The Octopus by Frank Norris (e manga reader .TXT) 📕

It was his insatiable ambition to write verse. But up to this time, his work had been fugitive, ephemeral, a note here and there, heard, appreciated, and forgotten. He was in search of a subject; something magnificent, he did not know exactly what; some vast, tremendous theme, heroic, terrible, to be unrolled in all the thundering progression of hexameters.

But whatever he wrote, and in whatever fashion, Presley was determined that his poem should be of the West, that world’s frontier of Romance, where a new race, a new people—hardy, brave, and passionate—were building an empire; where the tumultuous life ran like fire from dawn to dark, and from dark to dawn again, primitive, brutal, honest, and without fear. Something (to his idea not much) had been done to catch at that life in passing, but its poet had not yet arisen. The few sporadic attempts, thus he told himself, had only touched the keynote. He strove for the diapason, the great song that should embrace in itself a whole epoch, a complete era, the voice of an entire people, wherein all people should be included—they and their legends, their folk lore, their fightings, their loves and their lusts, their blunt, grim humour, their stoicism under stress, their adventures, their treasures found in a day and gambled in a night, their direct, crude speech, their generosity and cruelty, their heroism and bestiality, their religion and profanity, their self-sacrifice and obscenity—a true and fearless setting forth of a passing phase of history, uncompromising, sincere; each group in its proper environment; the valley, the plain, and the mountain; the ranch, the range, and the mine—all this, all the traits and types of every community from the Dakotas to the Mexicos, from Winnipeg to Guadalupe, gathered together, swept together, welded and riven together in one single, mighty song, the Song of the West. That was what he dreamed, while things without names—thoughts for which no man had yet invented words, terrible formless shapes, vague figures, colossal, monstrous, distorted— whirled at a gallop through his imagination.

As Harran came up, Presley reached down into the pouches of the sun-bleached shooting coat he wore and drew out and handed him the packet of letters and papers.

“Here’s the mail. I think I shall go on.”

“But dinner is ready,” said Harran; “we are just sitting down.”

Presley shook his head. “No, I’m in a hurry. Perhaps I shall have something to eat at Guadalajara. I shall be gone all day.”

He delayed a few moments longer, tightening a loose nut on his forward wheel, while Harran, recognising his father’s handwriting on one of the envelopes, slit it open and cast his eye rapidly over its pages.

“The Governor is coming home,” he exclaimed, “to-morrow morning on the early train; wants me to meet him with the team at Guadalajara; AND,” he cried between his clenched teeth, as he continued to read, “we’ve lost the case.”

“What case? Oh, in the matter of rates?”

Harran nodded, his eyes flashing, his face growing suddenly scarlet.

“Ulsteen gave his decision yesterday,” he continued, reading from his father’s letter. “He holds, Ulsteen does, that ‘grain rates as low as the new figure would amount to confiscation of property, and that, on such a basis, the railroad could not be operated at a legitimate profit. As he is powerless to legislate in the matter, he can only put the rates back at what they originally were before the commissioners made the cut, and it is so ordered.’ That’s our friend S. Behrman again,” added Harran, grinding his teeth. “He was up in the city the whole of the time the new schedule was being drawn, and he and Ulsteen and the Railroad Commission were as thick as thieves. He has been up there all this last week, too, doing the railroad’s dirty work, and backing Ulsteen up. ‘Legitimate profit, legitimate profit,’” he broke out. “Can we raise wheat at a legitimate profit with a tariff of four dollars a ton for moving it two hundred miles to tidewater, with wheat at eighty-seven cents? Why not hold us up with a gun in our faces, and say, ‘hands up,’ and be done with it?”

He dug his boot-heel into the ground and turned away to the house abruptly, cursing beneath his breath.

“By the way,” Presley called after him, “Hooven wants to see you. He asked me about this idea of the Governor’s of getting along without the tenants this year. Hooven wants to stay to tend the ditch and look after the stock. I told him to see you.”

