to tie us up this tight. Going east we at least had a choice—forward or back. Now we got none."

"Maybe we're just as well off," Pop said. "If Atla-Hi had been able to do anything more for us—that is, if they hadn't been sieged in, I mean—they'd sure as anything have pulled us in. Pull the plane in, I mean, and picked us out of it—with a big pair of tweezers, likely as not. And contrary to your flattering opinion of my preaching (which by the way none of the religious boys in my outfit share—they call me 'that misguided old atheist'), I don't think none of us would go over big at Atla-Hi."

We had to agree with him there. I couldn't imagine Pop or Alice or even me cutting much of a figure (even if we weren't murder-pariahs) with the pack of geniuses that seemed to make up the Atla-Alamos crowd. The Double-A Republics, to give them a name, might have their small-brain types, but somehow I didn't think so. There must be more than one Edison-Einstein, it seemed to me, back of antigravity and all the wonders in this plane and the other things we'd gotten hints of. Also, Grayl had seemed bred for brains as well as size, even if us small mammals had cooked his goose. And none of the modern "countries" had more than a few thousand population yet, I was pretty sure, and that hardly left room for a dumbbell class. Finally, too, I got hold of a memory I'd been reaching for the last hour—how when I was a kid I'd read about some scientists who learned to talk Mandarin just for kicks. I told Alice and Pop.

"And if that's the average Atla-Alamoser's idea of mental recreation," I said, "well, you can see what I mean."

"I'll grant you they got a monopoly of brains," Pop agreed. "Not sense, though," he added doggedly.

"Intellectual snobs," was Alice's comment. "I know the type and I detest it." ("You are sort of intellectual, aren't you?" Pop told her, which fortunately didn't start a riot.)

Still, I guess all three of us found it fun to chew over a bit the new slant we'd gotten on two (in a way, three) of the great "countries" of the modern world. (And as long as we thought of it as fun, we didn't have to admit the envy and wistfulness that was behind our wisecracks.)

I said, "We've always figured in a general way that Alamos was the remains of a community of scientists and technicians. Now we know the same's true of the Atla-Hi group. They're the Brookhaven survivors."

"Manhattan Project, don't you mean?" Alice corrected.

"Nope, that was in Colorado Springs," Pop said with finality.

I also pointed out that a community of scientists would educate for technical intelligence, maybe breed for it too. And being a group picked for high I. Q. to begin with, they might make startlingly fast progress. You could easily imagine such folk, unimpeded by the boobs, creating a wonder world in a couple of generations.

"They got their troubles though," Pop reminded me and that led us to speculating about the war we'd dipped into. Savannah Fortress, we knew, was supposed to be based on some big atomic plants on the river down that way, but its culture seemed to have a fiercer ingredient than Atla-Alamos. Before we knew it we were, musing almost romantically about the plight of Atla-Hi, besieged by superior and (it was easy to suppose) barbaric forces, and maybe distant Los Alamos in a similar predicament—Alice reminded me how the voice had asked if they were still dying out there. For a moment I found myself fiercely proud that I had been able to strike a blow against evil aggressors. At once, of course, then, the revulsion came.

"This is a hell of a way," I said, "for three so-called realists to be mooning about things."

"Yes, especially when your heroes kicked us out," Alice agreed.

Pop chuckled. "Yep," he said, "they even took Ray's artillery away from him."

"You're wrong there, Pop," I said, sitting up. "I still got one of the grenades—the one the pilot had in his fist." To tell the truth I'd forgotten all about it and it bothered me a little now to feel it snugged up in my pocket against my hip bone where the skin is thin.

"You believe what that old Dutchman said about the steel cubes being atomic grenades?" Pop asked me.

"I don't know," I said, "He sure didn't sound enthusiastic about telling us the truth about anything. But for that matter he sounded mean enough to tell the truth figuring we'd think it was a lie. Maybe this is some sort of baby A-bomb with a fuse timed like a grenade." I got it out and hefted it. "How about I press the button and drop it out the door? Then we'll know." I really felt like doing it—restless, I guess.

"Don't be a fool, Ray," Alice said.

"Don't tense up, I won't," I told her. At the same time I made myself the little promise that if I ever got to feeling restless, that is, restless and bad, I'd just go ahead and punch the button and see what happened—sort of leave my future up to the gods of the Deathlands, you might say.

"What makes you so sure it's a weapon?" Pop asked.

"What else would it be," I asked him, "that they'd be so hot on getting them in the middle of a war?"

"I don't know for sure," Pop said. "I've made a guess, but I don't want to tell it now. What I'm getting at, Ray, is that your first thought about anything you find—in the world outside or in your own mind—is that it's a weapon."

"Anything worthwhile in your mind is a weapon!" Alice interjected with surprising intensity.

"You see?" Pop said. "That's what I mean about the both of you. That sort of thinking's been going on a long time. Cave man picks up a rock and right away asks himself, 'Who can I brain with this?' Doesn't occur to him for several hundred thousand years to use it to start building a hospital."

"You know, Pop," I said, carefully tucking the cube back in my pocket, "you are sort of preachy at times."

"Guess I am," he said. "How about some grub?"

It was a good idea. Another few minutes and we wouldn't have been able to see to eat, though with the cans shaped to tell their contents I guess we'd have managed. It was a funny circumstance that in this wonder plane we didn't even know how to turn on the light—and a good measure of our general helplessness.

We had our little feed and lit up again and settled ourselves. I judged it would be an overnight trip, at least to the cracking plant—we weren't making anything like the speed we had been going east. Pop was sitting in back again and Alice and I lay half hitched around on the kneeling seats, which allowed us to watch each other. Pretty soon it got so dark we couldn't see anything of each other but the glowing tips of the cigarettes and a bit of face around the mouth when the person took a deep drag. They were a good idea, those cigarettes—kept us from having ideas about the other person starting to creep around with a knife in his hand.

The North America screen still glowed dimly and we could watch our green dot trying to make progress. The viewport was dead black at first, then there came the faintest sort of bronze blotch that very slowly shifted forward and down. The Old Moon, of course, going west ahead of us.

After a while I realized what it was like—an old Pullman car (I'd traveled in one once as a kid) or especially the smoker of an old Pullman, very late at night. Our crippled antigravity, working

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