Lark Rise by Flora Thompson (recommended books to read .txt) 📕
The last words are true of the hamlet of Lark Rise. Because they were still an organic community, subsisting on the food, however scanty and monotonous, they raised themselves, they enjoyed good health and so, in spite of grinding poverty, no money to spend on amusements and hardly any for necessities, happiness. They still sang out-of-doors and kept May Day and Harvest Home. The songs were travesties of the traditional ones, but their blurred echoes and the remnants of the old salty country speech had not yet died and left the fields to their modern silence. The songs came from their own lips, not out of a box.
Charity (in the old sense) survived, and what Laura's mother called the 'seemliness' of a too industrious life. Yet the tradition of the old order was crumbling fast. What suffered most visibly was the inborn aesthetic faculty, once a common possession of all countrymen. Almanacs for samplers, the 'Present from Brighton
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This provided them with ready money for boots and clothes; for food they
relied almost entirely on home produce. Tea was a luxury seldom indulged
in, for it cost five shillings a pound. But country people then had not
acquired the taste for tea; they preferred home-brewed.
Everybody worked; the father and mother from daybreak to dark. Sally’s
job was to mind the cow and drive the geese to the best grass patches.
It was strange to picture Sally, a little girl, running with her switch
after the great hissing birds on the common, especially as both common
and geese had vanished as completely as though they never had been.
Sally had never been to school, for, when she was a child, there was no
dame school near enough for her to attend; but her brother had gone to a
night school run by the vicar of an adjoining parish, walking the three
miles each way after his day’s work was done, and he had taught Sally to
spell out a few words in her mother’s Bible. After that, she had been
left to tread the path of learning alone and had only managed to reach
the point where she could write her own name and read the Bible or
newspaper by skipping words of more than two syllables. Dick was a
little more advanced, for he had had the benefit of the night-school
education at first hand.
It was surprising to find how many of the old people in the hamlet who
had had no regular schooling could yet read a little. A parent had
taught some; others had attended a dame school or the night school, and
a few had made their own children teach them in later life. Statistics
of illiteracy of that period are often misleading, for many who could
read and write sufficiently well for their own humble needs would
modestly disclaim any pretensions to being what they called ‘scholards’.
Some who could write their own name quite well would make a cross as
signature to a document out of nervousness or modesty.
After Sally’s mother died, she became her father’s right hand, indoors
and out. When the old man became feeble, Dick used to come sometimes to
do a bit of hard digging or to farm out the pigsties, and Sally had many
tales to tell of the fun they had had carting their bit of hay or
hunting for eggs in the loft. When, at a great age, the father died, he
left the house and furniture and his seventy-five pounds in the savings
bank to Sally, for, by that time, both her brothers were thriving and
needed no share. So Dick and Sally were married and had lived there
together for nearly sixty years. It had been a hard, frugal, but happy
life. For most of the time Dick had worked as a farm labourer while
Sally saw to things about home, for the cow, geese and other stock had
long gone the way of the common. But when Dick retired from wage-earning
the seventy-five pounds was not only intact, but had been added to. It
had been their rule, Sally said, to save something every week, if only a
penny or twopence, and the result of their hard work and self-denial was
their present comfortable circumstances. ‘But us couldn’t’ve done it if
us’d gone havin’ a great tribe o’ children,’ Sally would say. ‘I didn’t
never hold wi’ havin’ a lot o’ poor brats and nothin’ to put into their
bellies. Took us all our time to bring up our two.’ She was very bitter
about the huge families around her and no doubt would have said more had
she been talking to one of maturer age.
They had their little capital reckoned up and allotted; they could
manage on so much a year in addition to the earnings of their garden,
fowls, and beehives, and that much, and no more, was drawn every year
from the bank. ‘Reckon it’ll about last our time,’ they used to say, and
it did, although both lived well on into the eighties.
After they had gone, their house stood empty for years. The population
of the hamlet was falling and none of the young newly married couples
cared for the thatched roof and stone floors. People who lived near used
the well; it saved them many a journey. And many were not above taking
the railings or the beehive bench or anything made of wood for firing,
or gathering the apples or using the poor tattered remnant of the flower
garden as a nursery. But nobody wanted to live there.
When Laura visited the hamlet just before the War, the roof had fallen
in, the yew hedge had run wild and the flowers were gone, excepting one
pink rose which was shedding its petals over the ruin. To-day, all has
gone, and only the limy whiteness of the soil in a corner of a ploughed
field is left to show that a cottage once stood there.
Sally and Dick were survivals from the earliest hamlet days. Queenie
represented another phase of its life which had also ended and been
forgotten by most people. She lived in a tiny, thatched cottage at the
back of the end house, which, although it was not in line, was always
spoken of as ‘next door’. She seemed very old to the children, for she
was a little, wrinkled, yellow-faced old woman in a sunbonnet; but she
cannot have been nearly as old as Sally. Queenie and her husband were
not in such comfortable circumstances as Sally and Dick; but old Master
Macey, commonly called ‘Twister’, was still able to work part of the
time, and they managed to keep their home going.
