The Night of the Long Knives by Fritz Leiber (best books to read for women TXT) 📕

Unholy Creepers, the Unconsciousers, the radioactive blue gods and rocket devils of the Atomites, and a dozen other groupings clearly prefiguring Deathlander psychology. Those cults had all been as unpredictable as Thuggee or the Dancing Madness of the Middle Ages or the Children's Crusade, yet they had happened just the same.

But cultural queers are good at overlooking things. They have to be, I suppose. They think they're humanity growing again. Yes, despite their laughable warpedness and hysterical crippledness, they actually believe—each howlingly different community of them—that they're the new Adams and Eves. They're all excited about themselves and whether or not they wear fig leaves. They don't carry with them, twenty-four hours a day, like us Deathlanders do, the burden of all that was forever lost.

Since I've gone this far I'll go a bit further and make the paradoxical admission that even us Deathlanders don't really understand our urge to murder. Oh, we have our rationalizations of it, just like everyone has of his ruling passion—we call ourselves junkmen, scavengers, gangrene surgeons; we sometimes believe we're doing the person we kill the ultimate kindness, yes and get slobbery tearful about it afterwards; we sometimes tell ourselves we've finally found and are rubbing out the one man or woman who was responsible for everything; we talk, mostly to ourselves, about the aesthetics of homicide; we occasionally admit, but only each to himself alone, that we're just plain nuts.

But we don't really understand our urge to murder, we only feel it.

At the hateful sight of another human being, we feel it begins to grow in us until it becomes an overpowering impulse that jerks us, like a puppet is jerked by its strings, into the act itself or its attempted commission.

Like I was feeling it grow in me now as we did this parallel deathmarch through the reddening haze, me and this girl and our problem. This girl with the blue eyes and the jaunty scar.

The problem of the two urges, I said. The other urge, the sexual, is one that I know all cultural queers (and certainly our time traveler) would claim to know all about. Maybe they do. But I wonder if they understand how intense it can be with us Deathlanders when it's the only release (except maybe liquor and drugs, which we seldom can get and even more rarely dare use)—the only complete release, even though a brief one, from the overpowering loneliness and from the tyranny of the urge to kill.

To embrace, to possess, to glut lust on, yes even briefly to love, briefly to shelter in—that was good, that was a relief and release to be treasured.

But it couldn't last. You could draw it out, prop it up perhaps for a few days, for a month even (though sometimes not for a single night)—you might even start to talk to each other a little, after a while—but it could never last. The glands always tire, if nothing else.

Murder was the only final solution, the only permanent release. Only us Deathlanders know how good it feels. But then after the kill the loneliness would come back, redoubled, and after a while I'd meet another hateful human ...

Our problem of the two urges. As I watched this girl slogging along parallel to me, as I kept constant watch on her of course, I wondered how she was feeling the two urges. Was she attracted to the ridgy scars on my cheeks half revealed by my scarf?—to me they have a pleasing symmetry. Was she wondering how my head and face looked without the black felt skullcap low-visored over my eyes? Or was she thinking mostly of that hook swinging into my throat under the chin and dragging me down?

I couldn't tell. She looked as poker-faced as I was trying to.

For that matter, I asked myself, how was I feeling the two urges?—how was I feeling them as I watched this girl with the blue eyes and the jaunty scar and the arrogantly thinned lips that asked to be smashed, and the slender throat?—and I realized that there was no way to describe that, not even to myself. I could only feel the two urges grow in me, side by side, like monstrous twins, until they would simply be too big for my taut body and one of them would have to get out fast.

I don't know which one of us started to slow down first, it happened so gradually, but the dust puffs that rise from the ground of the Deathlands under even the lightest treading became smaller and smaller around our steps and finally vanished altogether, and we were standing still. Only then did I notice the obvious physical trigger for our stopping. An old freeway ran at right angles across our path. The shoulder by which we'd approached it was sharply eroded, so that the pavement, which even had a shallow cave eroded under it, was a good three feet above the level of our path, forming a low wall. From where I'd stopped I could almost reach out and touch the rough-edged smooth-topped concrete. So could she.

We were right in the midst of the gas tanks now, six or seven of them towered around us, squeezed like beer cans by the decade-old blast but their metal looking sound enough until you became aware of the red light showing through in odd patterns of dots and dashes where vaporization or later erosion had been complete. Almost but not quite lace-work. Just ahead of us, right across the freeway, was the six-storey skeletal structure of an old cracking plant, sagged like the power towers away from the blast and the lower storeys drifted with piles and ridges and smooth gobbets of dust.

The light was getting redder and smokier every minute.

With the cessation of the physical movement of walking, which is always some sort of release for emotions, I could feel the twin urges growing faster in me. But that was all right, I told myself—this was the crisis, as she must realize too, and that should key us up to bear the urges a little longer without explosion.

I was the first to start to turn my head. For the first time I looked straight into her eyes and she into mine. And as always happens at such times, a third urge appeared abruptly, an urge momentarily as strong as the other two—the urge to speak, to tell and ask all about it. But even as I started to phrase the first crazily happy greeting, my throat lumped, as I'd known it would, with the awful melancholy of all that was forever lost, with the uselessness of any communication, with the impossibility of recreating the past, our individual pasts, any pasts. And as it always does, the third urge died.

I could tell she was feeling that ultimate pain just like me. I could see her eyelids squeeze down on her eyes and her face lift and her shoulders go back as she swallowed hard.

