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Rhoda."

"Hello, Frank."

"I really didn't expect to find you. I was going to write a note and slip it under the door."

"I didn't feel well today so I didn't go to work."

"May I come in?"

"Of course."

Inside, a shadow of concern moved like a quick cloud across her beautiful face. "You don't look well, Frank."

"I'm quite all right, really. Haven't been sleeping too well, but there's been a lot on my mind."

"I've been hoping you'd phone."

"I wanted to but there didn't seem to be anything to say. Nothing except that I'm sorry I let you down so miserably."

"Frank! You didn't. You really didn't. It was just that—oh, it's not important any more."

"No. It's not important now."

"Would you like a drink?"[Pg 121]

"Thanks, no. I've come to say good-bye."

"Good-bye?"

"Yes. I'm leaving Park Hill—leaving New York. I'm going into a small Minnesota hospital to finish my internship. Then I'll probably practice out there somewhere."

Behind the new glitter of her eyes there was stark misery. "Frank—Frank—what went wrong with us?"

The appeal was a labored whisper.

"I don't know, Rhoda. I should know but I don't. I should have known what was wrong so I could have done something about it. It just went sour, I guess."

She turned and walked to the window. He wondered if there were tears in her eyes.

"Good-bye, Rhoda."

"Good-bye, Frank. I'm sorry."

The door hadn't quite closed. Now, as Frank Corson turned, he found it open. A man stood there—a man in a blue suit with empty eyes.

Frank stared at the man for long seconds. His eyes went toward the window. Rhoda had turned. She was watching the man in the doorway, looking past Frank at the creature from somewhere in space who was neither man nor machine. But how—? Frank Corson asked himself the question. Good God! How had this thing come about?

"Not—not him," he finally exploded.

Rhoda was walking forward. The look of fevered excitement was in her eyes. "Please leave, Frank." She did not look at him as she spoke. She kept her eyes on the man in the blue suit.

"Not him!"

"Please leave, Frank."

But it was too late. The door had closed. The man was looking at Frank. "Sit down," he said.

Frank Corson sat down. He saw the man and he saw Rhoda, but they seemed unimportant. Something had happened to his mind and he was busy struggling with it. That was all that was important.

The strange lethargy that came like a cloud over his mind was beyond understanding.[Pg 122]

Captain Abrams looked into the closet and back at Brent Taber. His lips were back a little off his teeth. With Abrams, this indicated anger.

"All right. What does Washington do about this one? Does Washington tell us to be good little boys and go hand out parking tickets?"

"It wasn't like that," Taber said.

"It doesn't much matter how it was. The thing is—how is it going to be now?"

"You got a murder, friend. Plain and simple. What do the New York police do when they get a murder?"

Abrams spoke bitterly. "Sometimes they let a panel truck drive in and haul the body away and that's that."

"Let's save the sarcasm until later. I called you in. It's your case. What do you want me to do?"

"Talk a little, maybe. The other one—now this one. The same killer?"

"I think so."

"What does he look like?"

"Medium height. One-eighty. Around forty. And dangerous."

"Dangerous, he says," Abrams muttered. "Any idea where we might go to have a little talk with him?"

"No, can't say that I have."

"Try the streets of Manhattan—is that it?"

"I guess that's about it." Taber paused. "Wait a minute. If he's looking for a spot to hide in he wouldn't come back here and he certainly wouldn't try King's room. There's just a wide-open chance he might have another location. Wait a minute while I look up an address."

An hour after he'd finished delivering his speech on the floor of the Senate, Crane held a press conference in one of Washington's most important hotels. The place was crowded. He stood on a platform, looked out over a sea of heads, and pointed at an upraised hand for the first question.

"Senator, have you gotten any reaction from the people of your state on the revelations contained in your speech?"[Pg 123]

"There has been very little time, but telegrams have been pouring in."

"What is the reaction?"

"Frankly, I haven't had time to read them. However, I think there is little doubt as to the mood of my people. They will be indignant and angry at Washington bungling."

He pointed to another hand.

"Senator, granting the details you outlined are accurate, have you any knowledge as to—"

"Young man. Every detail I outlined was completely accurate." Senator Crane withered the reporter with a hostile look and pointed elsewhere.

"Senator, did you consult with the people responsible for handling the situation before making your speech?"

"I tried. I was willing to co-operate in every way, but my patience ran out. Also, I was alarmed at the bungling and inefficiency I saw. For that reason I went straight to the people with my story."

"Senator, I have a wire from the governor of your state. It just arrived in response to my query as to his attitude on this affair. The governor says, quote, No comment, unquote. Would you care to comment on his statement?"

Senator Crane thought he heard a faint ripple of mirth drift across the room. But, of course, he had to be mistaken. "I think the governor replied wisely. I expect to return home and confer with him as soon as possible."

"Senator, can you explain why, out of all the able, sincere officials in Washington, D.C., elected or otherwise, you were the only one with enough wisdom and courage to put this matter before the people?"

"Young man, I am not going to pass judgment on anyone in Washington or elsewhere. Each of us, I'm sure, does his duty as he sees it."

Again it seemed to Senator Crane that he heard a ripple of mirth—louder this time. It had to be something to do with the acoustics. Except that he was suddenly aware of smiles, too. The next question had to do with possible consultation with Russia on the matter of the coming space invasion.[Pg 124]

Senator Crane agreed that such consultation should be made and then retired hastily into seclusion. A touch of panic hit him. He felt like a man who was far out in the water without a boat, with the closest land a few hundred feet straight down. Good God! Had he miscalculated? Of course not. He had only to await the verdict of the nation's top newspapers before proceeding with the publicity program that might well make him presidential timber.

