Deep Down, a Tale of the Cornish Mines by R. M. Ballantyne (that summer book .TXT) 📕

flowers, with her own fair hands, and here Mr Thomas Donnithorne refreshed himself each evening with a pipe of tobacco, the flavour of which was inexpressibly enhanced to him by the knowledge that it had been smuggled.

He was in the habit of washing the taste of the same away each night, before retiring to rest, with a glass of brandy and water, hot, which was likewise improved in flavour by the same interesting association.

The windows of the cottage were wide open, for no Atlantic fog dimmed the glory of the summer sun that morning, and the light air that came up from the mighty sea was fresh and agreeably cool.

As Oliver approached the end of the cottage he observed that Rose was not at her accustomed work in the garden, and he was about to pass the door when the tones of a guitar struck his ear and arrested his step. He was surprised, for at that period the instrument was not much used, and the out-of-the-way town of St. Just was naturally the last place in the land where he would have expected to meet with one. No air was played—only a few chords were lightly touched by fingers which were evidently expert. Presently a female voice was heard to sing in rich contralto tones. The air was extremely simple, and very beautiful—at least, so thought Oliver, as he leaned against a wall and listened to the words. These, also, were simple enough, but sounded both sweet and sensible to the listener, coming as they did from a woman’s lips so tunefully, and sounding the praises of the sea, of which he was passionately fond:—

         Song.

 

“I love the land where acres broad

    Are clothed in yellow grain;

Where cot of thrall and lordly hall

    Lie scattered o’er the plain.

Oh! I have trod the velvet sod

    Beneath the beechwood tree;

And roamed the brake by stream and lake

    Where peace and plenty be.

        But more than plain,

        Or rich domain,

        I love the bright blue sea!

 

“I love the land where bracken grows

    And heath-clad mountains rise;

Where peaks still fringed with winter snows

    Tower in the summer skies.

Oh! I have seen the red and green

    Of fir and rowan tree,

And heard the din of flooded linn,

    With bleating on the lea.

        But better still

        Than heath-clad hill

        I love the stormy sea!”

The air ceased, and Oliver, stepping in at the open door, found Rose Ellis with a Spanish guitar resting on her knee. She neither blushed nor started up nor looked confused—which was, of course, very strange of her in the circumstances, seeing that she is the heroine of this tale—but, rising with a smile on her pretty mouth, shook hands with the youth.

“Why, cousin,” said Oliver, “I had no idea you could sing so charmingly.”

“I am fond of singing,” said Rose.

“So am I, especially when I hear such singing as yours; and the song, too—I like it much, for it praises the sea. Where did you pick it up?”

“I got it from the composer, a young midshipman,” said Rose sadly; at the same time a slight blush tinged her brow.

Oliver felt a peculiar sensation which he could not account for, and was about to make further inquiries into the authorship of the song, when it occurred to him that this would be impolite, and might be awkward, so he asked instead how she had become possessed of so fine a guitar. Before she could reply Mr Donnithorne entered.

“How d’ee do, Oliver lad; going your rounds—eh?—Come, Rose, let’s have breakfast, lass, you were not wont to be behind with it. I’ll be bound this gay gallant—this hedge-jumper with his eyes shut—has been praising your voice and puffing up your heart, but don’t believe him, Rose; it’s the fashion of these fellows to tell lies on such matters.”

“You do me injustice, uncle,” said Oliver with a laugh; “but even if it were true that I am addicted to falsehood in praising women, it were impossible, in the present instance, to give way to my propensity, for Truth herself would find it difficult to select an expression sufficiently appropriate to apply to the beautiful voice of Rose Ellis!”

“Hey-day, young man,” exclaimed Mr Donnithorne, as he carefully filled his pipe with precious weed, “your oratorical powers are uncommon! Surely thy talents had been better bestowed in the Church or at the Bar than in the sickroom or the hospital. Demosthenes himself would have paled before thee, lad—though, if truth must be told, there is a dash more sound than sense in thine eloquence.”

“Sense, uncle! Surely your own good sense must compel you to admit that Rose sings splendidly?”

“Well, I won’t gainsay it,” replied Mr Donnithorne, “now that Rose has left the room, for I don’t much care to bespatter folk with too much praise to their faces. The child has indeed a sweet pipe of her own. By the way, you were asking about her guitar when I came in; I’ll tell you about that.

“Its history is somewhat curious,” said Mr Donnithorne, passing his fingers through the bunch of gay ribbons that hung from the head of the instrument. “You have heard, I dare say, of the burning of Penzance by the Spaniards more than two hundred years ago; in the year 1595, I think it was?”

“I have,” answered Oliver, “but I know nothing beyond the fact that such an event took place. I should like to hear the details of it exceedingly.”

