The Babylonian Legends of the Creation by Ernest Alfred Wallis Budge (great books of all time .txt) đź“•
THE SEVEN TABLETS OF CREATION. DESCRIPTION OF THEIR CONTENTS.
In the beginning nothing whatever existed except APSĂ›, which may bedescribed as a boundless, confused and disordered mass of watery matter;how it came into being is unknown. Out of this mass there were
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21. “The goddess Aruru with him created the seed of mankind.
22. “He created the beasts of the field and [all] the living things in
the field.
23. “He created the river Idiglat (Tigris) and the river Purattu
(Euphrates), and he set them in their places,
24. “He proclaimed their names rightly.
[Illustration: Terra-cotta figure of a god. From a foundation deposit
at Babylon. [No. 90,9961]]
25. “He created grass, the vegetation of the marsh, seed and shrub;
26. “He created the green plants of the plain,
27. “Lands, marshes, swamps,28. “The wild cow and the calf she carried, the wild calf, the sheep
and the young she carried, the lamb of the fold,
29. “Plantations and shrub land,30. “The he-goat and the mountain goat …
31. “The lord Marduk piled up a dam in the region of the sea (i.e., he
reclaimed land)
32. “He … a swamp, he founded a marsh.
33. “… he made to be
34. “Reeds he created, trees he created,35. “… in place he created
36. “He laid bricks, he built a brick-work,37. “He constructed houses, he formed cities.
38. “He constructed cities, creatures he set [therein].
39. “Nippur he made, E-Kur he built.
40. “[Erech he made, E-Anna] he built.
[The remainder of the text is fragmentary, and shows that the text
formed part of an incantation which was recited in the Temple of
E-Zida, possibly the great temple of Nabu at Borsippa.]
[Illustration: Bronze figure of a Babylonian god. [No. 91,147]]
THE LEGEND OF THE CREATION ACCORDING TO BEROSUS AND DAMASCIUS.
Versions in Greek of the Legends found by George Smith had long been
known to classical scholars, owing to the preservation of fragments of
them in the works of later Greek writers, e.g., Eusebius, Syncellus, and
others. The most important of these is derived from the History of
Babylonia, which was written in Greek by BEROSUS, a priest of
Bel-Marduk, i.e., the “Lord Marduk,” at Babylon, about 250 B.C. In this
work Berosus reproduced all the known historical facts and traditions
derived from native sources which were current in his day. It is
therefore not surprising to find that his account of the Babylonian
beliefs about the origin of things corresponds very closely with that
given in the cuneiform texts, and that it is of the greatest use in
explaining and partly in expanding these texts. His account of the
primeval abyss, out of which everything came, and of its
inhabitants reads:—
[Illustration: Babylonian Monster. [No. 108,979.]]
“There was a time in which there existed nothing but darkness and an
abyss of waters, wherein resided most hideous beings, which were
produced on a twofold principle. There appeared men, some of whom
were furnished with two wings, others with four, and with two
faces. They had one body but two heads; the one that of a man, the
other of a woman; and likewise in their several organs both male and
female. Other human figures were to be seen with the legs and horns of
goats; some had horses’ feet; while others united the hind-quarters of
a horse with the body of a man, resembling in shape the hippo-centaurs.
Bulls likewise were bred there with the heads of men, and dogs with
four told bodies, terminated in their extremities with the tails of
fishes; horses also with the heads of dogs; men too and other animals,
with the heads and bodies of horses and the tails of fishes. In short,
there were creatures in which were combined the limbs of every species
of animals. In addition to these, fishes, reptiles, serpents, with
other monstrous animals, which assumed each other’s shape and
countenance. Of all which were preserved delineations in the temple of
Belus at Babylon.”
[Illustration: Babylonian Demon. [No. 93,089.]]
[THE SLAUGHTER OF THE QUEEN OF THE ABYSS.]
“The person, who presided over them, was a woman named OMUROCA; which
in the Chaldean language is THALATTH; in Greek THALASSA, the sea; but
which might equally be interpreted the Moon. All things being in this
situation, Belus came, and cut the woman asunder: and of one half of
her he formed the earth, and of the other half the heavens; and at the
same time destroyed the animals within her. All this (he says) was an
allegorical description of nature.”
[THE CREATION OF MAN.]
“For, the whole universe consisting of moisture, and animals being
generated therein, the deity above-mentioned[1] took off his own head:
upon which the other gods mixed the blood, as it gushed out, with the
earth; and from whence were formed men. On this account it is that
they are rational and partake of divine knowledge.”
[Footnote 1: The god whose head was taken off was not Belus, as is
commonly thought, but the god who the cuneiform texts tell us was
called “Kingu.”]
[BELUS CREATES THE UNIVERSE.]
“This Belus, by whom they signify Jupiter, divided the darkness, and
separated the Heavens from the Earth, and reduced the universe to
order. But the animals not being able to bear the prevalence of light,
died. Belus upon this, seeing a vast space unoccupied, though by
nature fruitful, commanded one[1] of the gods to take off his head,
and to mix the blood with the earth; and from thence to form other men
and animals, which should be capable of bearing the air. Belus formed
also the stars, and the sun, and the moon, and the five planets. Such,
according to Polyhistor Alexander, is the account which Berosus gives
in his first book.” (See Cory, Ancient Fragments, London, 1832,
pp. 24-26.)
[Footnote 1: The god whose head was taken off was not Belus, as is
commonly thought, but the god who the cuneiform texts tell us was
called “Kingu.”]
