The Night of the Long Knives by Fritz Leiber (best books to read for women TXT) 📕

the edge of the freeway. And there's one bad thing about a bugger so knife-happy he lugs them around by the carload—he's generally good at tossing them. With his dozen or so knives Pop definitely outgunned us.

Second, we were both of us without the use of an arm. That's right, the both of us. My right arm still dangled like a string of sausages and I couldn't yet feel any signs of it coming undead. While she'd burned her fingers badly grabbing at the gun—I could see their red-splotched tips now as she pulled them out of her mouth for a second to wipe the Pilot's blood out of her eyes. All she had was her stump with the knife screwed to it. Me, I can throw a knife left-handed if I have to, but you bet I wasn't going to risk Mother that way.

Then I'd no sooner heard Pop's voice, breathy and a little high like an old man's will get, than it occurred to me that he must have been the one who had given the funny scream that had distracted the Pilot's attention and let us get him. Which incidentally made Pop a quick thinker and imaginative to boot, and meant that he'd helped on the killing.

Besides all that, Pop did not come in fawning and full of extravagant praise, as most scroungers will. He just assumed equality with us right from the start and he talked in an absolutely matter-of-fact way, neither praising nor criticizing one bit—too damn matter-of-fact and open, for that matter, to suit my taste, but then I have heard other buggers say that some old men are apt to get talkative, though I had never worked with or run into one myself. Old people are very rare in the Deathlands, as you might imagine.

So the girl and me just scowled at him but did nothing to stop him as he came along. Near us, his extra knives would be no advantage to him.

"Hum," he said, "looks a lot like a guy I murdered five years back down Los Alamos way. Same silver monkey suit and almost as tall. Nice chap too—was trying to give me something for a fever I'd faked. That his gun melted? My man didn't smoke after I gave him his quietus, but then it turned out he didn't have any metal on him. I wonder if this chap—" He started to kneel down by the body.

"Hands off, Pop!" I gritted at him. That was how we started calling him Pop.

"Why sure, sure," he said, staying there on one knee. "I won't lay a finger on him. It's just that I've heard the Alamosers have it rigged so that any metal they're carrying melts when they die, and I was wondering about this boy. But he's all yours, friend. By the way, what's your name, friend?"

"Ray," I snarled. "Ray Baker." I think the main reason I told him was that I didn't want him calling me "friend" again. "You talk too much, Pop."

"I suppose I do, Ray," he agreed. "What's your name, lady?"

The girl just sort of hissed at him and he grinned at me as if to say, "Oh, women!" Then he said, "Why don't you go through his pockets, Ray? I'm real curious."

"Shut up," I said, but I felt that he'd put me on the spot just the same. I was curious about the guy's pockets myself, of course, but I was also wondering if Pop was alone or if he had somebody with him, and whether there was anybody else in the plane or not—things like that, too many things. At the same time I didn't want to let on to Pop how useless my right arm was—if I'd just get a twinge of feeling in that arm, I knew I'd feel a lot more confident fast. I knelt down across the body from him, started to lay Mother aside and then hesitated.

The girl gave me an encouraging look, as if to say, "I'll take care of the old geezer." On the strength of her look I put down Mother and started to pry open the Pilot's left hand, which was clenched in a fist that looked a mite too big to have nothing inside it.

The girl started to edge behind Pop, but he caught the movement right away and looked at her with a grin that was so knowing and yet so friendly, and yet so pitying at the same time—with the pity of the old pro for even the seasoned amateur—that in her place I think I'd have blushed myself, as she did now ... through the streaks of the Pilot's blood.

"You don't have to worry none about me, lady," he said, running a hand through his white hair and incidentally touching the pommel of one of the two knives strapped high on the back of his jacket so he could reach one over either shoulder. "I quit murdering some years back. It got to be too much of a strain on my nerves."

"Oh yeah?" I couldn't help saying as I pried up the Pilot's index finger and started on the next. "Then why the stab-factory, Pop?"

"Oh you mean those," he said, glancing down at his knives. "Well, the fact is, Ray, I carry them to impress buggers dumber than you and the lady here. Anybody wants to think I'm still a practicing murderer I got no objections. Matter of sentiment, too, I just hate to part with them—they bring back important memories. And then—you won't believe this, Ray, but I'm going to tell you just the same—guys just up and give me their knives and I doubly hate to part with a gift."

I wasn't going to say "Oh yeah?" again or "Shut up!" either, though I certainly wished I could turn off Pop's spigot, or thought I did. Then I felt a painful tingling shoot down my right arm. I smiled at Pop and said, "Any other reasons?"

"Yep," he said. "Got to shave and I might as well do it in style. A new blade every day in the fortnight is twice as good as the old ads. You know, it makes you keep a knife in fine shape if you shave with it. What you got there, Ray?"

"You were wrong, Pop," I said. "He did have some metal on him that didn't melt."

I held up for them to see the object I'd extracted from his left fist: a bright steel cube measuring about an inch across each side, but it felt lighter than if it were solid metal. Five of the faces looked absolutely bare. The sixth had a round button recessed in it.

From the way they looked at it neither Pop nor the girl had the faintest idea of what it was. I certainly hadn't.

"Had he pushed the button?" the girl asked. Her voice was throaty but unexpectedly refined, as if she'd done no talking at all, not even to herself, since coming to the Deathlands and so retained the cultured intonations she'd had earlier, whenever and wherever that had been. It gave me a funny feeling, of course, because they were the first words I'd heard her speak.

