Leonora by Arnold Bennett (best fiction novels TXT) π
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- Author: Arnold Bennett
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performance went better and better as the end approached. The audience had long since ceased to notice defects; only the conductor, the leader, and a few discerning members of the troupe were aware that a catastrophe had been escaped by pure luck two minutes before the descent of the curtains.
And at that descent the walls of the Town Hall, which had echoed to political tirades, the solemn recitatives of oratorios, the mercantile uproar of bazaars, the banal compliments of prize-givings, the arid utterances of lecturers on science and art, and the moans of sinners stricken with a sense of guilt at religious revivals--those walls resounded to a gay and frenzied ovation which is memorable in the town for its ungoverned transports of approval. The Operatic Society as a whole was first acclaimed, all the performers posing in rank on the stage. Then, as the deafening applause showed no sign of diminution, the curtains were drawn back instead of being raised again, and the principals, beginning with the humblest, paraded in pairs in front of the footlights. Milly and her fortunate cavalier came last. The cavalier advanced two paces, took Milly's hand, signed to her to cross over, and retired. The child was left solitary on the stage--solitary, but unabashed, glowing with delight, and smiling as pertly as ever. The leader of the orchestra stood up and handed her a wreath, which she accepted like an oath of fealty; and the wreath, hurriedly manufactured by the barmaid of the Tiger out of some cut flowers and the old laurel tree in the Tiger yard, became, when Milly grasped it, a mysterious and impressive symbol. Many persons in the audience wanted to cry as they beheld this vision of the proud, confident, triumphant child holding the wreath, while the fierce upward ray of the footlights illuminated her small chin and her quivering nostrils. She tripped off backwards, with a gesture of farewell. The applause continued. Would she return? Not if the ferocious jealousies behind could have paralysed her as she hesitated in the wings. But the world was on her side that night; she responded again, she kissed her hands to her world, and disappeared still kissing them; and the evening was finished.
* * * * *
'Well,' said Twemlow calmly, 'I guess you've got an actress in the family.'
Leonora and he remained in their seats, waiting till the press of people in the aisles should have thinned, and also, so far as Leonora was concerned, to avoid the necessity of replying to remarks about Milly. The atmosphere was still charged with excitement, but Leonora observed that Arthur Twemlow did not share it. Though he had applauded vigorously, there had been no trace of emotional transport in his demeanour. He spoke at once, immediately the lights were turned up, giving her no chance to collect herself.
'But do you think so?' she said. She remembered she had made the same foolish reply to Mrs. Burgess. With Twemlow she wished to be unconventional and sincere, but she could not succeed.
'Don't you?' He seemed to regard the situation as rather amusing.
'You surely can't mean that she would _do_ for the stage?'
'Ask any one here whether she isn't born for it,' he answered.
'This is only an amateurs' affair,' Leonora argued.
'And she's only an amateur. But she won't be an amateur long.'
'But a girl like Milly can't be clever enough----'
'It depends on what you call clever. She's got the gift of making the audience hug itself. You'll see.'
'See Milly on the stage?' Leonora asked uneasily. 'I hope not.'
'Why, my dear lady? Isn't she built for it? Doesn't she enjoy it? Isn't she at home there? What's the matter with the stage anyhow?'
'Her father would never hear of such a thing,' said Leonora. Towards the close of the opera she had seen John, in morning attire, propped against a side-wall and peering at the stage and his daughter with a bewildered, bored, unsympathetic air.
'Ah!' Twemlow ejaculated grimly.
A moment later, as he was putting her cloak over her shoulders, he said in a different, kinder, more soothing tone: 'I guess I know just how you feel.'
She looked at him, raising her eyebrows, and smiling with melancholy amusement.
In the corridor, Stanway came hurrying up to them, obviously excited.
'Oh, you're here, Nora!' he burst out. 'I've been hunting for you everywhere. I've just been told that a messenger came for Uncle Meshach a the interval to say that Aunt Hannah was ill. Do you know anything about it?'
'No,' she said. 'Uncle only told me that aunt wasn't equal to coming. I wondered where uncle had got to.'
'Well,' Stanway continued, 'you'd better go to Church Street at once, and see after things.'
Leonora seemed to hesitate.
'As quick as you can,' he said with irritation and increasing excitement. 'Don't waste a moment. It may be serious. I'll drive the girls home, and then I'll come and fetch you.'
'If Mrs. Stanway cares, I will walk down with her,' said Arthur Twemlow.
'Yes, do, Twemlow, there's a good chap,' he welcomed the idea. And with that he wafted them impulsively into the street.
Then Stanway stood waiting by his equipage for Ethel and Milly. He spoke to no one, but examined the harness critically, and put some curt question to Carpenter about the breeching. It was a chilly night, and the glare of the lamps showed that Prince steamed a little under his rug. Ten minutes elapsed before Ethel came.
