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parole. Oh! he'd go to her. As soon as he came back from the galleys he got Monsieur Bonnet to ask for the little boy whom the grandfather and grandmother were taking care of; and Monsieur Bonnet obtained the child."
"Does no one know what became of the mother?"
"No one," said Colorat. "The girl felt that she was ruined; she was afraid to stay in her own village. She went to Paris. What is she doing there? Well, that's the question; but you might as well hunt for a marble among the stones on that plain as look for her there."
They were now riding up the ascent to the chateau as Colorat pointed to the plain below. Madame Sauviat, evidently uneasy, Aline and the other servants were waiting at the gate, not knowing what to think of this long absence.
"My dear," said Madame Sauviat, helping her daughter to dismount, "you must be very tired."
"No, mother," replied Madame Graslin, in so changed a voice that Madame Sauviat looked closely at her and then saw the mark of tears.
Madame Graslin went to her own rooms with Aline, who took her orders for all that concerned her personal life. She now shut herself up and would not even admit her mother; when Madame Sauviat asked to enter, Aline stopped her, saying, "Madame has gone to sleep."
The next day Veronique rode out attended by Maurice only. In order to reach the Roche-Vive as quickly as possible she took the road by which she had returned the night before. As they rode up the gorge which lies between the mountain peak and the last hill of the forest (for, seen from the plain, the Roche-Vive looks isolated) Veronique requested Maurice to show her the house in which Farrabesche lived and then to hold the horses and wait for her; she wished to go alone. Maurice took her to a path which led down on the other side of the Roche-Vive and showed her the thatched roof of a dwelling half buried in the mountain, below which lay the nursery grounds. It was then about mid-day. A light smoke issued from the chimney. Veronique reached the cottage in a few moments, but she did not make her presence known at once. She stood a few moments lost in thoughts known only to herself as she gazed on the modest dwelling which stood in the middle of a garden enclosed with a hedge of thorns.
Beyond the lower end of the garden lay several cares of meadow land surrounded by an evergreen hedge; the eye looked down on the flattened tops of fruit trees, apple, pear, and plum trees scattered here and there among these fields. Above the house, toward the crest of the mountain where the soil became sandy, rose the yellow crowns of a splendid grove of chestnuts. Opening the railed gate made of half-rotten boards which enclosed the premises, Madame Graslin saw a stable, a small poultry-yard and all the picturesque and living accessories of poor homes, which have so much of rural poesy about them. Who could see without emotion the linen fluttering on the hedges, the bunches of onions hanging from the eaves, the iron saucepans drying in the sun, the wooden bench overhung with honeysuckle, the stone-crop clinging to the thatch, as it does on the roofs of nearly all the cottages in France, revealing a humble life that is almost vegetative?
It was impossible for Veronique to come upon her keeper without his receiving due notice; two fine hunting dogs began to bark as soon as the rustling of her habit was heard on the dried leaves. She took the end of it over her arm and advanced toward the house. Farrabesche and his boy, who were sitting on a wooden bench outside the door, rose and uncovered their heads, standing in a respectful attitude, but without the least appearance of servility.
"I have heard," said Veronique, looking attentively at the boy, "that you take much care of my interests; I wished to see your house and the nurseries, and ask you a few questions relating to the improvements I intend to make."
"I am at madame's orders," replied Farrabesche.
Veronique admired the boy, who had a charming face of a perfect oval, rather sunburned and brown but very regular in features, the forehead finely modelled, orange-colored eyes of extreme vivacity, black hair cut straight across the brow and allowed to hang down on either side of the face. Taller than most boys of his age, the little fellow was nearly five feet high. His trousers, like his shirt, were of coarse gray linen, his waistcoat, of rough blue cloth with horn buttons much worn and a jacket of the cloth so oddly called Maurienne velvet, with which the Savoyards like to clothe themselves, stout hob-nailed shoes, and no stockings. This costume was exactly like that of his father, except that Farrabesche had on his head the broad-brimmed felt hat of the peasantry, while the boy had only a brown woollen cap.
Though intelligent and animated, the child's face was instinct with the gravity peculiar to all human beings of any age who live in solitude; he seemed to put himself in harmony with the life and the silence of the woods. Both Farrabesche and his son were specially developed on their physical side, possessing many of the characteristics of savages,--piercing sight, constant observation, absolute self-control, a keen ear, wonderful agility, and an intelligent manner of speaking. At the first glance the boy gave his father Madame Graslin recognized one of those unbounded affections in which instinct blends with thought, and a most active happiness strengthens both the will of the instinct and the reasoning of thought.
"This must be the child I have heard of," said Veronique, motioning to the boy.
"Yes, madame."
