Aphrodite by Pierre Louÿs (readera ebook reader .txt) 📕
er twentieth year, when from a young girl she became a woman, ambition suddenly awoke in her with maturity.
And one morning as she came out of a deep sleep, two hours past mid-day, quite tired from having slept too much, she turned over on her breast across the bed, her feet apart, rested her cheek in her hand and with a long golden pin pierced with little symmetrical holes her pillow of green linen.
She reflected profoundly.
There were at first four little points which made a square and a point in the middle. Then four other points to make a larger square. Then she tried to make a circle--but that was a little difficult.
Then she pierced points at random and began to call, "Djala! Djala!"
Djala was her Hindu slave whose name was Djalantachtchandrapchapala, which means: "Changeful-as-the-image-of-the-moon-upon-the-water." Chrysis was too lazy to say the entire name.
The slave entered and stood near the door without quite shutting it.
"Djala, who came yesterday?
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Aphrodisia, still a slave, triumphantly celebrated her last night of servitude in the tradition of all Alexandrian orgies. In obedience to this, she had accepted three suitors early in the festivities. But her obligations were not confined to that; until the end of the night, following the custom regarding women slaves who were to be made free, she had to prove by unflagging vivacity that her new dignity was in no wise a usurpation.
Standing alone behind a column, Naucrates and Phrasilas debated courteously upon the respective worth of Arcesilas and Carneade.
At the other end of the hall, Myrtocleia was protecting Rhodis against an over-pressing banqueter. As soon as they saw Chrysis enter, the two Ephesians ran to her.
“Let us go, my Chryse. Theano remains; but we are going.”
“I will stay also,” said the courtesan. And she stretched out on her back upon a great bed covered with roses.
A noise of voices and falling coins drew her attention; it was Theano who, to mimic her sister, had taken the fancy, amidst laughter and cries, to parody the Fable of Danae. The saucy impiety of the child amused all the feasters, for it was long past the time when a thunderbolt would have exterminated mockers of the Immortal. But the play was broken up, as might be expected.
To console her, a new diversion had to be invented. Two dancing-girls slid an enormous silver-gilt crater, filled to the brim with wine, into the middle of the hall, and someone, seizing Theano by the feet, made her drink, head down, shaken by a burst of laughter which she could no longer control.
This idea met with such success that everyone gathered around, and when the flute-player was put upon her feet and they saw her
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little face inflamed by the congestion and streaming with wine drops, so general a mirth swept over everyone there that Bacchis said to Selemis:
“A mirror; a mirror! let her see herself so!”
The slave brought a bronze mirror.
“No! not that one. The mirror of Rhodopis. She is worth it.”
With a bound, Chrysis sprang up.
A rush of blood mounted to her cheeks, then receded and she remained quite pale, her heart bounding against her ribs, her eyes fixed upon the door through which the slave had gone out.
This instant would decide her whole life. Her last hope was about to vanish or be realized.
Around her the festival continued. A crown of iris, thrown at random, struck her upon the mouth, leaving upon her lips the sharp taste of pollen. A man poured over her head a little vial of perfume which ran off too quickly, wetting her shoulder. The spatters from a brimming cup into which a pomegranate was thrown spotted her silken tunic and penetrated to her skin.
The absent slave did not return.
Chrysis held her stony pallor, motionless as a sculptured goddess. The rhythmic and monotonous plaint of a love-sick girl not far away measured the passing time. It seemed to her that this woman had groaned thus since the day before. She would have liked to wrench something, break her fingers, cry out.
At last Selemis returned, empty-handed.
“The mirror?” demanded Bacchis.
“It is… it is not there… It is… it is… stolen,” stammered the servant.
Bacchis uttered a cry so piercing that all became still and a horrible silence suddenly suspended the tumult.
From every part of the immense hall, men and women gathered around; there was but a little open space where Bacchis stood in a frenzy, before her the slave who had fallen upon her knees.
“Thou sayest… thou sayest!” she yelled.
And as Selemis made no reply, she caught her violently by the throat.
“It is thou who hast stolen it, is it not? It is thou! Answer! I will have thee whipped into speech, miserable little wench!”
Then a terrible thing happened. The child, in a frenzy of fear, the fear of suffering, the fear of death, the most present fear she had ever known, cried precipitately, “It is Aphrodisia! It is not I! It is not I!”
“Thy sister!”
“Yes, yes!” cried the mulattresses. “It is Aphrodisia who has taken it!”
And they dragged before Bacchis their sister, who had just swooned.
ALL together they repeated: “Aphrodisia has taken it! Wretch! Wretch! Filthy thief!” Their hatred for the favored sister was supplemented by their personal fears. Arete kicked her repeatedly about the body.
“Where is it?” continued Bacchis. “Where hast thou put it?”
“She has given it to her lover.”
“Who is he?”
“An Ophic sailor.”
“Where is his ship?”
“It sailed this evening for Rome. Thou wilt never see thy mirror again. She must be crucified, the thief, the bloody beast!”
“Ah! Gods! Gods!” wept Bacchis. Then her grief changed into a furious anger.
Aphrodisia had recovered consciousness, but paralyzed with fright and understanding nothing of what was happening, she remained mute and tearless.
Bacchis grasped her by the hair, dragged her over the soiled floor, over the flowers and pools of wine, and cried:
“To the cross! To the cross! Bring the nails! Bring the hammer!”
