Margret Howth, a Story of To-Day by Rebecca Harding Davis (animal farm read .txt) π
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had happened in the mill, particularly any little word of notice or praise he might have received, watching her anxiously until she laughed at it, and then rubbing his hands cheerfully. He need not have doubted Lois's faith in him. Whatever the rest did, she believed in him; she always had believed in him, through all the dark years, when he was at home, and in the penitentiary. They were gone now, never to come back. It had come right. If the others wronged him, and it hurt her bitterly that they did, that would come right some day too, she would think, as she looked at the tired, sullen face of the old man bent to the window-pane, afraid to go out. But they had very cheerful little suppers there by themselves in the odd, bare little room, as homely and clean as Lois herself.
Sometimes, late at night, when he had gone to bed, she sat alone in the door, while the moonlight fell in broad patches over the square, and the great poplars stood like giants whispering together. Still the far sounds of the town came up cheerfully, while she folded up her knitting, it being dark, thinking how happy an ending this was to a happy day. When it grew quiet, she could hear the solemn whisper of the poplars, and sometimes broken strains of music from the cathedral in the city floated through the cold and moonlight past her, far off into the blue beyond the hills. All the keen pleasure of the day, the warm, bright sights and sounds, coarse and homely though they were, seemed to fade into the deep music, and make a part of it.
Yet, sitting there, looking out into the listening night, the poor child's face grew slowly pale as she heard it. It humbled her. It made her meanness, her low, weak life so plain to her! There was no pain nor hunger she had known that did not find a voice in its articulate cry. SHE! what was she? The pain and wants of the world must be going up to God in that sound, she thought. There was something more in it,--an unknown meaning of a great content that her shattered brain struggled to grasp. She could not. Her heart ached with a wild, restless longing. She had no words for the vague, insatiate hunger to understand. It was because she was ignorant and low, perhaps; others could know. She thought her Master was speaking. She thought that unknown Joy linked all earth and heaven together, and made it plain. So she hid her face in her hands, and listened, while the low harmony shivered through the air, unheeded by others, with the message of God to man. Not comprehending, it may be,--the poor girl,--hungry still to know. Yet, when she looked up, there were warm tears in her eyes, and her scarred face was bright with a sad, deep content and love.
So the hot, long day was over for them all,--passed as thousands of days have done for us, gone down, forgotten: as that long, hot day we call life will be over some time, and go down into the gray and cold. Surely, whatever of sorrow or pain may have made darkness in that day for you or me, there were countless openings where we might have seen glimpses of that other light than sunshine: the light of that great To-Morrow, of the land where all wrongs shall be righted. If we had but chosen to see it,--if we only had chosen!
CHAPTER V.
Now that I have come to the love part of my story, I am suddenly conscious of dingy common colors on the palette with which I have been painting. I wish I had some brilliant dyes. I wish, with all my heart, I could take you back to that "Once upon a time" in which the souls of our grandmothers delighted,--the time which Dr. Johnson sat up all night to read about in "Evelina,"--the time when all the celestial virtues, all the earthly graces were revealed in a condensed state to man through the blue eyes and sumptuous linens of some Belinda Portman or Lord Mortimer. None of your good-hearted, sorely-tempted villains then! It made your hair stand on end only to read of them,--going about perpetually seeking innocent maidens and unsophisticated old men to devour. That was the time for holding up virtue and vice; no trouble then in seeing which were sheep and which were goats! A person could write a story with a moral to it, then, I should hope! People that were born in those days had no fancy for going through the world with half-and-half characters, such as we put up with; so Nature turned out complete specimens of each class, with all the appendages of dress, fortune, et cetera, chording decently. The heroine glides into life full-charged with rank, virtues, a name three-syllabled, and a white dress that never needs washing, ready to sail through dangers dire into a triumphant haven of matrimony;--all the aristocrats have high foreheads and cold blue eyes; all the peasants are old women, miraculously grateful, in neat check aprons, or sullen-browed insurgents planning revolts in caves.