She was the first to start to lay aside a weapon. She took two sidewise steps toward the freeway and reached her whole left arm further across her body and laid the dart gun on the concrete and drew back her hand from it about six inches. At the same time looking at me hard—fiercely angrily, you'd say—across her left shoulder. She had the experienced duelist's trick of seeming to look into my eyes but actually focussing on my mouth. I was using the same gimmick myself—it's tiring to look straight into another person's eyes and it can put you off guard.

My left side was nearest the wall so I didn't for the moment have the problem of reaching across my body. I took the same sidewise steps she had and using just two fingers, very gingerly—disarmingly, I hoped—I lifted my antique firearm from its holster and laid it on the concrete and drew back my hand from it all the way. Now it was up to her again, or should be. Her hook was going to be quite a problem, I realized, but we needn't come to it right away.

She temporized by successively unsheathing the two knives at her left side and laying them beside the dart gun. Then she stopped and her look told me plainly that it was up to me.

Now I am a bugger who believes in carrying one perfect knife—otherwise, I know for a fact, you'll go knife-happy and end up by weighing yourself down with dozens, literally. So I am naturally very reluctant to get out of touch in any way with Mother, who is a little rusty along the sides but made of the toughest and most sharpenable alloy steel I've ever run across.

Still, I was most curious to find out what she'd do about that hook, so I finally laid Mother on the concrete beside the .38 and rested my hands lightly on my hips, all ready to enjoy myself—at least I hoped I gave that impression.

She smiled, it was almost a nice smile—by now we'd let our scarves drop since we weren't raising any more dust—and then she took hold of the hook with her left hand and started to unscrew it from the leather-and-metal base fitting over her stump.

Of course, I told myself. And her second knife, the one without a grip, must be that way so she could screw its tang into the base when she wanted a knife on her right hand instead of a hook. I ought to have guessed.

I grinned my admiration of her mechanical ingenuity and immediately unhitched my knapsack and laid it beside my weapons. Then a thought occurred to me. I opened the knapsack and moving my hand slowly and very openly so she'd have no reason to suspect a ruse, I drew out a blanket and, trying to show her both sides of it in the process, as if I were performing some damned conjuring trick, dropped it gently on the ground between us.

She unsnapped the straps on her satchel that fastened it to her belt and laid it aside and then she took off her belt too, slowly drawing it through the wide loops of weathered denim. Then she looked meaningfully at my belt.

I had to agree with her. Belts, especially heavy-buckled ones like ours, can be nasty weapons. I removed mine. Simultaneously each belt joined its corresponding pile of weapons and other belongings.

She shook her head, not in any sort of negation, and ran her fingers into the black hair at several points, to show me it hid no weapon, then looked at me questioningly. I nodded that I was satisfied—I hadn't seen anything run out of it, by the way. Then she looked up at my black skullcap and she raised her eyebrows and smiled again, this time with a spice of mocking anticipation.

In some ways I hate to part with that headpiece more than I do with Mother. Not really because of its sandwiched lead-mesh inner lining—if the rays haven't baked my brain yet they never will and I'm sure that the patches of lead mesh sewed into my pants over my loins give a lot more practical protection. But I was getting real attracted to this girl by now and there are times when a person must make a sacrifice of his vanity. I whipped off my stylish black felt and tossed it on my pile and dared her to laugh at my shiny egg top.

Strangely she didn't even smile. She parted her lips and ran her tongue along the upper one. I gave an eager grin in reply, an incautiously wide one, and she saw my plates flash.

My plates are something rather special though they are by no means unique. Back toward the end of the Last War, when it was obvious to any realist how bad things were going to be, though not how strangely terrible, a number of people, like myself, had all their teeth jerked and replaced with durable plates. I went some of them one better. My plates were stainless steel biting and chewing ridges, smooth continuous ones that didn't attempt to copy individual teeth. A person who looks closely at a slab of chewing tobacco, say, I offer him will be puzzled by the smoothly curved incision, made as if by a razor blade mounted on the arm of a compass. Magnetic powder buried in my gums makes for a real nice fit.

This sacrifice was worse than my hat and Mother combined, but I could see the girl expected me to make it and would take no substitutes, and in this attitude I had to admit that she showed very sound judgment, because I keep the incisor parts of those plates filed to razor sharpness. I have to be careful about my tongue and lips but I figure it's worth it. With my dental scimitars I can in a wink bite out a chunk of throat and windpipe or jugular, though I've never had occasion to do so yet.

For the first minute it made me feel like an old man, a real dodderer, but by now the attraction this girl had for me was getting irrational. I carefully laid the two plates on top of my knapsack.

In return, as a sort of reward you might say, she opened her mouth wide and showed me what was left of her own teeth—about two-thirds of them, a patchwork of tartar and gold.

We took off our boots, pants and shirts, she watching very suspiciously—I knew she'd been skeptical of my carrying only one knife.

Oddly perhaps, considering how touchy I am about my baldness, I felt no sensitivity about revealing the lack of hair on my chest and in fact a sort of pride in displaying the slanting radiation scars that have replaced it, though they are crawling keloids of the ugliest, bumpiest sort. I guess to me such scars are tribal insignia—one-man and one-woman tribes of course. No question but that the scar on the girl's forehead had been the first focus of my desire for her and it still added to my interest.

By now we weren't staying as perfectly on guard or watching each other's clothing for concealed weapons as carefully as we should—I know I wasn't. It was getting dark fast, there wasn't much time left, and the other interest was simply becoming too great.