The Regent by Arnold Bennett (free children's ebooks pdf .TXT) 📕

all that sort of thing!" with an air of pushing violently away from him everything that the phrase implied. The notion of baptizing a theatre with the fearsome word horrified him. Still, he had to maintain his nerve and his repute. So he drank some champagne, and smiled nonchalantly as the imperturbable duellist smiles while the pistols are being examined.

"Well--" he murmured.

"You see," Marrier broke in, with the smile ecstatic, almost dancing on his chair. "There's no use in compromise. Compromise is and always has been the curse of this country. The unintellectual drahma is dead--dead. Naoobody can deny that. All the box-offices in the West are proclaiming it--"

"Should you call your play intellectual, Mr. Sachs?" Edward Henry inquired across the table.

"I scarcely know," said Mr. Seven Sachs, calmly. "I know I've played it myself fifteen hundred and two times, and that's saying nothing of my three subsidiary companies on the road."

"What _is_ Mr. Sachs's play?" asked Carlo Trent, fretfully.

"Don't you know, Carlo?" Rose Euclid patted him. "'Overheard.'"

"Oh! I've never seen it."

"But it was on all the hoardings!"

"I never read the hoardings," said Carlo. "Is it in verse?"

"No, it isn't," Mr. Seven Sachs briefly responded. "But I've made over six hundred thousand dollars out of it."

"Then of course it's intellectual!" asserted Mr. Marrier, positively. "That proves it. I'm very sorry I've not seen it either; but it must be intellectual. The day of the unintellectual drahma is over. The people won't have it. We must have faith in the people, and we can't show our faith better than by calling our theatre by its proper name--'The Intellectual Theatre'!"

("_His_ theatre!" thought Edward Henry. "What's he got to do with it?")

"I don't know that I'm so much in love with your 'Intellectual,'" muttered Carlo Trent.

"_Aren't_ you?" protested Rose Euclid, shocked.

"Of course I'm not," said Carlo. "I told you before, and I tell you now, that there's only one name for the theatre--'The Muses' Theatre!'"

"Perhaps you're right!" Rose agreed, as if a swift revelation had come to her. "Yes, you're right."

("She'll make a cheerful sort of partner for a fellow," thought Edward Henry, "if she's in the habit of changing her mind like that every thirty seconds." His appetite had gone. He could only drink.)

"Naturally, I'm right! Aren't we going to open with my play, and isn't my play in verse?... I'm sure you'll agree with me, Mr. Machin, that there is no real drama except the poetical drama."

Edward Henry was entirely at a loss. Indeed, he was drowning in his dressing-gown, so favourable to the composition of hexameters.

"Poetry ..." he vaguely breathed.

"Yes, sir," said Carlo Trent. "Poetry."

"I've never read any poetry in my life," said Edward Henry, like a desperate criminal. "Not a line."

Whereupon Carlo Trent rose up from his seat, and his eyeglasses dangled in front of him.

"Mr. Machin," said he with the utmost benevolence. "This is the most interesting thing I've ever come across. Do you know, you're precisely the man I've always been wanting to meet?... The virgin mind. The clean slate.... Do you know, you're precisely the man that it's my ambition to write for?"

"It's very kind of you," said Edward Henry, feebly; beaten, and consciously beaten.

(He thought miserably:

"What would Nellie think if she saw me in this gang?")

Carlo Trent went on, turning to Rose Euclid:

"Rose, will you recite those lines of Nashe?"

Rose Euclid began to blush.

"That bit you taught me the day before yesterday?"

"Only the three lines! No more! They are the very essence of poetry--poetry at its purest. We'll see the effect of them on Mr. Machin. We'll just see. It's the ideal opportunity to test my theory. Now, there's a good girl!"

"Oh! I can't. I'm too nervous," stammered Rose.

"You can, and you must," said Carlo, gazing at her in homage. "Nobody in the world can say them as well as you can. Now!"

Rose Euclid stood up.

"One moment," Carlo stopped her. "There's too much light. We can't do with all this light. Mr. Machin--do you mind?"

A wave of the hand and all the lights were extinguished, save a lamp on the mantelpiece, and in the disconcertingly darkened room Rose Euclid turned her face towards the ray from this solitary silk-shaded globe.

Her hand groped out behind her, found the table-cloth and began to scratch it agitatedly. She lifted her head. She was the actress, impressive and subjugating, and Edward Henry felt her power. Then she intoned:


"Brightness falls from the air;
Queens have died young and fair;
Dust hath closed Helen's eye."


And she ceased and sat down. There was a silence.

"_Bra_ vo!" murmured Carlo Trent.

"Bra_vo_!" murmured Mr. Marrier.

Edward Henry in the gloom caught Mr. Seven Sachs's unalterable observant smile across the table.

"Well, Mr. Machin?" said Carlo Trent.

Edward Henry had felt a tremor at the vibrations of Rose Euclid's voice. But the words she uttered had set up no clear image in his mind, unless it might be of some solid body falling from the air, or of a young woman named Helen, walking along Trafalgar Road, Bursley, on a dusty day, and getting the dust in her eyes. He knew not what to answer.

"Is that all there is of it?" he asked at length.

Carlo Trent said:

"It's from Thomas Nashe's 'Song in Time of Pestilence.' The closing lines of the verse are:


'I am sick, I must die--
Lord, have mercy on me!'"