Of course, I do not mean that these times are gone: they are alive (in a modern fashion) in many places in the world; some of my friends have described them in prose and verse. I only mean to say that I never was there; I was born unlucky. I am willing to do my best, but I live in the commonplace. Once or twice I have rashly tried my hand at dark conspiracies, and women rare and radiant in Italian bowers; but I have a friend who is sure to say, "Try and tell us about the butcher next door, my dear." If I look up from my paper now, I shall be just as apt to see our dog and his kennel as the white sky stained with blood and Tyrian purple. I never saw a full-blooded saint or sinner in my life. The coldest villain I ever knew was the only son of his mother, and she a widow,--and a kinder son never lived. Doubtless there are people capable of a love terrible in its strength; but I never knew such a case that some one did not consider its expediency as "a match" in the light of dollars and cents. As for heroines, of course I have seen beautiful women, and good as fair. The most beautiful is delicate and pure enough for a type of the Madonna, and has a heart almost as warm and holy. (Very pure blood is in her veins, too, if you care about blood.) But at home they call her Tode for a nickname; all we can do, she will sing, and sing through her nose; and on washing-days she often cooks the dinner, and scolds wholesomely, if the tea-napkins are not in order. Now, what is anybody to do with a heroine like that? I have known old maids in abundance, with pathos and sunshine in their lives; but the old maid of novels I never have met, who abandoned her soul to gossip,--nor yet the other type, a life-long martyr of unselfishness. They are mixed generally, and not unlike their married sisters, so far as I can see. Then as to men, certainly I know heroes. One man, I knew, as high a chevalier in heart as any Bayard of them all; one of those souls simple and gentle as a woman, tender in knightly honour. He was an old man, with a rusty brown coat and rustier wig, who spent his life in a dingy village office. You poets would have laughed at him. Well, well, his history never will be written. The kind, sad, blue eyes are shut now. There is a little farm-graveyard overgrown with privet and wild grape-vines, and a flattened grave where he was laid to rest; and only a few who knew him when they were children care to go there, and think of what he was to them. But it was not in the far days of Chivalry alone, I think, that true and proud souls have stood in the world unwelcome, and, hurt to the quick, have turned away and dumbly died. Let it be. Their lives are not lost, thank God!
I meant only to ask you, How can I help it, if the people in my story seem coarse to you,--if the hero, unlike all other heroes, stopped to count the cost before he fell in love,--if it made his fingers thrill with pleasure to touch a full pocket-book as well as his mistress's hand,--not being withal, this Stephen Holmes, a man to be despised? A hero, rather, of a peculiar type,--a man, more than other men: the very mould of man, doubt it who will, that women love longest and most madly. Of course, if I could, I would have blotted out every meanness before I showed him to you; I would have told you Margret was an impetuous, whole-souled woman, glad to throw her life down for her father, without one bitter thought of the wife and mother she might have been; I would have painted her mother tender, (as she was,) forgetting how pettish she grew on busy days: but what can I do? I must show you men and women as they are in that especial State of the Union where I live. In all the others, of course, it is very different. Now, being prepared for disappointment, will you see my hero?
He had sauntered out from the city for a morning walk,--not through the hills, as Margret went, going home, but on the other side, to the river, over which you could see the Prairie. We are in Indiana, remember. The sunlight was pure that morning, powerful, tintless, the true wine of life for body or spirit. Stephen Holmes knew that, being a man of delicate animal instincts, and so used it, just as he had used the dumb-bells in the morning. All things were made for man, weren't they? He was leaning against the door of the school-house,--a red, flaunting house, the daub on the landscape: but, having his back to it, he could not see it, so through his half-shut eyes he suffered the beauty of the scene to act on him. Suffered: in a man, according to his creed, the will being dominant, and all influences, such as beauty, pain, religion, permitted to act under orders. Of course.
