The Cloister and the Hearth by Charles Reade (most interesting books to read .TXT) 📕

found himself seated with Fra Colonna at the table of his present employer, Cardinal Bessarion. They were about a mile from the top of that table; but never mind, there they were and Gerard had the advantage of seeing roast pheasants dished up with all their feathers as if they had just flown out of a coppice instead of off the spit: also chickens cooked in bottles, and tender as peaches. But the grand novelty was the napkins, surpassingly fine, and folded into cocked hats, and birds' wings, and fans, etc., instead of lying flat. This electrified Gerard; though my readers have seen the dazzling phenomenon without tumbling backwards chair and all.

After dinner the tables were split in pieces, and carried away, and lo, under each was another table spread with sweetmeats. The signoras and signorinas fell upon them and gormandized; but the signors eyed them with reasonable suspicion.

“But, dear father,” objected Gerard, “I see not the bifurcal daggers, with which men say his excellency armeth the left hand of a man.”

“Nay, 'tis the Cardinal Orsini which hath invented yon peevish instrument for his guests to fumble their meat withal. One, being in haste, did skewer his tongue to his palate with it, I hear; O tempora, O mores! The ancients, reclining godlike at their feasts, how had they spurned such pedantries.”

As soon as the ladies had disported themselves among the sugar-plums, the tables were suddenly removed, and the guests sat in a row against the wall. Then came in, ducking and scraping, two ecclesiastics with lutes, and kneeled at the cardinal's feet and there sang the service of the day; then retired with a deep obeisance: In answer to which the cardinal fingered his skull cap as our late Iron Duke his hat: the company dispersed, and Gerard had dined with a cardinal and one that had thrice just missed being pope.

But greater honour was in store.

One day the cardinal sent for him, and after praising the beauty of his work took him in his coach to the Vatican; and up a private stair to a luxurious little room, with a great oriel window. Here were inkstands, sloping frames for writing on, and all the instruments of art. The cardinal whispered a courtier, and presently the Pope's private secretary appeared with a glorious grimy old MS. of Plutarch's Lives. And soon Gerard was seated alone copying it, awe-struck, yet half delighted at the thought that his holiness would handle his work and read it.

The papal inkstands were all glorious externally; but within the ink was vile. But Gerard carried ever good ink, home-made, in a dirty little inkhorn: he prayed on his knees for a firm and skilful hand, and set to work.

One side of his room was nearly occupied by a massive curtain divided in the centre; but its ample folds overlapped. After a while Gerard felt drawn to peep through that curtain. He resisted the impulse. It returned. It overpowered him. He left Plutarch; stole across the matted floor; took the folds of the curtain, and gently gathered them up with his fingers, and putting his nose through the chink ran it against a cold steel halbert. Two soldiers, armed cap-a-pie, were holding their glittering weapons crossed in a triangle. Gerard drew swiftly back; but in that instant he heard the soft murmur of voices, and saw a group of persons cringing before some hidden figure.

He never repeated his attempt to pry through the guarded curtain; but often eyed it. Every hour or so an ecclesiastic peeped in, eyed him, chilled him, and exit. All this was gloomy, and mechanical. But the next day a gentleman, richly armed, bounced in, and glared at him. “What is toward here?” said he.

Gerard told him he was writing out Plutarch, with the help of the saints. The spark said he did not know the signor in question. Gerard explained the circumstances of time and space that had deprived the Signor Plutarch of the advantage of the spark's conversation.

“Oh! one of those old dead Greeks they keep such a coil about.”

“Ay, signor, one of them, who, being dead, yet live.”

“I understand you not, young man,” said the noble, with all the dignity of ignorance. “What did the old fellow write? Love stories?” and his eyes sparkled: “merry tales, like Boccaccio.”

“Nay, lives of heroes and sages.”

“Soldiers and popes?”

“Soldiers and princes.”

“Wilt read me of them some day?”

“And willingly, signor. But what would they say who employ me, were I to break off work?”

“Oh, never heed that; know you not who I am? I am Jacques Bonaventura, nephew to his holiness the Pope, and captain of his guards. And I came here to look after my fellows. I trow they have turned them out of their room for you.” Signor Bonaventura then hurried away. This lively companion, however, having acquired a habit of running into that little room, and finding Gerard good company, often looked in on him, and chattered ephemeralities while Gerard wrote the immortal lives.

One day he came a changed and moody man, and threw himself into chair, crying, “Ah, traitress! traitress!” Gerard inquired what was his ill? “Traitress! traitress!” was the reply. Whereupon Gerard wrote Plutarch. Then says Bonaventura, “I am melancholy; and for our Lady's sake read me a story out of Ser Plutarcho, to soothe my bile: in all that Greek is there nought about lovers betrayed?”

Gerard read him the life of Alexander. He got excited, marched about the room, and embracing the reader, vowed to shun “soft delights,” that bed of nettles, and follow glory.

Who so happy now as Gerard? His art was honoured, and fabulous prices paid for it; in a year or two he should return by sea to Holland, with good store of money, and set up with his beloved Margaret in Bruges, or Antwerp, or dear Augsburg, and end their days in peace, and love, and healthy, happy labour. His heart never strayed an instant from her.

In his prosperity he did not forget poor Pietro. He took the Fra Colonna to see his picture. The friar inspected it severely and closely, fell on the artist's neck, and carried the picture to one of the Colonnas, who gave a noble price for it.

Pietro descended to the first floor; and lived like a gentleman.

But Gerard remained in his garret. To increase his expenses would have been to postpone his return to Margaret. Luxury had no charms for the single-hearted one, when opposed to love.

Jacques Bonaventura made him acquainted with other gay young fellows. They loved him, and sought to entice him into vice, and other expenses. But he begged humbly to be excused. So he escaped that temptation. But a greater was behind.