A House-Boat on the Styx by John Kendrick Bangs (the reading list TXT) 📕

a great deal about boats, and the boat part is the most important part of a house-boat. If the boat sinks, you can't save the house; but if the house burns, you may be able to save the boat. See?"

"I think I do, sir," said Charon.

"Another reason why we want to employ you for Janitor," said Confucius, "is that our club wants to be in direct communication with both sides of the Styx; and we think you as Janitor would be able to make better arrangements for transportation with yourself as boatman, than some other man as Janitor could make with you."

"Spoken like a sage," said Demosthenes.

"Furthermore," said Cassius, "occasionally we shall want to have this boat towed up or down the river, according to the house committee's pleasure, and we think it would be well to have a Janitor who has some influence with the towing company which you represent."

"Can't this boat be moved without towing?" asked Charon.

"No," said Cassius.

"And I'm the only man who can tow it, eh?"

"You are," said Blackstone. "Worse luck."

"And you want me to be Janitor on a salary of what?"

"A hundred oboli a month," said Sir Walter, uneasily.

"Very well, gentlemen," said Charon. "I'll accept the office on a salary of two hundred oboli a month, with Saturdays off."

The committee went into executive session for five minutes, and on their return informed Charon that in behalf of the Associated Shades they accepted his offer.

"In behalf of what?" the old man asked.

"The Associated Shades," said Sir Walter. "The swellest organization in Hades, whose new house-boat you are now on board of. When shall you be ready to begin work?"

"Right away," said Charon, noting by the clock that it was the hour of midnight. "I'll start in right away, and as it is now Saturday morning, I'll begin by taking my day off."


CHAPTER II: A DISPUTED AUTHORSHIP

"How are you, Charon?" said Shakespeare, as the Janitor assisted him on board. "Any one here to-night?"

"Yes, sir," said Charon. "Lord Bacon is up in the library, and Doctor Johnson is down in the billiard-room, playing pool with Nero."

"Ha-ha!" laughed Shakespeare. "Pool, eh? Does Nero play pool?"

"Not as well as he does the fiddle, sir," said the Janitor, with a twinkle in his eye.

Shakespeare entered the house and tossed up an obolus. "Heads--Bacon; tails--pool with Nero and Johnson," he said.

The coin came down with heads up, and Shakespeare went into the pool-room, just to show the Fates that he didn't care a tuppence for their verdict as registered through the obolus. It was a peculiar custom of Shakespeare's to toss up a coin to decide questions of little consequence, and then do the thing the coin decided he should not do. It showed, in Shakespeare's estimation, his entire independence of those dull persons who supposed that in them was centred the destiny of all mankind. The Fates, however, only smiled at these little acts of rebellion, and it was common gossip in Erebus that one of the trio had told the Furies that they had observed Shakespeare's tendency to kick over the traces, and always acted accordingly. They never let the coin fall so as to decide a question the way they wanted it, so that unwittingly the great dramatist did their will after all. It was a part of their plan that upon this occasion Shakespeare should play pool with Doctor Johnson and the Emperor Nero, and hence it was that the coin bade him repair to the library and chat with Lord Bacon.

"Hullo, William," said the Doctor, pocketing three balls on the break. "How's our little Swanlet of Avon this afternoon?"

"Worn out," Shakespeare replied. "I've been hard at work on a play this morning, and I'm tired."

"All work and no play makes Jack a dull boy," said Nero, grinning broadly.

"You are a bright spirit," said Shakespeare, with a sigh. "I wish I had thought to work you up into a tragedy."

"I've often wondered why you didn't," said Doctor Johnson. "He'd have made a superb tragedy, Nero would. I don't believe there was any kind of a crime he left uncommitted. Was there, Emperor?"

"Yes. I never wrote an English dictionary," returned the Emperor, dryly. "I've murdered everything but English, though."

"I could have made a fine tragedy out of you," said Shakespeare. "Just think what a dreadful climax for a tragedy it would be, Johnson, to have Nero, as the curtain fell, playing a violin solo."

"Pretty good," returned the Doctor. "But what's the use of killing off your audience that way? It's better business to let 'em live, I say. Suppose Nero gave a London audience that little musicale he provided at Queen Elizabeth's Wednesday night. How many purely mortal beings, do you think, would have come out alive?"

"Not one," said Shakespeare. "I was mighty glad that night that we were an immortal band. If it had been possible to kill us we'd have died then and there."

"That's all right," said Nero, with a significant shake of his head. "As my friend Bacon makes Ingo say, 'Beware, my lord, of jealousy.' You never could play a garden hose, much less a fiddle."

"What do you mean my attributing those words to Bacon?" demanded Shakespeare, getting red in the face.

"Oh, come now, William," remonstrated Nero. "It's all right to pull the wool over the eyes of the mortals. That's what they're there for; but as for us--we're all in the secret here. What's the use of putting on nonsense with us?"

