The Cloister and the Hearth by Charles Reade (most interesting books to read .TXT) π
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- Author: Charles Reade
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Teresa waited patiently, then calmly brought this discursive lady back to the point: βWould she be so kind as go with this good youth to the friar and speak for him?β
βAlack! how can I leave my shop? And what need? His door is aye open to writers, and painters, and scholars, and all such cattle. Why, one day he would not receive the Duke d'Urbino, because a learned Greek was closeted with him, and the friar's head and his so close together over a dusty parchment just come in from Greece, as you could put one cowl over the pair. His wench Onesta told me. She mostly looks in here for a chat when she goes an errand.β
βThis is the man for thee, my friend,β said Teresa.
βAll you have to do,β continued Lucretia, βis to go to his lodgings (my boy shall show them you), and tell Onesta you come from me, and you are a writer, and she will take you up to him. If you put a piece of silver in the wench's hand, 'twill do you no harm: that stands to reason.β
βI have silver,β said Teresa warmly.
βBut stay,β said Lucretia, βmind one thing. What the young man saith he can do, that he must be able to do, or let him shun the good friar like poison. He is a very wild beast against all bunglers. Why, 'twas but t'other day, one brought him an ill-carved crucifix. Says he, 'Is this how you present βSalvator Mundi?β who died for you in mortal agony; and you go and grudge him careful work. This slovenly gimcrack, a crucifix? But that it is a crucifix of some sort, and I am a holy man, I'd dust your jacket with your crucifix,' says he. Onesta heard every word through the key-hole; so mind.β
βHave no fears, madama,β said Teresa loftily. βI will answer for his ability; he saved my child.β
Gerard was not subtle enough to appreciate this conclusion; and was so far from sharing Teresa's confidence that he begged a respite. He would rather not go to the friar to-day: would not to-morrow do as well?
βHere is a coward for ye,β said Lucretia.
βNo, he is not a coward,β said Teresa, firing up; βhe is modest.β
βI am afraid of this high-born, fastidious friar,β said Gerard, βConsider he has seen the handiwork of all the writers in Italy, dear dame Teresa; if you would but let me prepare a better piece of work than yet I have done, and then to-morrow I will face him with it.β
βI consent,β said Teresa.
They walked home together.
Not far from his own lodging was a shop that sold vellum. There was a beautiful white skin in the window. Gerard looked at it wistfully; but he knew he could not pay for it; so he went on rather hastily. However, he soon made up his mind where to get vellum, and parting with Teresa at his own door, ran hastily upstairs, and took the bond he had brought all the way from Sevenbergen, and laid it with a sigh on the table. He then prepared with his chemicals to erase the old writing; but as this was his last chance of reading it, he now overcame his deadly repugnance to bad writing, and proceeded to decipher the deed in spite of its detestable contractions. It appeared by this deed that Ghysbrecht Van Swieten was to advance some money to Floris Brandt on a piece of land, and was to repay himself out of the rent.
On this Gerard felt it would be imprudent and improper to destroy the deed. On the contrary, he vowed to decipher every word, at his leisure. He went downstairs, determined to buy a small piece of vellum with his half of the card-money.
At the bottom of the stairs he found the landlady and Teresa talking. At sight of him the former cried, βHere he is. You are caught, donna mia. See what she has bought you?β And whipped out from under her apron the very skin of vellum Gerard had longed for.
βWhy, dame! why, donna Teresa!β And he was speechless with pleasure and astonishment.
βDear donna Teresa, there is not a skin in all Rome like it. However came you to hit on this one? 'Tis glamour.β
βAlas, dear boy, did not thine eye rest on it with desire? and didst thou not sigh in turning away from it? And was it for Teresa to let thee want the thing after that?β
βWhat sagacity! what goodness, madama! Oh, dame, I never thought I should possess this. What did you pay for it?β
βI forget. Addio, Fiammina. Addio, Ser Gerard. Be happy, be prosperous, as you are good.β And the Roman matron glided away while Gerard was hesitating, and thinking how to offer to pay so stately a creature for her purchase.
The next day in the afternoon he went to Lucretia, and her boy took him to Fra Colonna's lodgings. He announced his business, and feed Onesta, and she took him up to the friar. Gerard entered with a beating heart. The room, a large one, was strewed and heaped with objects of art, antiquity, and learning, lying about in rich profusion, and confusion. Manuscripts, pictures, carvings in wood and ivory, musical instruments; and in this glorious chaos sat the friar, poring intently over an Arabian manuscript.
He looked up a little peevishly at the interruption. Onesta whispered in his ear.
βVery well,β said he. βLet him be seated. Stay; young man, show me how you write?β And he threw Gerard a piece of paper, and pointed to an inkhorn.
βSo please you, reverend father,β said Gerard, βmy hand it trembleth too much at this moment; but last night I wrote a vellum page of Greek, and the Latin version by its side, to show the various character.β
βShow it me?β
Gerard brought the work to him in fear and trembling; then stood heart-sick, awaiting his verdict.
When it came it staggered him. For the verdict was, a Dominican falling on his neck.
The next day an event took place in Holland, the effect of which on Gerard's destiny, no mortal at the time, nor even my intelligent reader now, could, I think, foresee.
Marched up to Eli's door
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