In the Palace of the King: A Love Story of Old Madrid by F. Marion Crawford (read my book .TXT) 📕

order to help her sister, if she could find her, and in order to be at liberty the first thing necessary was to elude her companion. To go to the door of her apartments would be fatal, but she had not had time to think what she should do. She thought now, with all the concentration of her ingenuity. One chance presented itself to her mind at once. They most pass the pillar behind which was the concealed entrance to the Moorish gallery above the throne room, and it was not at all likely that Doña Ana should know of its existence, for she never came to that part of the palace, and if Inez lagged a little way behind, before they reached the spot, she could slip noiselessly behind the pillar and disappear. She could always trust herself not to attract attention when she had to open and shut a door.

The Princess spoke rarely, making little remarks now and then that hardly required an answer, but to which Inez answered in monosyllables, speaking in a low voice through the thick veil she had drawn over her mantle under her hood, on pretence of fearing the cold. She thought it a little safer to speak aloud in that way, lest her companion should wonder at her total silence.

She knew exactly where she was, for she touched each corner as she passed, and counted her steps between one well-known point and the next, and she allowed the Princess to gain a little as they neared the last turning before reaching the place where she meant to make the attempt. She hoped in this way, by walking quite noiselessly, and then stopping suddenly just before she reached the pillar, to gain half a dozen paces, and the Princess would take three more before she stopped also. Inez had noticed that most people take at least three steps before they stop, if any one calls them suddenly when they are walking fast. It seems to need as much to balance the body when its speed is checked. She noticed everything that could be heard.

She grew nervous. It seemed to her that her companion was walking more slowly, as if not wishing to leave her any distance behind. She quickened her own pace again, fearing that she had excited suspicion. Then she heard the Princess stop suddenly, and she had no choice but to do the same. Her heart began to beat painfully, as she saw her chance slipping from her. She waited for Doña Ana to speak, wondering what was the matter.

"I have mistaken the way," said the Princess, in a tone of annoyance. "I do not know where I am. We had better go back and turn down the main staircase, even if we meet some one. You see, I never come to this part of the palace."

"I think we are on the right corridor," said Inez nervously. "Let me go as far as the corner. There is a light there, and I can tell you in a moment." In her anxiety to seem to see, she had forgotten for the moment to muffle her voice in her veil.

They went on rapidly, and the Doña Ana did what most people do when a companion offers to examine the way,--she stood still a moment and hesitated, looking after the girl, and then followed her with the slow step with which a person walks who is certain of having to turn back. Inez walked lightly to the corner, hardly touching the wall, turned by the corner, and was out of sight in a moment. The Princess walked faster, for though she believed that Dolores trusted her, it seemed foolish to give the girl a chance. She reached the corner, where there was a lamp,--and she saw that the dim corridor was empty to the very end.

CHAPTER IX

The Princess was far from suspecting, even then, that she had been deceived about her companion's identity as well as tricked at the last, when Inez escaped from her. She would have laughed at the idea that any blind person could have moved as confidently as Inez, or could afterwards have run the length of the next corridor in what had seemed but an instant, for she did not know of the niche behind the pillar, and there were pilasters all along, built into the wall. The construction of the high, springing vault that covered the whole throne room required them for its solidity, and only the one under the centre of the arch was built as a detached pillar, in order to give access to the gallery. Seen from either end of the passage, it looked exactly like the rest, and few persons would have noticed that it differed from them, even in passing it.

Doña Ana stood looking in the direction she supposed the girl to have taken. An angry flush rose in her cheek, she bit her lips till they almost bled, and at last she stamped once before she turned away, so that her little slipper sent a sharp echo along the corridor. Pursuit was out of the question, of course, though she could run like a deer; some one might meet her at any turning, and in an hour the whole palace would know that she had been seen running at full speed after some unknown person. It would be bad enough if she were recognized walking alone at night at a distance from her own apartments. She drew her veil over her face so closely that she could hardly see her way, and began to retrace her steps towards the principal staircase, pondering as to what she should say to Mendoza when he discovered that she had allowed his daughter to escape. She was a woman of manlike intelligence and not easily unbalanced by a single reverse, however, and before she had gone far her mind began to work clearly. Dolores, she reasoned, would do one of two things. She would either go straight to Don John's apartments, wait for him, and then tell him her story, in the hope that he would protect her, or she would go to the Duchess Alvarez and seek protection there. Under no circumstances would she go down to the throne room without her court dress, for her mere appearance there, dressed as she was, would produce the most profound astonishment, and could do her no possible good. And as for her going to the Duchess, that was impossible, too. If she had run away from Doña Ana, she had done so because the idea of not seeing Don John for two days was intolerable, and she meant to try and see him at once. The Duchess was in all probability with the Queen, in the latter's private apartments, as Dolores would know. On the whole, it seemed far more likely that she had done the rashest thing that had suggested itself to her, and had gone directly to the man she loved,--a man powerful enough to protect her against all comers, at the present time, and quite capable of facing even the King's displeasure.

