Beatrix by Honoré de Balzac (graded readers .txt) 📕

as he walked along felt all sorts of violent and yet soft inward movements; his throat was tight, his heart swelled, his brain was full, a fever possessed him. He tried to walk slowly, but some superior power hurried him. This impetuosity of the several senses excited by vague expectation is known to all young men. A subtle fire flames within their breasts and darts outwardly about them, like the rays of a nimbus around the heads of divine personages in works of religious art; through it they see all Nature glorious, and woman radiant. Are they not then like those haloed saints, full of faith, hope, ardor, purity?

The young Breton found the company assembled in the little salon of Camille's suite of rooms. It was then about six o'clock; the sun, in setting, cast through the windows its ruddy light chequered by the trees; the air was still; twilight, beloved of women, was spreading through the room.

"Here comes the future deputy of Brittany," said Camille Maupin, smiling, as Calyste raised the tapestry portiere,--"punctual as a king."

"You recognized his step just now," said Claude to Felicite in a low voice.

Calyste bowed low to the marquise, who returned the salutation with an inclination of her head; he did not look at her; but he took the hand Claude Vignon held out to him and pressed it.

"This is the celebrated man of whom we have talked so much, Gennaro Conti," said Camille, not replying to Claude Vignon's remark.

She presented to Calyste a man of medium height, thin and slender, with chestnut hair, eyes that were almost red, and a white skin, freckled here and there, whose head was so precisely the well-known head of Lord Byron (though rather better carried on his shoulders) that description is superfluous. Conti was rather proud of this resemblance.

"I am fortunate," he said, "to meet Monsieur du Guenic during the one day that I spend at Les Touches."

"It was for me to say that to you," replied Calyste, with a certain ease.

"He is handsome as an angel," said the marquise in an under tone to Felicite.

Standing between the sofa and the two ladies, Calyste heard the words confusedly. He seated himself in an arm-chair and looked furtively toward the marquise. In the soft half-light he saw, reclining on a divan, as if a sculptor had placed it there, a white and serpentine shape which thrilled him. Without being aware of it, Felicite had done her friend a service; the marquise was much superior to the unflattered portrait Camille had drawn of her the night before. Was it to do honor to the guest that Beatrix had wound into her hair those tufts of blue-bells that gave value to the pale tints of her creped curls, so arranged as to fall around her face and play upon the cheeks? The circle of her eyes, which showed fatigue, was of the purest mother-of-pearl, her skin was as dazzling as the eyes, and beneath its whiteness, delicate as the satiny lining of an egg, life abounded in the beautiful blue veins. The delicacy of the features was extreme; the forehead seemed diaphanous. The head, so sweet and fragrant, admirably joined to a long neck of exquisite moulding, lent itself to many and most diverse expressions. The waist, which could be spanned by the hands, had a charming willowy ease; the bare shoulders sparkled in the twilight like a white camellia. The throat, visible to the eye though covered with a transparent fichu, allowed the graceful outlines of the bosom to be seen with charming roguishness. A gown of white muslin, strewn with blue flowers, made with very large sleeves, a pointed body and no belt, shoes with strings crossed on the instep over Scotch thread stockings, showed a charming knowledge of the art of dress. Ear-rings of silver filagree, miracles of Genoese jewelry, destined no doubt to become the fashion, were in perfect harmony with the delightful flow of the soft curls starred with blue-bells.

Calyste's eager eye took in these beauties at a glance, and carved them on his soul. The fair Beatrix and the dark Felicite might have sat for those contrasting portraits in "keepsakes" which English designers and engravers seek so persistently. Here were the force and the feebleness of womanhood in full development, a perfect antithesis. These two women could never be rivals; each had her own empire. Here was the delicate campanula, or the lily, beside the scarlet poppy; a turquoise near a ruby. In a moment, as it were,--at first sight, as the saying is,--Calyste was seized with a love which crowned the secret work of his hopes, his fears, his uncertainties. Mademoiselle des Touches had awakened his nature; Beatrix inflamed both his heart and thoughts. The young Breton suddenly felt within him a power to conquer all things, and yield to nothing that stood in his way. He looked at Conti with an envious, gloomy, savage rivalry he had never felt for Claude Vignon. He employed all his strength to control himself; but the inward tempest went down as soon as the eyes of Beatrix turned to him, and her soft voice sounded in his ear. Dinner was announced.

"Calyste, give your arm to the marquise," said Mademoiselle des Touches, taking Conti with her right hand, and Claude Vignon with her left, and drawing back to let the marquise pass.

The descent of that ancient staircase was to Calyste like the moment of going into battle for the first time. His heart failed him, he had nothing to say; a slight sweat pearled upon his forehead and wet his back; his arm trembled so much that as they reached the lowest step the marquise said to him: "Is anything the matter?"