"Have you made no attempt to find his mother?" asked Veronique, making a sign to Farrabesche to follow her a little distance.
"Madame may not be aware that I am not allowed to go beyond the district in which I reside."
"Have you never received any news of her?"
"At the expiration of my term," he answered, "I received from the Commissioner a thousand francs, sent to him quarterly for me in little sums which police regulations did not allow me to receive till the day I left the galleys. I think that Catherine alone would have thought of me, as it was not Monsieur Bonnet who sent this money; therefore I have kept it safely for Benjamin."
"And Catherine's parents?"
"They have never inquired for her since she left. Besides they did enough in taking charge of the little one."
"Well, Farrabesche," said Veronique, returning toward the house. "I will make it my business to know if Catherine still lives; and if so, what is her present mode of life."
"Oh! madame, whatever that may be," said the man gently, "it would be happiness for me if I could have her for my wife. It is for her to object, not me. Our marriage would legitimatize this poor boy, who as yet knows nothing of his position."
The look the father threw upon the lad explained the life of these two beings, abandoned, or voluntarily isolated; they were all in all to each other, like two compatriots adrift upon a desert.
"Then you love Catherine?" said Veronique.
"Even if I did not love her, madame," he replied, "she is to me, in my situation, the only woman there is in the world."
Madame Graslin turned hurriedly and walked away under the chestnut trees, as if attacked by some sharp pain; the keeper, thinking she was moved by a sudden caprice, did not venture to follow her.
XIV. THE TORRENT OF THE GABOU
Veronique remained for some minutes under the chestnut trees, apparently looking at the landscape. Thence she could see that portion of the forest which clothes the side of the valley down which flows the torrent of the Gabou, now dry, a mass of stones, looking like a huge ditch cut between the wooded mountains of Montegnac and another chain of parallel hills beyond,--the latter being much steeper and without vegetation, except for heath and juniper and a few sparse trees toward their summit.
These hills, desolate of aspect, belong to the neighboring domain and are in the department of the Correze. A country road, following the undulations of the valley, serves to mark the line between the arrondissement of Montegnac and the two estates. This barren slope supports, like a wall, a fine piece of woodland which stretches away in the distance from its rocky summit. Its barrenness forms a complete contrast to the other slope, on which is the cottage of Farrabesche. On the one side, harsh, disfigured angularities, on the other, graceful forms and curving outlines; there, the cold, dumb stillness of unfruitful earth held up by horizontal blocks of stone and naked rock, here, trees of various greens, now stripped for the most part of foliage, but showing their fine straight many-colored trunks on every slope and terrace of the land; their interlacing branches swaying to the breeze. A few more persistent trees, oaks, elms, beeches, and chestnuts, still retained their yellow, bronzed, or crimsoned foliage.
Toward Montegnac, where the valley widened immensely, the two slopes form a horse-shoe; and from the spot where Veronique now stood leaning against a tree she could see the descending valleys lying like the gradations of an ampitheatre, the tree-tops rising from each tier like persons in the audience. This fine landscape was then on the other side of her park, though it afterwards formed part of it. On the side toward the cottage near which she stood the valley narrows more and more until it becomes a gorge, about a hundred feet wide.
The beauty of this view, over which Madame Graslin's eyes now roved mechanically, recalled her presently to herself. She returned to the cottage where the father and son were standing, silently awaiting her and not seeking to explain her singular absence.
She examined the house, which was built with more care than its thatched roof seemed to warrant. It had, no doubt, been abandoned ever since the Navarreins ceased to care for this domain. No more hunts, no more game-keepers. Though the house had been built for over a hundred years, the walls were still good, notwithstanding the ivy and other sorts of climbing-plants which clung to them. When Farrabesche obtained permission to live there he tiled the room on the lower floor and put in furniture. Veronique saw, as she entered, two beds, a large walnut wardrobe, a bread-box, dresser, table, three chairs, and on the dresser a few brown earthenware dishes and other utensils necessary to life. Above the fireplace were two guns and two gamebags. A number of little things evidently made by the father for the child touched Veronique's heart--the model of a man-of-war, of a sloop, a carved wooden cup, a wooden box of exquisite workmanship, a coffer inlaid in diaper pattern, a crucifix, and a splendid rosary. The chaplet was made of plum-stones, on each of which was carved a head of marvellous delicacy,--of Jesus Christ, of the apostles, the Madonna, Saint John the Baptist, Saint Joseph, Saint Anne, the two Magdalens, etc.
"I do that to amuse the little one in the long winter evenings," he said, as if excusing himself.