'Here we are, father,' she said with pleasant satisfaction. 'Where's mother?'
'I should think so!' he returned. 'The horse taking cold, and me waiting and waiting. Your mother's had to go to Aunt Hannah's. What's become of Milly?' He was losing his temper.
Milly had to traverse the whole length of the corridor. The Mayor heartily congratulated her. The middle-aged violinist from Manchester spoke to her amiably as one public artist to another, and the conductor, who was with him, told her, in an unusual and indiscreet mood of candour, that she had simply made the show. Others expressed the same thought in more words. Near the entrance stood Harry Burgess, patently expectant. He was flushed, and looked handsomely dandiacal and rakish as he rolled a cigarette in those quick fingers of his. He meant to explain to her that the happy idea of the wreath was his own.
He accosted her unceremoniously, confidently, but she drew away, with a magnificent touch of haughtiness.
'Good-night, Harry,' she said coldly, and passed on.
The rash and conceited boy had not divined, as he should have done, that a prima donna is a prima donna, whether on the stage in a brilliant costume, or traversing a dingy corridor in the plain blue serge and simple hat of a manufacturer's daughter aged eighteen. Offering no reply to her formal salutation, he remained quite still for a moment, and then swaggered off to the Tiger.
'Look here, my girl,' said Stanway furiously to his youngest. 'Do you suppose we're going to wait for you all night? Jump in.'
Milly's lips did not move, but she faced the rude blusterer with a frigid, angry, insolent gaze. And her girlish eyes said: 'You've got me under your thumb now, you horrid beast! But never mind! Long after you are dead and buried and rotten, I shall be famous and pretty and rich, and if you are remembered it will only be because you were my father. Do your worst, odious man; you can't kill me!'
And all the way home the cruel, just, unmerciful thoughts of insulted youth mingled with the generous and beautiful sensations of her triumph.
* * * * *
'Nay, it's all over,' said Meshach when Twemlow and Leonora entered.
'What!' Leonora exclaimed, glancing quickly at Arthur Twemlow as if for support in a crisis.
'Doctor's gone but just this minute. Her's gotten over it.'
For a moment she had thought that Aunt Hannah was dead. John's anxious excitement had communicated itself to her; she had imagined the worst possibilities. Now the sensation of relief took her unawares, and she was obliged to sit down suddenly.
In the little parlour wizened Meshach sat by the hob as he always sat, warming one hand at the fire, and looking round sideways at the tall visitors in their rich evening attire. Leonora heard Twemlow say something about a heart attack, and the thick hard veins on Aunt Hannah's wrist.
'Ay!' Meshach went on, employing the old dialect, a sign with him of unusual agitation. 'I brought Dr. Hawley with me, he was at yon show. And when us got here Hannah was lying on th' floor, just there, with her head on this 'ere hearthrug. Susan, th' woman, told us as th' missis said she felt as if she were falling down, and then down her falls. She was staring hard at th' ceiling, with eyes fit to burst, and her face as white as a sheet. Doctor lifts her up and puts her in a chair. Bless us! How her did gasp! And her lips were blue. "Hannah!" I says. Her heard but her couldna' answer. Her limbs were all of a tremble. Then her sighed, and fetched up a long breath or two. "Where am I, Meshach?" her says, "what's amiss?" Doctor told her for stick her tongue out, and her could do that, and he put a candle to her eyes. Her's in bed now. Susan's sitting with her.'
'I'll go up and see if I can do anything,' said Leonora, rising.
'No,' Meshach stopped her. 'You'll happen excite her. Doctor said her was to go to sleep, and he's to send in a soothing draught. There's no danger--not now--not till next time. Her mun take care, mun Hannah.'
'Then it is the heart?' Leonora asked.
'Ay! It's the heart.'
Twemlow and Leonora sat silent, embarrassed in the little parlour with its antimacassars, its stiff chairs, its high mantelpiece, and the glass partition which seemed to swallow up like a pit the rays from the hissing gas-jet over the table. The image of the diminutive frail creature concealed upstairs obsessed them, and Leonora felt guilty because she had been unwittingly absorbed in the gaiety of the opera while Aunt Hannah was in such danger.
'I doubt I munna' tap that again,' Meshach remarked with a short dry plaintive laugh, pointing to the pewter platter on the mantelpiece by means of which he was accustomed to summon his sister when he wanted her.
The visitors looked at each other; Leonora's eyes were moist.
'But isn't there anything I can do, uncle?' she demanded.
'I'll see if her's asleep. Sit thee still,' said Meshach, and he crept out of the room, and up the creaking stair.
'Poor old fellow!' Twemlow murmured, glancing at his watch.
'What time is it?' she asked, for the sake of saying something. 'It's no use me staying.'