But the whole object of Doña Ana's manoeuvre had been to get possession of Dolores' person, as a means of strongly influencing Don John's actions, in order thus to lead him into a false position from which he should not be able to escape without a serious quarrel with King Philip, which would be the first step towards the execution of the plot elaborated by Doña Ana and Perez together. Anything which could produce an open difference between the brothers would serve to produce two parties in Spain, of which the one that would take Don John's side would be by far the stronger. His power would be suddenly much increased, an organized agitation would be made throughout the country to set him on the throne, and his popularity, like Cæsar's, would grow still more, when he refused the crown, as he would most certainly do. But just then King Philip would die suddenly of a fever, or a cold, or an indigestion, as the conspirators thought best. There would be no direct male heir to the throne but Don John himself, the acknowledged son of the Emperor Charles; and even Don John would then be made to see that he could only serve his country by ruling it, since it cried out for his rule and would have no other. It was a hard and dangerous thing to lead King Philip; it would be an easy matter to direct King John. An honest and unsuspicious soldier would be but as a child in such skilful hands. Doña Ana and Perez would rule Spain as they pleased, and by and by Don John should be chosen Emperor also by the Electors of the Holy Roman Empire, and the conspirators would rule the world, as Charles the Fifth had ruled it. There was no limit to their ambition, and no scruple would stand between them and any crime, and the stake was high and worth many risks.

The Princess walked slowly, weighing in the balance all there was to lose or gain. When she reached the head of the main staircase, she had not yet altogether decided how to act, and lest she should meet some one she returned, and walked up and down the lonely corridor nearly a quarter of an hour, in deep thought. Suddenly a plan of action flashed upon her, and she went quickly on her way, to act at once.

Don John, meanwhile, had read the letter she had sent him by the dwarf jester. When the King had retired into his own apartments, Don John found himself unexpectedly alone. Mendoza and the guard had filed into the antechamber, the gentlemen in waiting, being temporarily at liberty, went to the room leading out of it on one side, which was appropriated to their use. The sentries were set at the King's door, and Mendoza marched his halberdiers out again and off to their quarters, while the servants disappeared, and the hero of the day was left to himself. He smiled at his own surprise, recollecting that he should have ordered his own attendants to be in waiting after the supper, whereas he had dismissed them until midnight.

He turned on his heel and walked away to find a quiet place where he might read the paper which had suddenly become of such importance, and paused at a Moorish niche, where Philip had caused a sacred picture to be placed, and before which a hanging silver lamp shed a clear light.

The small sheet of paper contained but little writing. There were half a dozen sentences in a clear hand, without any signature--it was what has since then come to be called an anonymous letter. But it contained neither any threat, nor any evidence of spite; it set forth in plain language that if, as the writer supposed, Don John wished to marry Dolores de Mendoza, it was as necessary for her personal safety as for the accomplishment of his desires, that he should make no attempt to see her for at least two days, and that, if he would accept this advice, he should have the support of every noble and minister at court, including the very highest, with the certainty that no further hindrance would be set in his way; it added that the letter he had burned had contained the same words, and that the two flowers had been intended to serve as a signal which it was now too late to use. It would be sufficient if he told the bearer of the present letter that he agreed to take the advice it contained. His assent in that way would, of course, be taken by the writer to mean that he promised, on his word. That was all.

He did not like the last sentence, for it placed him in an awkward position, as a man of honour, since he had already seen Dolores, and therefore could not under any circumstances agree to take advice contrary to which he had already acted. The most he could now say to the dwarf would be that he could give no answer and would act as carefully as possible. For the rest, the letter contained nothing treasonable, and was not at all what he had expected and believed it to be. It appeared to be written in a friendly spirit, and with the exception of his own brother and Mendoza, he was not aware that he had an enemy in Spain, in which he was almost right. Nevertheless, bold and frank as he was by nature, he knew enough of real warfare to distrust appearances. The writer was attached to the King's person, or the letter might have been composed, and even written in an assumed hand, by the King himself, for Philip was not above