"We'll see in a minute what the use is," retorted the Avonian. "We'll have Bacon down here." Here he touched an electric button, and Charon came in answer.

"Charon, bring Doctor Johnson the usual glass of ale. Get some ice for the Emperor, and ask Lord Bacon to step down here a minute."

"I don't want any ice," said Nero.

"Not now," retorted Shakespeare, "but you will in a few minutes. When we have finished with you, you'll want an iceberg. I'm getting tired of this idiotic talk about not having written my own works. There's one thing about Nero's music that I've never said, because I haven't wanted to hurt his feelings, but since he has chosen to cast aspersions upon my honesty I haven't any hesitation in saying it now. I believe it was one of his fiddlings that sent Nature into convulsions and caused the destruction of Pompeii--so there! Put that on your music rack and fiddle it, my little Emperor."

Nero's face grew purple with anger, and if Shakespeare had been anything but a shade he would have fared ill, for the enraged Roman, poising his cue on high as though it were a lance, hurled it at the impertinent dramatist with all his strength, and with such accuracy of aim withal that it pierced the spot beneath which in life the heart of Shakespeare used to beat.

"Good shot," said Doctor Johnson, nonchalantly. "If you had been a mortal, William, it would have been the end of you."

"You can't kill me," said Shakespeare, shrugging his shoulders. "I know seven dozen actors in the United States who are trying to do it, but they can't. I wish they'd try to kill a critic once in a while instead of me, though," he added. "I went over to Boston one night last week, and, unknown to anybody, I waylaid a fellow who was to play Hamlet that night. I drugged him, and went to the theatre and played the part myself. It was the coldest house you ever saw in your life. When the audience did applaud, it sounded like an ice-man chopping up ice with a small pick. Several times I looked up at the galleries to see if there were not icicles growing on them, it was so cold. Well, I did the best could with the part, and next morning watched curiously for the criticisms."

"Favorable?" asked the Doctor.

"They all dismissed me with a line," said the dramatist. "Said my conception of the part was not Shakespearian. And that's criticism!"

"No," said the shade of Emerson, which had strolled in while Shakespeare was talking, "that isn't criticism; that's Boston."

"Who discovered Boston, anyhow?" asked Doctor Johnson. "It wasn't Columbus, was it?"

"Oh no," said Emerson. "Old Governor Winthrop is to blame for that. When he settled at Charlestown he saw the old Indian town of Shawmut across the Charles."

"And Shawmut was the Boston microbe, was it?" asked Johnson.

"Yes," said Emerson.

"Spelt with a P, I suppose?" said Shakespeare. "P-S-H-A-W, Pshaw, M-U-T, mut, Pshawmut, so called because the inhabitants are always muttering pshaw. Eh?"

"Pretty good," said Johnson. "I wish I'd said that."

"Well, tell Boswell," said Shakespeare. "He'll make you say it, and it'll be all the same in a hundred years."

Lord Bacon, accompanied by Charon and the ice for Nero and the ale for Doctor Johnson, appeared as Shakespeare spoke. The philosopher bowed stiffly at Doctor Johnson, as though he hardly approved of him, extended his left hand to Shakespeare, and stared coldly at Nero.

"Did you send for me, William?" he asked, languidly.

"I did," said Shakespeare. "I sent for you because this imperial violinist here says that you wrote _Othello_."

"What nonsense," said Bacon. "The only plays of yours I wrote were _Ham_--"

"Sh!" said Shakespeare, shaking his head madly. "Hush. Nobody's said anything about that. This is purely a discussion of _Othello_."

"The fiddling ex-Emperor Nero," said Bacon, loudly enough to be heard all about the room, "is mistaken when he attributes _Othello_ to me."

"Aha, Master Nero!" cried Shakespeare triumphantly. "What did I tell you?"

"Then I erred, that is all," said Nero. "And I apologize. But really, my Lord," he added, addressing Bacon, "I fancied I detected your fine Italian hand in that."

"No. I had nothing to do with the _Othello_," said Bacon. "I never really knew who wrote it."

"Never mind about that," whispered Shakespeare. "You've said enough."

"That's good too," said Nero, with a chuckle. "Shakespeare here claims it as his own."

Bacon smiled and nodded approvingly at the blushing Avonian.

"Will always was having his little joke," he said. "Eh, Will? How we fooled 'em on _Hamlet_, eh, my boy? Ha-ha-ha! It was the greatest joke of the century."

"Well, the laugh is on you," said Doctor Johnson. "If you wrote _Hamlet_ and didn't have the sense to acknowledge it, you present to my mind a closer resemblance to Simple Simon than to Socrates. For my part, I don't believe you did write it, and I do believe that Shakespeare did. I can tell that by the spelling in the original edition."

"Shakespeare was my stenographer, gentlemen," said Lord Bacon. "If you want to know the whole truth, he did write _Hamlet_, literally. But it was at my dictation."

"I deny it," said Shakespeare. "I admit you gave me a suggestion now and then so as to keep