'Five to eleven. If I run off at once I can catch the last train. Good-night. Tell Mr. Myatt, will you?'
She took his hand with a feeling of intimacy.
It seemed to her that they had shared many emotions that night.
And at that descent the walls of the Town Hall, which had echoed to political tirades, the solemn recitatives of oratorios, the mercantile uproar of bazaars, the banal compliments of prize-givings, the arid utterances of lecturers on science and art, and the moans of sinners stricken with a sense of guilt at religious revivals--those walls resounded to a gay and frenzied ovation which is memorable in the town for its ungoverned transports of approval. The Operatic Society as a whole was first acclaimed, all the performers posing in rank on the stage. Then, as the deafening applause showed no sign of diminution, the curtains were drawn back instead of being raised again, and the principals, beginning with the humblest, paraded in pairs in front of the footlights. Milly and her fortunate cavalier came last. The cavalier advanced two paces, took Milly's hand, signed to her to cross over, and retired. The child was left solitary on the stage--solitary, but unabashed, glowing with delight, and smiling as pertly as ever. The leader of the orchestra stood up and handed her a wreath, which she accepted like an oath of fealty; and the wreath, hurriedly manufactured by the barmaid of the Tiger out of some cut flowers and the old laurel tree in the Tiger yard, became, when Milly grasped it, a mysterious and impressive symbol. Many persons in the audience wanted to cry as they beheld this vision of the proud, confident, triumphant child holding the wreath, while the fierce upward ray of the footlights illuminated her small chin and her quivering nostrils. She tripped off backwards, with a gesture of farewell. The applause continued. Would she return? Not if the ferocious jealousies behind could have paralysed her as she hesitated in the wings. But the world was on her side that night; she responded again, she kissed her hands to her world, and disappeared still kissing them; and the evening was finished.
* * * * *
'Well,' said Twemlow calmly, 'I guess you've got an actress in the family.'
Leonora and he remained in their seats, waiting till the press of people in the aisles should have thinned, and also, so far as Leonora was concerned, to avoid the necessity of replying to remarks about Milly. The atmosphere was still charged with excitement, but Leonora observed that Arthur Twemlow did not share it. Though he had applauded vigorously, there had been no trace of emotional transport in his demeanour. He spoke at once, immediately the lights were turned up, giving her no chance to collect herself.
'But do you think so?' she said. She remembered she had made the same foolish reply to Mrs. Burgess. With Twemlow she wished to be unconventional and sincere, but she could not succeed.
'Don't you?' He seemed to regard the situation as rather amusing.
'You surely can't mean that she would _do_ for the stage?'
'Ask any one here whether she isn't born for it,' he answered.
'This is only an amateurs' affair,' Leonora argued.
'And she's only an amateur. But she won't be an amateur long.'
'But a girl like Milly can't be clever enough----'
'It depends on what you call clever. She's got the gift of making the audience hug itself. You'll see.'
'See Milly on the stage?' Leonora asked uneasily. 'I hope not.'
'Why, my dear lady? Isn't she built for it? Doesn't she enjoy it? Isn't she at home there? What's the matter with the stage anyhow?'
'Her father would never hear of such a thing,' said Leonora. Towards the close of the opera she had seen John, in morning attire, propped against a side-wall and peering at the stage and his daughter with a bewildered, bored, unsympathetic air.
'Ah!' Twemlow ejaculated grimly.
A moment later, as he was putting her cloak over her shoulders, he said in a different, kinder, more soothing tone: 'I guess I know just how you feel.'
She looked at him, raising her eyebrows, and smiling with melancholy amusement.
In the corridor, Stanway came hurrying up to them, obviously excited.
'Oh, you're here, Nora!' he burst out. 'I've been hunting for you everywhere. I've just been told that a messenger came for Uncle Meshach a the interval to say that Aunt Hannah was ill. Do you know anything about it?'
'No,' she said. 'Uncle only told me that aunt wasn't equal to coming. I wondered where uncle had got to.'
'Well,' Stanway continued, 'you'd better go to Church Street at once, and see after things.'
Leonora seemed to hesitate.
'As quick as you can,' he said with irritation and increasing excitement. 'Don't waste a moment. It may be serious. I'll drive the girls home, and then I'll come and fetch you.'
'If Mrs. Stanway cares, I will walk down with her,' said Arthur Twemlow.
'Yes, do, Twemlow, there's a good chap,' he welcomed the idea. And with that he wafted them impulsively into the street.
Then Stanway stood waiting by his equipage for Ethel and Milly. He spoke to no one, but examined the harness critically, and put some curt question to Carpenter about the breeching. It was a chilly night, and the glare of the lamps showed that Prince steamed a little under his rug. Ten minutes elapsed before Ethel came.
'Here we are, father,' she said with pleasant satisfaction. 'Where's mother?'