“Well,” continued the old gentleman, “our country was, as you know, at war with Spain at the time; but it no more entered into the heads of Cornishmen that the Spaniards would dare to land on our shores than that the giants would rise from their graves. There was, indeed, an old prediction that such an event would happen, but the prediction was either forgotten or not believed, so that when several Spanish galleys suddenly made their appearance in Mounts Bay, and landed about two hundred men near Mousehole, the inhabitants were taken by surprise. Before they could arm and defend themselves, the Spaniards effected a landing, began to devastate the country, and set fire to the adjacent houses.

“It is false,” continued the old man sternly, “to say, as has been said by some, that the men of Mousehole were seized with panic, and that those of Newlyn and Penzance deserted their houses terror-stricken. The truth is, that the suddenness of the attack, and their unprepared condition to repel it, threw the people into temporary confusion, and forced them to retreat, as, all history shows us, the best and bravest will do at times. In Mousehole, the principal inhabitant was killed by a cannon-ball, so that, deprived of their leading spirit at the critical moment when a leader was necessary, it is no wonder that at first the fishermen were driven back by well-armed men trained to act in concert. To fire the houses was the work of a few minutes. The Spaniards then rushed on to Newlyn and Penzance, and fired these places also, after which they returned to their ships, intending to land the next day and renew their work of destruction.

“But that night was well spent by the enraged townsmen. They organised themselves as well as they could in the circumstances, and, when day came, attacked the Spaniards with guns and bows, and that so effectively, that the Dons were glad to hoist their sails and run out of the bay.

“Well, you must know there was one of the Spaniards, who, it has been said, either from bravado, or vanity, or a desire to insult the English, or from all three motives together, brought a guitar on shore with him at Mousehole, and sang and played to his comrades while they were burning the houses. This man left his guitar with those who were left to guard the boats, and accompanied the others to Penzance. On his return he again took his guitar, and, going up to a high point of the cliff, so that he might be seen by his companions and heard by any of the English who chanced to be in hiding near the place, sang several songs of defiance at the top of his voice, and even went the length of performing a Spanish dance, to the great amusement of his comrades below, who were embarking in their boats.

“While the half-crazed Spaniard was going on thus he little knew that, not three yards distant from him, a gigantic Mousehole fisherman, who went by the name of Gurnet, lay concealed among some low bushes, watching his proceedings with an expression of anger on his big stern countenance. When the boats were nearly ready to start the Spaniard descended from the rocky ledge on which he had been performing, intending to rejoin his comrades. He had to pass round the bush where Gurnet lay concealed, and in doing so was for a few seconds hid from his comrades, who immediately forgot him in the bustle of departure, or, if they thought of him at all, each boat’s crew imagined, no doubt, that he was with one of the others.

“But he never reached the boats. As he passed the bush Gurnet sprang on him like a tiger and seized him round the throat with both hands, choking a shout that was coming up, and causing his eyes to start almost out of his head. Without uttering a word, and only giving now and then a terrible hiss through his clenched teeth, Gurnet pushed the Spaniard before him, keeping carefully out of sight of the beach, and holding him fast by the nape of the neck, so that when he perceived the slightest symptom of a tendency to cry out he had only to press his strong fingers and effectually nip it in the bud.

“He led him to a secluded place among the rocks, far beyond earshot of the shore, and there, setting him free, pointed to a flat rock and to his guitar, and hissed, rather than said, in tones that could neither be misunderstood nor gainsaid—

“‘There, dance and sing, will ’ee, till ’ee bu’st!’

“Gurnet clenched his huge fist as he spoke, and, as the Spaniard grew pale, and hesitated, he shook it close to his face—so close that he tapped the prominent bridge of the man’s nose, and hissed again, more fiercely than before—

“‘Ye haaf saved bucca, ye mazed totle, that can only frighten women an’ child’n, an burn housen; thee’rt fond o’ singin’ an’ dancin’—dance now, will ’ee, ye gurt bufflehead, or ef ye waant I’ll scat thee head in jowds, an’ send ’ee scrougin’ over cliffs, I will.’”

In justice to the narrator it is right to say that these words are not so bad as they sound.

“The fisherman’s look and action were so terrible whilst he poured forth his wrath, which was kept alive by the thought of the smouldering embers of his own cottage, that the Spaniard could not but obey. With a ludicrous compound of fun and terror he began to dance and sing, or rather to leap and wail, while Gurnet stood before him with a look of grim ferocity that never for a moment relaxed.

“Whenever the Spaniard stopped from exhaustion Gurnet shouted ‘Go on,’ in a voice of thunder, and the poor man, being thoroughly terrified, went on until he fell to the ground incapable of further exertion.

“Up to this point Gurnet had kept saying to himself, ‘He is fond o’ dancin’ an’ singin’, let un have it, then,’ but when the poor man fell his heart relented. He picked him up, threw him across his shoulder as if he had been a bolster, and bore him away. At first the men of the place wanted to hang him on the spot, but Gurnet claimed him as his prisoner, and would not allow this. He gave him his liberty, and the poor wretch maintained himself for many a day as a wandering minstrel. At last he managed to get on board of a Spanish vessel, and was never more heard of, but he left his