The front of the house was covered with jessamine and roses, trained to the wall and wreathing the windows of the upper floor, where Farrabesche stored his provisions. He bought little except bread, salt, sugar, and a few such articles, for he kept chickens, ducks, and two pigs. Neither he
"Does no one know what became of the mother?"
"No one," said Colorat. "The girl felt that she was ruined; she was afraid to stay in her own village. She went to Paris. What is she doing there? Well, that's the question; but you might as well hunt for a marble among the stones on that plain as look for her there."
They were now riding up the ascent to the chateau as Colorat pointed to the plain below. Madame Sauviat, evidently uneasy, Aline and the other servants were waiting at the gate, not knowing what to think of this long absence.
"My dear," said Madame Sauviat, helping her daughter to dismount, "you must be very tired."
"No, mother," replied Madame Graslin, in so changed a voice that Madame Sauviat looked closely at her and then saw the mark of tears.
Madame Graslin went to her own rooms with Aline, who took her orders for all that concerned her personal life. She now shut herself up and would not even admit her mother; when Madame Sauviat asked to enter, Aline stopped her, saying, "Madame has gone to sleep."
The next day Veronique rode out attended by Maurice only. In order to reach the Roche-Vive as quickly as possible she took the road by which she had returned the night before. As they rode up the gorge which lies between the mountain peak and the last hill of the forest (for, seen from the plain, the Roche-Vive looks isolated) Veronique requested Maurice to show her the house in which Farrabesche lived and then to hold the horses and wait for her; she wished to go alone. Maurice took her to a path which led down on the other side of the Roche-Vive and showed her the thatched roof of a dwelling half buried in the mountain, below which lay the nursery grounds. It was then about mid-day. A light smoke issued from the chimney. Veronique reached the cottage in a few moments, but she did not make her presence known at once. She stood a few moments lost in thoughts known only to herself as she gazed on the modest dwelling which stood in the middle of a garden enclosed with a hedge of thorns.
Beyond the lower end of the garden lay several cares of meadow land surrounded by an evergreen hedge; the eye looked down on the flattened tops of fruit trees, apple, pear, and plum trees scattered here and there among these fields. Above the house, toward the crest of the mountain where the soil became sandy, rose the yellow crowns of a splendid grove of chestnuts. Opening the railed gate made of half-rotten boards which enclosed the premises, Madame Graslin saw a stable, a small poultry-yard and all the picturesque and living accessories of poor homes, which have so much of rural poesy about them. Who could see without emotion the linen fluttering on the hedges, the bunches of onions hanging from the eaves, the iron saucepans drying in the sun, the wooden bench overhung with honeysuckle, the stone-crop clinging to the thatch, as it does on the roofs of nearly all the cottages in France, revealing a humble life that is almost vegetative?
It was impossible for Veronique to come upon her keeper without his receiving due notice; two fine hunting dogs began to bark as soon as the rustling of her habit was heard on the dried leaves. She took the end of it over her arm and advanced toward the house. Farrabesche and his boy, who were sitting on a wooden bench outside the door, rose and uncovered their heads, standing in a respectful attitude, but without the least appearance of servility.
"I have heard," said Veronique, looking attentively at the boy, "that you take much care of my interests; I wished to see your house and the nurseries, and ask you a few questions relating to the improvements I intend to make."
"I am at madame's orders," replied Farrabesche.
Veronique admired the boy, who had a charming face of a perfect oval, rather sunburned and brown but very regular in features, the forehead finely modelled, orange-colored eyes of extreme vivacity, black hair cut straight across the brow and allowed to hang down on either side of the face. Taller than most boys of his age, the little fellow was nearly five feet high. His trousers, like his shirt, were of coarse gray linen, his waistcoat, of rough blue cloth with horn buttons much worn and a jacket of the cloth so oddly called Maurienne velvet, with which the Savoyards like to clothe themselves, stout hob-nailed shoes, and no stockings. This costume was exactly like that of his father, except that Farrabesche had on his head the broad-brimmed felt hat of the peasantry, while the boy had only a brown woollen cap.
Though intelligent and animated, the child's face was instinct with the gravity peculiar to all human beings of any age who live in solitude; he seemed to put himself in harmony with the life and the silence of the woods. Both Farrabesche and his son were specially developed on their physical side, possessing many of the characteristics of savages,--piercing sight, constant observation, absolute self-control, a keen ear, wonderful agility, and an intelligent manner of speaking. At the first glance the boy gave his father Madame Graslin recognized one of those unbounded affections in which instinct blends with thought, and a most active happiness strengthens both the will of the instinct and the reasoning of thought.
"This must be the child I have heard of," said Veronique, motioning to the boy.
"Yes, madame."
"Have you made no attempt to find his mother?" asked Veronique, making a sign to Farrabesche to follow her a little distance.