"Not from the way he was holding it," I told her. "The button was pointed up toward his thumb but the thumb was on the outside of his fingers." I felt an unexpected satisfaction at having expressed myself so clearly and I told myself not to get childish.

The girl slitted her eyes. "Don't you push it, Ray," she said.

"Think I'm nuts?" I told her, meanwhile sliding the cube into the smaller pocket of my pants, where it fit tight and wouldn't turn sideways and the button maybe get pressed by accident. The tingling in my right arm was almost unbearable now, but I was getting control over the muscles again.

"Pushing that button," I added, "might melt what's left of the plane, or blow us all up." It never hurts to emphasize that you may have another weapon in your possession, even if it's just a suicide bomb.

"There was a man pushed another button once," Pop said softly and reflectively. His gaze went far out over the Deathlands and took in a good half of the horizon and he slowly shook his head. Then his face brightened. "Did you know, Ray," he said, "that I actually met that man? Long afterwards. You don't believe me, I know, but I actually did. Tell you about it some other time."

I almost said, "Thanks, Pop, for sparing me at least for a while," but I was afraid that would set him off again. Besides, it wouldn't have been quite true. I've heard other buggers tell the yarn of how they met (and invariably rubbed out) the actual guy who pushed the button or buttons that set the fusion missiles blasting toward their targets, but I felt a sudden curiosity as to what Pop's version of the yarn would be. Oh well, I could ask him some other time, if we both lived that long. I started to check the Pilot's pockets. My right hand could help a little now.

"Those look like mean burns you got there, lady," I heard Pop tell the girl. He was right. There were blisters easy to see on three of the fingertips. "I've got some salve that's pretty good," he went on, "and some clean cloth. I could put on a bandage for you if you wanted. If your hand started to feel poisoned you could always tell Ray here to slip a knife in me."

Pop was a cute gasser, you had to admit. I reminded myself that it was Pop's business to play up to the both of us, charm being the secret weapon of all scroungers.

The girl gave a harsh little laugh. "Very well," she said, "but we will use my salve, I know it works for me." And she started to lead Pop to where we'd hidden our things.

"I'll go with you," I told them, standing up.

It didn't look like we were going to have any more murders today—Pop had got through the preliminary ingratiations pretty well and the girl and me had had our catharsis—but that would be no excuse for any such stupidity as letting the two of them get near my .38.

Strolling to the cave and back I eased the situation a bit more by saying, "That scream you let off, Pop, really helped. I don't know what gave you the idea, but thanks."

"Oh that," he said. "Forget about it."

"I won't," I told him. "You may say you've quit killing, but helped on a do-in today."

"Ray," he said a little solemnly, "if it'll make you feel any happier, I'll take a bit of the responsibility for every murder that's been done since the beginning of time."

I looked at him for a while. Then, "Pop, you're not by any chance the religious type?" I asked suddenly.

"Lord, no," he told us.

That struck me as a satisfactory answer. God preserve me from the religious type! We have quite a few of those in the Deathlands. It generally means that they try to convert you to something before they kill you. Or sometimes afterwards.

We completed our errands. I felt a lot more secure with Old Financier's Friend strapped to my middle. Mother is wonderful but she is not enough.

I dawdled over inspecting the Pilot's pockets, partly to give my right hand time to come back all the way. And to tell the truth I didn't much enjoy the job—a corpse, especially such a handsome cadaver as this, just didn't go with Pop's brand of light patter.

Pop did up the girl's hand in high style, bandaging each finger separately and then persuading her to put on a big left-hand work glove he took out of his small pack.

"Lost the right," he explained, "which was the only one I ever used anyway. Never knew until now why I kept this. How does it feel, Alice?"

I might have known he'd worm her name out of her. It occurred to me that Pop's ideas of scrounging might extend to Alice's favors. The urge doesn't die out when you get old, they tell me. Not completely.

He'd also helped her replace the knife on her stump with the hook.

By that time I'd poked into all the Pilot's pockets I could get at without stripping him and found nothing but three irregularly shaped blobs of metal, still hot to the touch. Under the charred spots, of course.

I didn't want the job of stripping him. Somebody else could do a little work, I told myself. I've been bothered by bodies before (as who hasn't, I suppose?) but this one was really beginning to make me sick. Maybe I was cracking up, it occurred to me. Murder is a very wearing business, as all Deathlanders know, and although some crack earlier than others, all crack in the end.

I must have been showing how I was feeling because, "Cheer up, Ray," Pop said. "You and Alice have done a big murder—I'd say the subject was six foot ten—so you ought to be happy. You've drawn a blank on his pockets but there's still the plane."

"Yeah, that's right," I said, brightening a little. "There's still the stuff in the plane." I knew there were some items I couldn't hope for, like .38 shells, but there'd be food and other things.

"Nuh-uh," Pop corrected me. "I said the plane. You may have thought it's wrecked, but I don't. Have you taken a real gander at it? It's worth doing, believe me."

I jumped up. My heart was suddenly pounding. I was glad of an excuse to get away from the body, but there was a lot more in my feelings than that. I was filled with an excitement to which I didn't want to give a name because it would make the let-down too great.

One of the wide stubby wings of the plane, raking downward so that its tip almost touched the concrete, had hidden the undercarriage of the fuselage from our view. Now, coming around the wing, I saw that there was no undercarriage.

I had to drop to my hands and knees and scan around with my cheek next to the concrete before I'd believe it.