John Dennis, for the first time since Rhoda had known him, seemed nervous. He kept licking his lips and shifting his eyes from Rhoda to Frank Corson.

Frank Corson sat quietly, keeping his thoughts to himself. Rhoda crossed to the liquor cabinet and poured a double Scotch. She went to the sofa and sat down a little uncertainly.

"I guess you two haven't met. John, this is Frank Corson."

John Dennis paid no attention. He walked to the sofa, sat down, and took a sheaf of notes from his jacket pocket.

"I've known Mr. Dennis for quite some time," Frank commented wryly.

"Be quiet."

John Dennis' tone was neither hostile nor friendly. They were the words of a person whose mind was on other things. They watched him as his eyes scanned the notes.

He appeared to be memorizing them.

The air became somewhat electric, the silence so deep it seemed to scream. Rhoda looked across at Frank Corson. Frank's expression was empty, as though he'd suffered some traumatic emotional blow and was struggling to recover.

John Dennis stirred. He also appeared to be struggling. He turned his eyes on the drink Rhoda was holding. He took it out of her hand and downed it in a single gulp.

They watched as he went back to work, leafing through the notes, one at a time. As he came close to the end, he lifted his head and shook it violently, as though[Pg 125] from sudden pain. He scowled at the empty glass he'd handed back to Rhoda.

"Do you want another?" she inquired.

"Give me another."

She poured a second Scotch and handed it to him. He drank it like so much water.

The last sheet of notations was covered. Then John Dennis sat motionless for a minute, his frown and uncertainty returning. "It's hard to project the details," he said. "All this detail. Difficult."

He dropped the last sheet and got up and poured himself another Scotch. "They will make an army now," he said. The Scotch went down smoothly. He went to the window and looked out. "This planet is different. The sun there is blue and the air is very thin. Their bodies are nothing, but their heads are very big. Now they will create an army and take this planet."

Frank Corson was shaking his head slowly like a groggy fighter. Rhoda sat huddled on the sofa, her mind such a mixture of tumbling emotions that it seemed to be trying to tear itself out of her head. John Dennis came back and stood in the middle of the room. He swayed drunkenly. "So many things I don't understand. I see people I know—or I should know. I—" He turned his eyes—eyes no longer empty—on Rhoda.

"I want to make love!"

Frank Corson got up from his chair and hurled himself on Dennis.

Rhoda screamed.

Senator Crane sat at his desk. There were a pile of newspapers in front of him. The first one carried a front page story with the headline:

SENATOR CRANE WARNS OF SPACE INVASION Shades of Orson Wells' Martian
Scare Stalks Capitol Corridors.

Crane tossed the paper aside listlessly and picked up the second one:[Pg 126]

SENATORS VOICE CONCERN FOR SANITY OF COLLEAGUE Crane in Stunning Tirade
Warns of Science-Fiction
Disaster.

The third paper featured an internationally syndicated columnist, famous for his biting wit:

Senator Crane today launched a one-man campaign to make America space-conscious. If there was any Madison Avenue thinking behind the launching it was certainly lower Madison Avenue.

In order to make his point—exactly what this was confused a vast roomful of newspapermen—the Senator invented a race of creatures called androids. These androids, it seems, look exactly like Tom Smith down the block except that they'd just as soon cut your throat as not.

We fear the Senator must have been watching the wrong television shows—knives yet, ugh!—possibly Jim Bowie, because there wasn't a ray gun nor a disintegrator in his whole bag of exhibits.

All in all, it would appear that the project was pointed toward making the people Senator Crane-conscious rather than aiming their attention at the deadly heavens.

Senator Crane put that paper aside and looked at the next. This one, more so than all the rest, was completely factual:

SENATOR CRANE DELUGED WITH WIRES FROM HOME Constituents Claim Washington Ridicule
Heaped on Senator Reflects Against State.

Crane dropped the paper and got up from the desk. That son-of-a-bitch Taber was to blame for this. Shaping up a goddamn hoax and feeding it out piecemeal. By God—!

He went to the desk and dialed, and when the answer came he said, "Halliday? Senator Crane here. I want to have a little talk with you about that damned tape. It's pretty obvious now that Taber planted it in a deliberate attempt to ... What's that? An appointment! Why,[Pg 127] goddamn it, who the hell do you think you are?.... Fifteen minutes next Wednesday? You're talking to a United States Senator—"

But Crane was no longer talking to Halliday. He had hung up.

Crane dialed another number. A pleasant female voice said, "Matthew Porter's office."

"This is Senator Crane. Put Porter on."

"Just a moment."

Crane waited. He waited for what seemed like ages, but a glance at his watch told him it had been less than five minutes. He disconnected and dialed again.

"This is Crane. We got cut off. I want to talk to Porter."

"I'm sorry but Mr. Porter has gone for the day."

"Well, where can I reach him? It's important."

"I'm sorry. Mr. Porter left no number."

"When will he be back?"

"He didn't say."

Crane slammed the phone down. "The bastards!" he snarled. "The lousy, crummy bastards. Running like a pack of scared rats. Bureaucrats! Damned, cowardly, self-appointed opportunists!"

He stopped cursing and sat for a while.

When he got up and left the office he looked and felt old but he

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