“Oh!” said Seso to her neighbor, “I have never seen that. Let us follow them.”
All followed, hurrying. And Chrysis also followed—she who alone knew the criminal and alone was the cause of all.
Bacchis went directly into the slaves’ room, a square hall furnished with three mattresses where they slept, two by two, after the nights were over. At the back of the room, as an ever present menace, rose a cross in the form of a T, which, until now, had never been used.
Amid the confused murmur of the young women and the men, four slaves lifted the martyr to the level of the cross-beam.
Still not a sound had issued from her mouth, but when she felt the cold of the rough wood against her naked back, her long eyes opened wide and she was seized with a spasmodic groaning which lasted until the end.
They placed her astride a wooden peg fixed to the middle of the upright which served to support the body and prevent the hands from tearing.
Then they spread out her arms.
Chrysis watched and was silent. What could she say? She could not vindicate the slave except by accusing Demetrios who, she reflected, was above all pursuit and would revenge himself cruelly. Beside, a slave was an item of wealth, and Chrysis’s old rancor rejoiced to see her enemy thus about to destroy, with her own hands, the value of three thousand drachmae as completely as though she had thrown the pieces of money into the Eunostos. And then, was it worth while to bother with the life of a servile being?
Heliope held out to Bacchis the first nail with the hammer, and the martyrdom commenced.
Drunkenness, spite, anger, all the passions at once, even that instinct of cruelty which lurks in a woman’s heart, shook the soul of Bacchis as she struck; and she uttered a cry almost as piercing as that of Aphrodisia as the nail tore into the open palm.
She nailed the other hand. She nailed the feet, one upon the other. Then, excited by the springs of blood escaping from the three wounds, she cried: “It is not enough! Wait! Thief! Sow! Sailor’s trollop!”
One after another, she drew out the long pins from her hair and thrust them violently into the girl’s soft flesh. When she had no more weapons in her hands, she buffeted the poor wretch and spat upon her skin. For some time she considered her completed work of vengeance; then she returned to the greater hall with all the guests.
Phrasilas and Timon, alone, did not follow her.
After an instant of meditation, Phrasilas coughed a little, placed his right hand in his left, raised his head, lifted his eyebrows and approached the crucified girl who was shaken uninterruptedly by a horrible tremor.
“Although I am,” he said to her, “in many circumstances opposed to dogmatic theories, I cannot ignore the fact that thou shouldst profit, in the conjuncture which has overtaken thee, by being familiarized in a more serious manner with the Stoic maxims. Zeno, who, it seems, did not have a spirit altogether exempt from error, has left us a few sophisms without much general bearing yet from which thou canst draw benefit for the special purpose of calming thy last moments. ‘Pain,’ he said, ‘is a word empty of meaning, since our will surpassed the imperfections of our perishable body.’ It is true that Zeno died at the age of ninety-eight without having had, the biographers say, any illness however slight; yet one cannot argue against him because of this for, from the fact that he knew how to preserve an unchanging health, we cannot logically conclude that he would have failed in character if he had become ill. Beside, it would be an abuse to constrain philosophers to practice personally the rules of life they propose and to cultivate unceasingly the virtues which they judge superior. In short, and in order not to develop beyond measure a discourse which would run the risk of lasting longer than thyself: force thyself to lift thy soul, so far as thou art able, my dear, above thy physical sufferings. However sadly, however cruelly thou mayest feel them, I beg thee be sure that I take a veritable part in them. They approach their end; be patient—forget. Behold the hour when thou canst choose, from among the diverse doctrines which attribute immortality to us, the one which will best soothe thy regret at disappearing. If they speak truly, thou wilt then have illuminated even the terrors of the transition. If they lie, what will it matter to thee? Thou wilt not even know that thou wert deceived.” Having spoken thus, Phrasilas readjusted the fold of his garment upon the shoulder and stole away with a troubled step.
Timon remained alone in the room with the dying girl upon the cross. The memory of hours spent with this unfortunate creature haunted his memory, mingled with the atrocious idea of the imminent decay into which the beautiful figure would shortly crumble. He pressed his hand upon his eyes to shut out the sight of the torture, but, unceasingly, he heard the trembling of her body upon the cross. At length he looked. Great meshes of bloody rivulets
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interlaced upon her skin, from the pins in her arms to the contracted toes. Her head turned incessantly. Her hair hung along her left side, drenched with blood, perfume and tears.
“Aphrodisia! Dost thou hear me? Dost thou know me? It is I, Timon; Timon.”
A glance, already nearly blind, touched him for an instant. But the head turned always. The body trembled without pause. Softly, as though he feared that the sound of his steps might give her pain, the young man advanced to the foot of the cross. He stretched out his arms, took the feeble, turning head gently between his two brotherly hands, piously put aside along the cheeks the tear-matted hair, and placed upon the warm lips an infinitely tender kiss.
Aphrodisia closed her eyes. Did she recognize him who had come to enchant her horrible end by this movement of loving pity? An inexpressible smile lengthened her blue eyelids and with a sigh she gave up her spirit.
SO the thing was done. Chrysis had the proof.
If Demetrios had resolved to commit the first crime, the two others must have followed without delay. A man of his rank would consider murder and even sacrilege to be less dishonoring than theft.
He had obeyed; therefore he was
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