It was a pleasant home, though bare, for Queenie kept it spotless,
scrubbing her deal table and whitening her floor with hearthstone every
morning and keeping the two brass candlesticks on her mantelpiece
polished till they looked like gold. The cottage faced south and, in
summer, the window and door stood open all day to the sunshine. When the
children from the end house passed close by her doorway, as they had to
do every time they went beyond their own garden, they would pause a
moment to listen to Queenie’s old sheep’s-head clock ticking. There was
no other sound; for, after she had finished her housework, Queenie was
never indoors while the sun shone. If the children had a message for
her, they were told to go round to the beehives, and there they would
find her, sitting on a low stool with her lace-pillow on her lap,
sometimes working and sometimes dozing with her lilac sunbonnet drawn
down over her face to shield it from the sun.
Every fine day, throughout the summer, she sat there ‘watching the
bees’. She was combining duty and pleasure, for, if they swarmed, she
was making sure of not losing the swarm; and, if they did not, it was
still, as she said, ‘a trate’ to sit there, feeling the warmth of the
sun, smelling the flowers, and watching ‘the craturs’ go in and out of
the hives.
When, at last, the long-looked-for swarm rose into the air, Queenie
would seize her coal shovel and iron spoon and follow it over cabbage
beds and down pea-stick alleys, her own or, if necessary, other
peoples’, tanging the spoon on the shovel: Tang-tang-tangety-tang!
She said it was the law that, if they were not tanged, and they settled
beyond her own garden bounds, she would have no further claim to them.
Where they settled, they belonged. That would have been a serious loss,
especially in early summer, for, as she reminded the children:
A swarm in May’s worth a rick of hay;
And a swarm in June’s worth a silver spoon;
while
A swarm in July isn’t worth a fly.
So she would follow and leave her shovel to mark her claim, then go back
home for the straw skep and her long, green veil and sheepskin gloves to
protect her face and hands while she hived her swarm.
In winter she fed her bees with a mixture of sugar and water and might
often have been seen at that time of the year with her ear pressed to
one of the red pan roofs of the hives, listening. ‘The craturs! The poor
little craturs,’ she would say, ‘they must be a’most frozed. If I could
have my way I’d take ‘em all indoors and set ‘em in rows in front of a
good fire.’
Queenie at her lacemaking was a constant attraction to the children.
They loved to see the bobbins tossed hither and thither, at random it
seemed to them, every bobbin weighted with its bunch of bright beads and
every bunch with its own story, which they had heard so many times that
they knew it by heart, how this bunch had been part of a blue bead
necklace worn by her little sister who had died at five years old, and
this other one had belonged to her mother, and that black one had been
found, after she was dead, in a work-box belonging to a woman who was
reputed to have been a witch.
There had been a time, it appeared, when lacemaking was a regular
industry in the hamlet. Queenie, in her childhood, had been ‘brought up
to the pillow’, sitting among the women at eight years old and learning
to fling her bobbins with the best of them. They would gather in one
cottage in winter for warmth, she said, each one bringing her faggot or
shovel of coals for the fire, and there they would sit all day, working,
gossiping, singing old songs, and telling old tales till it was time to
run home and put on the pots for their husbands’ suppers. These were the
older women and the young unmarried girls; the women with little
children did what lacemaking they could at home. In very cold winter
weather the lacemakers would have a small earthen pot with a lid,
called a ‘pipkin’, containing hot embers, at which they warmed their
hands and feet and sometimes sat upon.
In the summer they would sit in the shade behind one of the ‘housen’,
and, as they gossiped, the bobbins flew and the lovely, delicate pattern
lengthened until the piece was completed and wrapped in blue paper and
stored away to await the great day when the year’s work was taken to
Banbury Fair and sold to the dealer.
‘Them wer’ the days!’ she would sigh. ‘Money to spend.’ And she would
tell of the bargains she had bought with her earnings. Good brown calico
and linsey-woolsey, and a certain chocolate print sprigged with white,
her favourite gown, of which she could still show a pattern in her big
patchwork quilt. Then there was a fairing to be bought for those at
home—pipes and packets of shag tobacco for the men, rag dolls and
gingerbread for the ‘little ‘uns’, and snuff for the old grannies. And
the homecoming, loaded with treasure, and money in the pocket besides.
Tripe. They always bought tripe; it was the only time in the year they
could get it, and it was soon heated up, with onions and a nice bit of
thickening; and after supper there was hot, spiced elderberry wine, and
so to bed, everybody happy.
Now, of course, things were different. She didn’t know what the world
was coming to. This nasty machine-made stuff had killed the lacemaking;
the dealer had not been to the Fair for the last ten years; nobody knew
a bit of good stuff when they saw it. Said they liked the Nottingham
lace better; it was wider and had more pattern to
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