"Oh!" he replied, in a muffled tone, "I have never seen any woman so beautiful as you, except my mother, and I am not master of my emotions."

"But you have Camille Maupin before your eyes."

"Ah! what a difference!" said Calyste, ingenuously.

"Calyste," whispered Felicite, who was just behind him, "did I not tell you that you would forget me as if I had never existed? Sit there," she said aloud, "beside the marquise, on her right, and you, Claude, on her left. As for you, Gennaro, I retain you by me; we will keep a mutual eye on their coquetries."

The peculiar accept which Camille gave to the last word struck Claude Vignon's ear, and he cast that sly but half-abstracted look upon Camille which always denoted in him the closest observation. He never ceased to examine Mademoiselle des Touches throughout the dinner.

"Coquetries!" replied the marquis, taking off her gloves, and showing her beautiful hands; "the opportunity is good, with a poet," and she motioned to Claude, "on one side, and poesy the other."

At these words Conti turned and gave Calyste a look that was full of flattery.

By artificial light, Beatrix seemed more beautiful than before. The white gleam of the candles laid a satiny lustre on her forehead, lighted the spangles of her eyes, and ran through her swaying curls, touching them here and there into gold. She threw back the thin gauze scarf she was wearing and disclosed her neck. Calyste then saw its beautiful nape, white as milk, and hollowed near the head, until its lines were lost toward the shoulders with soft and flowing symmetry. This neck, so dissimilar to that of Camille, was the sign of a totally different character in Beatrix.

Calyste found much trouble in pretending to eat; nervous motions within him deprived him of appetite. Like other young men, his nature was in the throes and convulsions which precede love, and carve it indelibly on the soul. At his age, the ardor of the heart, restrained by moral ardor, leads to an inward conflict, which explains the long and respectful hesitations, the tender debatings, the absence of all calculation, characteristic of young men whose hearts and lives are pure. Studying, though furtively, so as not to attract the notice of Conti, the various details which made the marquise so purely beautiful, Calyste became, before long, oppressed by a sense of her majesty; he felt himself dwarfed by the hauteur of certain of her glances, by the imposing expression of a face that was wholly aristocratic, by a sort of pride which women know how to express in slight motions, turns of the head, and slow gestures, effects less plastic and less studied than we think. The false situation in which Beatrix had placed herself compelled her to watch her own behavior, and to keep herself imposing without being ridiculously so. Women of the great world know how to succeed in this, which proves a fatal reef to vulgar women.

The expression of Felicite's eyes made Beatrix aware of the inward adoration she inspired in the youth beside her, and also that it would be most unworthy on her part to encourage it. She therefore took occasion now and then to give him a few repressive glances, which fell upon his heart like an avalanche of snow. The unfortunate young fellow turned on Felicite a look in which she could read the tears he was suppressing by superhuman efforts. She asked him in a friendly tone why he was eating nothing. The question piqued him, and he began to force himself to eat and to take part in the conversation.

But whatever he did, Madame de Rochefide paid little attention to him. Mademoiselle des Touches having started the topic of her journey to Italy she related, very wittily, many of its incidents, which made Claude Vignon, Conti, and Felicite laugh.

"Ah!" thought Calyste, "how far such a woman is from me! Will she ever deign to notice me?"

Mademoiselle des Touches was struck with the expression she now saw on Calyste's face, and tried to console him with a look of sympathy. Claude Vignon intercepted that look. From that moment the great critic expanded into gaiety that overflowed in sarcasm. He maintained to Beatrix that love existed only by desire; that most women deceived themselves in loving; that they loved for reasons unknown to men and to themselves; that they wanted to deceive themselves, and that the best among them were artful.

"Keep to books, and don't criticise our lives," said Camille, glancing at him imperiously.

The dinner ceased to be gay. Claude Vignon's sarcasm had made the two women pensive. Calyste was conscious of pain in the midst of the happiness he found in looking at Beatrix. Conti looked into the eyes of the marquise to guess her thoughts. When dinner was over Mademoiselle des Touches took Calyste's arm, gave the other two men to the marquise, and let them pass before her, that she might be alone with the young Breton for a moment.

"My dear Calyste," she said, "you are acting in a manner that embarrasses the marquise; she may be delighted with your admiration, but she cannot accept it. Pray control yourself."

"She was hard to me, she will never care for me," said Calyste, "and if she does not I shall die."

"Die! you! My dear Calyste, you are a child. Would you have died for me?"

"You have made yourself my friend," he answered.

After the talk that follows coffee, Vignon asked Conti to sing something. Mademoiselle des Touches sat down to the piano. Together she and Gennaro sang the _Dunque il mio bene tu mia sarai_, the last duet of Zingarelli's "Romeo e Giulietta," one of the most pathetic pages of modern music. The passage _Di tanti palpiti_ expresses love in all its grandeur. Calyste, sitting in the same arm-chair in which Felicite had told him the history of the