"Well," said Edward Henry, recovering, "I rather like the end. I think the end's very appropriate."

Mr. Seven Sachs choked over his wine, and kept on choking.


III


Mr.. Marrier was the first to recover from this blow to the prestige of poetry. Or perhaps it would be more honest to say that Mr.. Marrier had suffered no inconvenience from the _contretemps_. His apparent gleeful zest in life had not been impaired. He was a born optimist, of an extreme type unknown beyond the circumferences of theatrical circles.

"I _say_," he emphasized, "I've got an ideah. We ought to be photographed like that. Do you no end of good." He glanced encouragingly at Rose Euclid. "Don't you see it in the illustrated papers? A prayvate supper-party at Wilkins's Hotel. Miss Ra-ose Euclid reciting verse at a discussion of the plans for her new theatre in Piccadilly Circus. The figures, reading from left to right, are, Mr. Seven Sachs, the famous actor-author, Miss Rose Euclid, Mr. Carlo Trent, the celebrated dramatic poet, Mr. Alderman Machin, the well-known Midlands capitalist, and so on!" Mr. Marrier repeated, "and so on."

"It's a notion," said Rose Euclid, dreamily.

"But how _can_ we be photographed?" Carlo Trent demanded with irritation.

"Perfectly easy."

"Now?"

"In ten minutes. I know a photographer in Brook Street."

"Would he come at once?" Carlo Trent frowned at his watch.

"Rather!" Mr. Marrier gaily soothed him, as he went over to the telephone. And Mr. Marrier's bright, boyish face radiated forth the assurance that nothing in all his existence had more completely filled him with sincere joy than this enterprise of procuring a photograph of the party. Even in giving the photographer's number--he was one of those prodigies who remember infallibly all telephone numbers--his voice seemed to gloat upon his project.

(And while Mr. Marrier, having obtained communication with the photographer, was saying gloriously into the telephone: "Yes, Wilkins's. No. Quite private. I've got Miss Rose Euclid here, and Mr. Seven Sachs"--while Mr. Marrier was thus proceeding with his list of star attractions, Edward Henry was thinking:

"'_Her_ new theatre'--now! It was 'his' a few minutes back!... 'The well-known Midlands capitalist,' eh? Oh! Ah!")

He drank again. He said to himself: "I've had all I can digest of this beastly balloony stuff." (He meant the champagne.) "If I finish the glass I'm bound to have a bad night." And he finished the glass, and planked it down firmly on the table.

"Well," he remarked aloud cheerfully. "If we're to be photographed, I suppose we shall want a bit more light on the subject."

Joseph sprang to the switches.

"Please!" Carlo Trent raised a protesting hand.

The switches were not turned. In the beautiful dimness the greatest tragic actress in the world and the greatest dramatic poet in the world gazed at each other, seeking and finding solace in mutual esteem.

"I suppose it wouldn't do to call it the Euclid Theatre?" Rose questioned casually, without moving her eyes.

"Splendid!" cried Mr. Marrier from the telephone.

"It all depends whether there are enough mathematical students in London to fill the theatre for a run," said Edward Henry.

"Oh! D'you think so?" murmured Rose, surprised and vaguely puzzled.

At that instant Edward Henry might have rushed from the room and taken the night-mail back to the Five Towns, and never any more have ventured into the perils of London, if Carlo Trent had not turned his head, and signified by a curt, reluctant laugh that he saw the joke. For Edward Henry could no longer depend on Mr. Seven Sachs. Mr. Seven Sachs had to take the greatest pains to keep the muscles of his face in strict order. The slightest laxity with them--and he would have been involved in another and more serious suffocation.

"No," said Carlo Trent, "'The Muses' Theatre' is the only possible title. There is money in the poetical drama." He looked hard at Edward Henry, as though to stare down the memory of the failure of Nashe's verse. "I don't want money. I hate the thought of money. But money is the only proof of democratic appreciation, and that is what I need, and what every artist needs.... Don't you think there's money in the poetical drama, Mr. Sachs?"

"Not in America," said Mr. Sachs. "London is a queer place."

"Look at the runs of Stephen Phillips's plays!"

"Yes.... I only reckon to know America."

"Look at what Pilgrim's made out of Shakspere."

"I thought you were talking about poetry," said Edward Henry too hastily.

"And isn't Shakspere poetry?" Carlo Trent challenged.

"Well, I suppose if you put it in that way, he _is_!" Edward Henry cautiously admitted, humbled. He was under the disadvantage of never having either seen or read "Shakspere." His sure instinct had always warned him against being drawn into "Shakspere."

"And has Miss Euclid ever done anything finer than Constance?"

"I don't know," Edward Henry pleaded.

"Why--Miss Euclid in 'King John'--"

"I never saw 'King John,'" said Edward Henry.

"_Do you mean to say_," expostulated Carlo Trent in italics, "_that you never saw Rose Euclid as Constance_?"

And Edward Henry, shaking his abashed head, perceived that his life had been wasted.

Carlo, for a few moments, grew reflective and softer.

"It's one of my earliest and most precious boyish memories," he murmured, as he examined the ceiling. "It must have been in eighteen--"

Rose Euclid abandoned the ice with which she had just been served, and by a single gesture drew Carlo's attention away from the ceiling, and towards the fact that it would be clumsy on his part to indulge further in the chronology of her career. She began to blush again.

Mr. Marrier, now back at the table after a successful expedition, beamed over his