"Madame may not be aware that I am not allowed to go beyond the district in which I reside."
"Have you never received any news of her?"
"At the expiration of my term," he answered, "I received from the Commissioner a thousand francs, sent to him quarterly for me in little sums which police regulations did not allow me to receive till the day I left the galleys. I think that Catherine alone would have thought of me, as it was not Monsieur Bonnet who sent this money; therefore I have kept it safely for Benjamin."
"And Catherine's parents?"
"They have never inquired for her since she left. Besides they did enough in taking charge of the little one."
"Well, Farrabesche," said Veronique, returning toward the house. "I will make it my business to know if Catherine still lives; and if so, what is her present mode of life."
"Oh! madame, whatever that may be," said the man gently, "it would be happiness for me if I could have her for my wife. It is for her to object, not me. Our marriage would legitimatize this poor boy, who as yet knows nothing of his position."
The look the father threw upon the lad explained the life of these two beings, abandoned, or voluntarily isolated; they were all in all to each other, like two compatriots adrift upon a desert.
"Then you love Catherine?" said Veronique.
"Even if I did not love her, madame," he replied, "she is to me, in my situation, the only woman there is in the world."
Madame Graslin turned hurriedly and walked away under the chestnut trees, as if attacked by some sharp pain; the keeper, thinking she was moved by a sudden caprice, did not venture to follow her.
XIV. THE TORRENT OF THE GABOU
Veronique remained for some minutes under the chestnut trees, apparently looking at the landscape. Thence she could see that portion of the forest which clothes the side of the valley down which flows the torrent of the Gabou, now dry, a mass of stones, looking like a huge ditch cut between the wooded mountains of Montegnac and another chain of parallel hills beyond,--the latter being much steeper and without vegetation, except for heath and juniper and a few sparse trees toward their summit.
These hills, desolate of aspect, belong to the neighboring domain and are in the department of the Correze. A country road, following the undulations of the valley, serves to mark the line between the arrondissement of Montegnac and the two estates. This barren slope supports, like a wall, a fine piece of woodland which stretches away in the distance from its rocky summit. Its barrenness forms a complete contrast to the other slope, on which is the cottage of Farrabesche. On the one side, harsh, disfigured angularities, on the other, graceful forms and curving outlines; there, the cold, dumb stillness of unfruitful earth held up by horizontal blocks of stone and naked rock, here, trees of various greens, now stripped for the most part of foliage, but showing their fine straight many-colored trunks on every slope and terrace of the land; their interlacing branches swaying to the breeze. A few more persistent trees, oaks, elms, beeches, and chestnuts, still retained their yellow, bronzed, or crimsoned foliage.
Toward Montegnac, where the valley widened immensely, the two slopes form a horse-shoe; and from the spot where Veronique now stood leaning against a tree she could see the descending valleys lying like the gradations of an ampitheatre, the tree-tops rising from each tier like persons in the audience. This fine landscape was then on the other side of her park, though it afterwards formed part of it. On the side toward the cottage near which she stood the valley narrows more and more until it becomes a gorge, about a hundred feet wide.
The beauty of this view, over which Madame Graslin's eyes now roved mechanically, recalled her presently to herself. She returned to the cottage where the father and son were standing, silently awaiting her and not seeking to explain her singular absence.
She examined the house, which was built with more care than its thatched roof seemed to warrant. It had, no doubt, been abandoned ever since the Navarreins ceased to care for this domain. No more hunts, no more game-keepers. Though the house had been built for over a hundred years, the walls were still good, notwithstanding the ivy and other sorts of climbing-plants which clung to them. When Farrabesche obtained permission to live there he tiled the room on the lower floor and put in furniture. Veronique saw, as she entered, two beds, a large walnut wardrobe, a bread-box, dresser, table, three chairs, and on the dresser a few brown earthenware dishes and other utensils necessary to life. Above the fireplace were two guns and two gamebags. A number of little things evidently made by the father for the child touched Veronique's heart--the model of a man-of-war, of a sloop, a carved wooden cup, a wooden box of exquisite workmanship, a coffer inlaid in diaper pattern, a crucifix, and a splendid rosary. The chaplet was made of plum-stones, on each of which was carved a head of marvellous delicacy,--of Jesus Christ, of the apostles, the Madonna, Saint John the Baptist, Saint Joseph, Saint Anne, the two Magdalens, etc.
"I do that to amuse the little one in the long winter evenings," he said, as if excusing himself.
The front of the house was covered with jessamine and roses, trained to the wall and wreathing the windows of the upper floor, where Farrabesche stored his provisions. He bought little except bread, salt, sugar, and a few such articles, for he kept chickens, ducks, and two pigs. Neither he
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