'I should think so!' he returned. 'The horse taking cold, and me waiting and waiting. Your mother's had to go to Aunt Hannah's. What's become of Milly?' He was losing his temper.
Milly had to traverse the whole length of the corridor. The Mayor heartily congratulated her. The middle-aged violinist from Manchester spoke to her amiably as one public artist to another, and the conductor, who was with him, told her, in an unusual and indiscreet mood of candour, that she had simply made the show. Others expressed the same thought in more words. Near the entrance stood Harry Burgess, patently expectant. He was flushed, and looked handsomely dandiacal and rakish as he rolled a cigarette in those quick fingers of his. He meant to explain to her that the happy idea of the wreath was his own.
He accosted her unceremoniously, confidently, but she drew away, with a magnificent touch of haughtiness.
'Good-night, Harry,' she said coldly, and passed on.
The rash and conceited boy had not divined, as he should have done, that a prima donna is a prima donna, whether on the stage in a brilliant costume, or traversing a dingy corridor in the plain blue serge and simple hat of a manufacturer's daughter aged eighteen. Offering no reply to her formal salutation, he remained quite still for a moment, and then swaggered off to the Tiger.
'Look here, my girl,' said Stanway furiously to his youngest. 'Do you suppose we're going to wait for you all night? Jump in.'
Milly's lips did not move, but she faced the rude blusterer with a frigid, angry, insolent gaze. And her girlish eyes said: 'You've got me under your thumb now, you horrid beast! But never mind! Long after you are dead and buried and rotten, I shall be famous and pretty and rich, and if you are remembered it will only be because you were my father. Do your worst, odious man; you can't kill me!'
And all the way home the cruel, just, unmerciful thoughts of insulted youth mingled with the generous and beautiful sensations of her triumph.
* * * * *
'Nay, it's all over,' said Meshach when Twemlow and Leonora entered.
'What!' Leonora exclaimed, glancing quickly at Arthur Twemlow as if for support in a crisis.
'Doctor's gone but just this minute. Her's gotten over it.'
For a moment she had thought that Aunt Hannah was dead. John's anxious excitement had communicated itself to her; she had imagined the worst possibilities. Now the sensation of relief took her unawares, and she was obliged to sit down suddenly.
In the little parlour wizened Meshach sat by the hob as he always sat, warming one hand at the fire, and looking round sideways at the tall visitors in their rich evening attire. Leonora heard Twemlow say something about a heart attack, and the thick hard veins on Aunt Hannah's wrist.
'Ay!' Meshach went on, employing the old dialect, a sign with him of unusual agitation. 'I brought Dr. Hawley with me, he was at yon show. And when us got here Hannah was lying on th' floor, just there, with her head on this 'ere hearthrug. Susan, th' woman, told us as th' missis said she felt as if she were falling down, and then down her falls. She was staring hard at th' ceiling, with eyes fit to burst, and her face as white as a sheet. Doctor lifts her up and puts her in a chair. Bless us! How her did gasp! And her lips were blue. "Hannah!" I says. Her heard but her couldna' answer. Her limbs were all of a tremble. Then her sighed, and fetched up a long breath or two. "Where am I, Meshach?" her says, "what's amiss?" Doctor told her for stick her tongue out, and her could do that, and he put a candle to her eyes. Her's in bed now. Susan's sitting with her.'
'I'll go up and see if I can do anything,' said Leonora, rising.
'No,' Meshach stopped her. 'You'll happen excite her. Doctor said her was to go to sleep, and he's to send in a soothing draught. There's no danger--not now--not till next time. Her mun take care, mun Hannah.'
'Then it is the heart?' Leonora asked.
'Ay! It's the heart.'
Twemlow and Leonora sat silent, embarrassed in the little parlour with its antimacassars, its stiff chairs, its high mantelpiece, and the glass partition which seemed to swallow up like a pit the rays from the hissing gas-jet over the table. The image of the diminutive frail creature concealed upstairs obsessed them, and Leonora felt guilty because she had been unwittingly absorbed in the gaiety of the opera while Aunt Hannah was in such danger.
'I doubt I munna' tap that again,' Meshach remarked with a short dry plaintive laugh, pointing to the pewter platter on the mantelpiece by means of which he was accustomed to summon his sister when he wanted her.
The visitors looked at each other; Leonora's eyes were moist.
'But isn't there anything I can do, uncle?' she demanded.
'I'll see if her's asleep. Sit thee still,' said Meshach, and he crept out of the room, and up the creaking stair.
'Poor old fellow!' Twemlow murmured, glancing at his watch.
'What time is it?' she asked, for the sake of saying something. 'It's no use me staying.'
'Five to eleven. If I run off at once I can catch the last train. Good-night. Tell Mr. Myatt, will you?'
She took his hand with a feeling of intimacy.
It seemed to her that they had shared many emotions that night.
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