Harran, his mind full of other things, nodded to say he understood. Presley only waited till he had disappeared indoors, so that he might not seem too indifferent to his trouble; then, remounting, struck at once into a brisk pace, and, turning out from the carriage gate, held on swiftly down the Lower Road, going in the direction of Guadalajara. These matters, these eternal fierce bickerings between the farmers of the San Joaquin and the Pacific and Southwestern Railroad irritated him and wearied him. He cared for none of these things. They did not belong to his world. In the picture of that huge romantic West that he saw in his imagination, these dissensions made the one note of harsh colour that refused to enter into the great scheme of harmony. It was material, sordid, deadly commonplace. But, however he strove to shut his eyes to it or his ears to it, the thing persisted and persisted. The romance seemed complete up to that point. There it broke, there it failed, there it became realism, grim, unlovely, unyielding. To be true—and it was the first article of his creed to be unflinchingly true—he could not ignore it. All the noble poetry of the ranch—the valley—seemed in his mind to be marred and disfigured by the presence of certain immovable facts. Just what he wanted, Presley hardly knew. On one hand, it was his ambition to portray life as he saw it—directly, frankly, and through no medium of personality or temperament. But, on the other hand, as well, he wished to see everything through a rose-coloured mist—a mist that dulled all harsh outlines, all crude and violent colours. He told himself that, as a part of the people, he loved the people and sympathised with their hopes and fears, and joys and griefs; and yet Hooven, grimy and perspiring, with his perpetual grievance and his contracted horizon, only revolted him. He had set himself the task of giving true, absolutely true, poetical expression to the life of the ranch, and yet, again and again, he brought up against the railroad, that stubborn iron barrier against which his romance shattered itself to froth and disintegrated, flying spume. His heart went out to the people, and his groping hand met that of a slovenly little Dutchman, whom it was impossible to consider seriously. He searched for the True Romance, and, in the end, found grain rates and unjust freight tariffs.

“But the stuff is HERE,” he muttered, as he sent his wheel rumbling across the bridge over Broderson Creek. “The romance, the real romance, is here somewhere. I’ll get hold of it yet.”

He shot a glance about him as if in search of the inspiration. By now he was not quite half way across the northern and narrowest corner of Los Muertos, at this point some eight miles wide. He was still on the Home ranch. A few miles to the south he could just make out the line of wire fence that separated it from the third division; and to the north, seen faint and blue through the haze and shimmer of the noon sun, a long file of telegraph poles showed the line of the railroad and marked Derrick’s northeast boundary. The road over which Presley was travelling ran almost diametrically straight. In front of him, but at a great distance, he could make out the giant live-oak and the red roof of Hooven’s barn that stood near it.

All about him the country was flat. In all directions he could see for miles. The harvest was just over. Nothing but stubble remained on the ground. With the one exception of the live-oak by Hooven’s place, there was nothing green in sight. The wheat stubble was of a dirty yellow; the ground, parched, cracked, and dry, of a cheerless brown. By the roadside the dust lay thick and grey, and, on either hand, stretching on toward the horizon, losing itself in a mere smudge in the distance, ran the illimitable parallels of the wire fence. And that was all; that and the burnt-out blue of the sky and the steady shimmer of the heat.

The silence was infinite. After the harvest, small though that harvest had been, the ranches seemed asleep. It was as though the earth, after its period of reproduction, its pains of labour, had been delivered of the fruit of its loins, and now slept the sleep of exhaustion.

It was the period between seasons, when nothing was being done, when the natural forces seemed to hang suspended. There was no rain, there was no wind, there was no growth, no life; the very stubble had no force even to rot. The sun alone moved.

Toward two o’clock, Presley reached Hooven’s place, two or three grimy frame buildings, infested with a swarm of dogs. A hog or two wandered aimlessly about. Under a shed by the barn, a broken-down seeder lay rusting to its ruin. But overhead, a mammoth live-oak, the largest tree in all the countryside, towered superb and magnificent. Grey bunches of mistletoe and festoons of trailing moss hung from its bark. From its lowest branch hung Hooven’s meat-safe, a square box, faced with wire screens.

What gave a special interest to Hooven’s was the fact that here was the intersection of the Lower Road and Derrick’s main irrigating ditch, a vast trench not yet completed, which he and Annixter, who worked the Quien Sabe ranch, were jointly constructing. It ran directly across the road and at right angles to it, and lay a deep groove in the field between Hooven’s and the town of Guadalajara, some three miles farther on. Besides this, the ditch was a natural boundary between two divisions of the Los Muertos ranch, the first and fourth.

Presley now had the choice of two routes. His objective point was the spring at the headwaters of Broderson Creek, in the hills on the eastern side of the Quien Sabe ranch. The trail afforded him a short cut thitherward. As he passed the house, Mrs. Hooven came to the door, her little daughter Hilda, dressed in a boy’s overalls and clumsy boots, at her skirts. Minna, her oldest daughter, a very pretty girl, whose love affairs were continually the talk of all Los Muertos, was visible through a window of the house, busy at the week’s washing. Mrs. Hooven was a faded, colourless woman, middle-aged and commonplace, and offering not the least characteristic that would distinguish her from a thousand other women of her class and kind. She nodded to Presley, watching him with a stolid gaze from under her arm, which she held across her forehead to shade her eyes.

But now Presley exerted himself in good earnest. His bicycle flew. He resolved that after all he would go to Guadalajara. He crossed the bridge over the irrigating ditch with a brusque spurt of hollow sound, and shot forward down the last stretch of the Lower Road that yet intervened between Hooven’s and the town. He was on the fourth division of the ranch now, the only one whereon the wheat had been successful, no doubt because of the Little Mission Creek that ran through it.