It was a peculiar landscape,--like the man who looked at it, of a thoroughly American type. A range of sharp, dark hills, with a sombre depth of green shadow in the clefts, and on the sides massed forests of scarlet and flame and crimson. Above, the sharp peaks of stone rose into the wan blue, wan and pale themselves, and wearing a certain air of fixed calm, the type of an eternal quiet. At the base of the hills lay the city, a dirty mass of bricks and smoke and dust, and at its far edge flowed the river,--deep here, tinted with green, writhing and gurgling and curdling on the banks over shelving ledges of lichen and mud-covered rock. Beyond it yawned the opening to the great West,--the Prairies. Not the dreary deadness here, as farther west. A plain, dark russet in hue,--for the grass was sun-scorched,--stretching away into the vague distance, intolerable, silent, broken by hillocks
Sometimes, late at night, when he had gone to bed, she sat alone in the door, while the moonlight fell in broad patches over the square, and the great poplars stood like giants whispering together. Still the far sounds of the town came up cheerfully, while she folded up her knitting, it being dark, thinking how happy an ending this was to a happy day. When it grew quiet, she could hear the solemn whisper of the poplars, and sometimes broken strains of music from the cathedral in the city floated through the cold and moonlight past her, far off into the blue beyond the hills. All the keen pleasure of the day, the warm, bright sights and sounds, coarse and homely though they were, seemed to fade into the deep music, and make a part of it.
Yet, sitting there, looking out into the listening night, the poor child's face grew slowly pale as she heard it. It humbled her. It made her meanness, her low, weak life so plain to her! There was no pain nor hunger she had known that did not find a voice in its articulate cry. SHE! what was she? The pain and wants of the world must be going up to God in that sound, she thought. There was something more in it,--an unknown meaning of a great content that her shattered brain struggled to grasp. She could not. Her heart ached with a wild, restless longing. She had no words for the vague, insatiate hunger to understand. It was because she was ignorant and low, perhaps; others could know. She thought her Master was speaking. She thought that unknown Joy linked all earth and heaven together, and made it plain. So she hid her face in her hands, and listened, while the low harmony shivered through the air, unheeded by others, with the message of God to man. Not comprehending, it may be,--the poor girl,--hungry still to know. Yet, when she looked up, there were warm tears in her eyes, and her scarred face was bright with a sad, deep content and love.
So the hot, long day was over for them all,--passed as thousands of days have done for us, gone down, forgotten: as that long, hot day we call life will be over some time, and go down into the gray and cold. Surely, whatever of sorrow or pain may have made darkness in that day for you or me, there were countless openings where we might have seen glimpses of that other light than sunshine: the light of that great To-Morrow, of the land where all wrongs shall be righted. If we had but chosen to see it,--if we only had chosen!
CHAPTER V.
Now that I have come to the love part of my story, I am suddenly conscious of dingy common colors on the palette with which I have been painting. I wish I had some brilliant dyes. I wish, with all my heart, I could take you back to that "Once upon a time" in which the souls of our grandmothers delighted,--the time which Dr. Johnson sat up all night to read about in "Evelina,"--the time when all the celestial virtues, all the earthly graces were revealed in a condensed state to man through the blue eyes and sumptuous linens of some Belinda Portman or Lord Mortimer. None of your good-hearted, sorely-tempted villains then! It made your hair stand on end only to read of them,--going about perpetually seeking innocent maidens and unsophisticated old men to devour. That was the time for holding up virtue and vice; no trouble then in seeing which were sheep and which were goats! A person could write a story with a moral to it, then, I should hope! People that were born in those days had no fancy for going through the world with half-and-half characters, such as we put up with; so Nature turned out complete specimens of each class, with all the appendages of dress, fortune, et cetera, chording decently. The heroine glides into life full-charged with rank, virtues, a name three-syllabled, and a white dress that never needs washing, ready to sail through dangers dire into a triumphant haven of matrimony;--all the aristocrats have high foreheads and cold blue eyes; all the peasants are old women, miraculously grateful, in neat check aprons, or sullen-browed insurgents planning revolts in caves.