In the sixth century of our era DAMASCIUS the SYRIAN, the last of the
Neo-Platonic philosophers, wrote in Greek in a work on the Doubts and
Solutions of the first Principles, in which he says: “But the
Babylonians, like the rest of the Barbarians, pass over in silence the
One principle of the Universe, and they conceive Two, TAUTHE and
APASON; making APASON the husband of TAUTHE, and denominating her the
mother of the gods. And from these proceeds an only-begotten son,
MOYMIS, which I conceive is no other than the Intelligible World
proceeding from the two principles. From these, also, another progeny
is derived, DACHE and DACHUS; and again, a third, KISSARE and ASSORUS,
from which last three others proceed, ANUS, and ILLINUS, and AUS. And
of AUS and DAUCE is born a son called Belus, who, they say, is the
fabricator of the world, the Demiurgus.” (See Cory, _Ancient
Fragments_, London, 1832, p. 318.)
THE SEVEN TABLETS OF CREATION. DESCRIPTION OF THEIR CONTENTS.
In the beginning nothing whatever existed except APSĂ›, which may be
described as a boundless, confused and disordered mass of watery matter;
how it came into being is unknown. Out of this mass there were evolved
two orders of beings, namely, demons and gods. The demons had hideous
forms, even as Berosus said, which were part animal, part bird, part
reptile and part human. The gods had wholly human forms, and they
represented the three layers of the comprehensible world, that is to
say, heaven or the sky, the atmosphere, and the underworld. The
atmosphere and the underworld together formed the earth as opposed to
the sky or heaven. The texts say that the first two gods to be created
were LAKHMU and LAKHAMU. Their attributes cannot at present be
described, but they seem to represent two forms of primitive matter.
They appear to have had no existence in popular religion, and it has
been thought that they may be described as theological conceptions
containing the notions of matter and some of its attributes.
[Illustration: Terra-cotta figure of a Babylonian Demon. [No. 22,458.]]
After countless aeons had passed the gods ANSHAR and KISHAR came into
being; the former represents the “hosts of heaven,” and the latter the
“hosts of earth.”
After another long and indefinite period the independent gods of the
Babylonian pantheon came into being, e.g., ANU, EA, who is here called
NUDIMMUD, and others.
[Illustration: Bronze figure of a Babylonian Demon. [No. 93,078.]]
As soon as the gods appeared in the universe “order” came into being.
When APSĂ›, the personification of confusion and disorder of every kind,
saw this “order,” he took counsel with his female associate TIÂMAT with
the object of finding some means of destroying the “way” (_al-ka-at_) or
“order” of the gods. Fortunately the Babylonians and Assyrians have
supplied us with representations of Tiâmat, and these show us what form
ancient tradition assigned to her. She is depicted as a ferocious
monster with wings and scales and terrible claws, and her body is
sometimes that of a huge serpent, and sometimes that of an animal. In
the popular imagination she represented all that was physically
terrifying, and foul, and abominable; she was nevertheless the mother of
everything, [1] and was the possessor of the DUP SHIMATI or “TABLET OF
DESTINIES”. No description of this Tablet or its contents is available,
but from its name we may assume that it was a sort of Babylonian Book of
Fate.[2] Theologically, Tiâmat represented to the Babylonians the same
state in the development of the universe as did tôhû wâ-bhôhû (Genesis
i. 2), i.e., formlessness and voidness, of primeval matter, to the
Hebrews She is depicted both on bas-reliefs and on cylinder seals in a
form which associates her with LABARTU, [3] a female devil that prowled
about the desert at night suckling wild animals but killing men. And it
is tolerably certain that she was the type, and symbol, and head of the
whole community of fiends, demons and devils.
[Footnote 1: Muallidat gimrishun.]
[Footnote 2: It is probable that the idea of this Tablet is perpetuated
in the “Preserved Tablet” of the Kur’ân (Surah x, 62), on which the
destiny of every man was written at or before the creation of the world.
Nothing that is written (_maktûb_) there can be erased, or altered, or
fail to take effect.]
[Footnote 3: (_Cun. Texts_, Part XXIV, Plate 44, l. 142).]
[Illustration: Terra-cotta plaque with a Typhonic animal in
relief. [No. 103,381.]]
In the consultation which took place between APSĂ› and TIĂ‚MAT, their
messenger MU-UM-MU took part; of the history and attributes of this
last-named god nothing is known. The result of the consultation was that
a long struggle began between the demons and the gods, and it is clear
that the object of the powers of darkness was to destroy the light. The
whole story of this struggle is the subject of the Seven Tablets of
Creation. The gods are deifications of the sun, moon, planets and other
stars, and APSĂ›, or CHAOS, and his companions the demons, are
personifications of darkness, night and evil. The story of the fight
between them is nothing more nor less than a picturesque allegory of
natural phenomena. Similar descriptions are found in the literatures of
other primitive nations, and the story of the great fight between
Her-ur, the great god of heaven, and Set, the great captain of the hosts
of darkness, may be quoted as an example. Set regarded the “order” which
Her-ur was bringing into the universe with the same dislike as that
with which APSĂ› contemplated the beneficent work of Sin, the Moon-god,
Shamash, the Sun-god, and their brother gods. And the hostility of Set
and his allies to the gods, like that of Tiâmat and her allies, was
everlasting.
[Illustration: between Marduk (Bel) and the Dragon. Drawn from a
bas-relief from the Palace of Ashur-nasir-pal, King of Assyria,
885-860
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