Of course, I do not mean that these times are gone: they are alive (in a modern fashion) in many places in the world; some of my friends have described them in prose and verse. I only mean to say that I never was there; I was born unlucky. I am willing to do my best, but I live in the commonplace. Once or twice I have rashly tried my hand at dark conspiracies, and women rare and radiant in Italian bowers; but I have a friend who is sure to say, "Try and tell us about the butcher next door, my dear." If I look up from my paper now, I shall be just as apt to see our dog and his kennel as the white sky stained with blood and Tyrian purple. I never saw a full-blooded saint or sinner in my life. The coldest villain I ever knew was the only son of his mother, and she a widow,--and a kinder son never lived. Doubtless there are people capable of a love terrible in its strength; but I never knew such a case that some one did not consider its expediency as "a match" in the light of dollars and cents. As for heroines, of course I have seen beautiful women, and good as fair. The most beautiful is delicate and pure enough for a type of the Madonna, and has a heart almost as warm and holy. (Very pure blood is in her veins, too, if you care about blood.) But at home they call her Tode for a nickname; all we can do, she will sing, and sing through her nose; and on washing-days she often cooks the dinner, and scolds wholesomely, if the tea-napkins are not in order. Now, what is anybody to do with a heroine like that? I have known old maids in abundance, with pathos and sunshine in their lives; but the old maid of novels I never have met, who abandoned her soul to gossip,--nor yet the other type, a life-long martyr of unselfishness. They are mixed generally, and not unlike their married sisters, so far as I can see. Then as to men, certainly I know heroes. One man, I knew, as high a chevalier in heart as any Bayard of them all; one of those souls simple and gentle as a woman, tender in knightly honour. He was an old man, with a rusty brown coat and rustier wig, who spent his life in a dingy village office. You poets would have laughed at him. Well, well, his history never will be written. The kind, sad, blue eyes are shut now. There is a little farm-graveyard overgrown with privet and wild grape-vines, and a flattened grave where he was laid to rest; and only a few who knew him when they were children care to go there, and think of what he was to them. But it was not in the far days of Chivalry alone, I think, that true and proud souls have stood in the world unwelcome, and, hurt to the quick, have turned away and dumbly died. Let it be. Their lives are not lost, thank God!
I meant only to ask you, How can I help it, if the people in my story seem coarse to you,--if the hero, unlike all other heroes, stopped to count the cost before he fell in love,--if it made his fingers thrill with pleasure to touch a full pocket-book as well as his mistress's hand,--not being withal, this Stephen Holmes, a man to be despised? A hero, rather, of a peculiar type,--a man, more than other men: the very mould of man, doubt it who will, that women love longest and most madly. Of course, if I could, I would have blotted out every meanness before I showed him to you; I would have told you Margret was an impetuous, whole-souled woman, glad to throw her life down for her father, without one bitter thought of the wife and mother she might have been; I would have painted her mother tender, (as she was,) forgetting how pettish she grew on busy days: but what can I do? I must show you men and women as they are in that especial State of the Union where I live. In all the others, of course, it is very different. Now, being prepared for disappointment, will you see my hero?
He had sauntered out from the city for a morning walk,--not through the hills, as Margret went, going home, but on the other side, to the river, over which you could see the Prairie. We are in Indiana, remember. The sunlight was pure that morning, powerful, tintless, the true wine of life for body or spirit. Stephen Holmes knew that, being a man of delicate animal instincts, and so used it, just as he had used the dumb-bells in the morning. All things were made for man, weren't they? He was leaning against the door of the school-house,--a red, flaunting house, the daub on the landscape: but, having his back to it, he could not see it, so through his half-shut eyes he suffered the beauty of the scene to act on him. Suffered: in a man, according to his creed, the will being dominant, and all influences, such as beauty, pain, religion, permitted to act under orders. Of course.
It was a peculiar landscape,--like the man who looked at it, of a thoroughly American type. A range of sharp, dark hills, with a sombre depth of green shadow in the clefts, and on the sides massed forests of scarlet and flame and crimson. Above, the sharp peaks of stone rose into the wan blue, wan and pale themselves, and wearing a certain air of fixed calm, the type of an eternal quiet. At the base of the hills lay the city, a dirty mass of bricks and smoke and dust, and at its far edge flowed the river,--deep here, tinted with green, writhing and gurgling and curdling on the banks over shelving ledges of lichen and mud-covered rock. Beyond it yawned the opening to the great West,--the Prairies. Not the dreary deadness here, as farther west. A plain, dark russet in hue,--for the grass was sun-scorched,--stretching away into the vague distance, intolerable, silent, broken by hillocks
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