The Muse of the Department by Honoré de Balzac (book series for 12 year olds txt) 📕

on whom she lavished all her disappointed affection.

Worthy Monsieur de Clagny tried to recruit women for the Countess' circle, and he succeeded; but he was more successful among the advocates of piety than the women of fashion.

"And they bore her!" said he to himself with horror, as he saw his idol matured by grief, pale from remorse, and then, in all the splendor of recovered beauty, restored by a life of luxury and care for her boys. This devoted friend, encouraged in his efforts by her mother and by the cure was full of expedient. Every Wednesday he introduced some celebrity from Germany, England, Italy, or Prussia to his dear Countess; he spoke of her as a quite exceptional woman to people to whom she hardly addressed two words; but she listened to them with such deep attention that they went away fully convinced of her superiority. In Paris, Dinah conquered by silence, as at Sancerre she had conquered by loquacity. Now and then, some smart saying about affairs, or sarcasm on an absurdity, betrayed a woman accustomed to deal with ideas--the woman who, four years since, had given new life to Lousteau's articles.

This phase was to the poor lawyer's hapless passion like the late season known as the Indian summer after a sunless year. He affected to be older than he was, to have the right to befriend Dinah without doing her an injury, and kept himself at a distance as though he were young, handsome, and compromising, like a man who has happiness to conceal. He tried to keep his little attentions a profound secret, and the trifling gifts which Dinah showed to every one; he endeavored to suggest a dangerous meaning for his little services.

"He plays at passion," said the Countess, laughing. She made fun of Monsieur de Clagny to his face, and the lawyer said, "She notices me."

"I impress that poor man so deeply," said she to her mother, laughing, "that if I would say Yes, I believe he would say No."

One evening Monsieur de Clagny and his wife were taking his dear Countess home from the theatre, and she was deeply pensive. They had been to the first performance of Leon Gozlan's first play, _La Main Droite et la Main Gauche_ (The Right Hand and the Left).

"What are you thinking about?" asked the lawyer, alarmed at his idol's dejection.

This deep and persistent melancholy, though disguised by the Countess, was a perilous malady for which Monsieur de Clagny knew no remedy; for true love is often clumsy, especially when it is not reciprocated. True love takes its expression from the character. Now, this good man loved after the fashion of Alceste, when Madame de la Baudraye wanted to be loved after the manner of Philinte. The meaner side of love can never get on with the Misanthrope's loyalty. Thus, Dinah had taken care never to open her heart to this man. How could she confess to him that she sometimes regretted the slough she had left?

She felt a void in this fashionable life; she had no one for whom to dress, or whom to tell of her successes and triumphs. Sometimes the memory of her wretchedness came to her, mingled with memories of consuming joys. She would hate Lousteau for not taking any pains to follow her; she would have liked to get tender or furious letters from him.

Dinah made no reply, so Monsieur de Clagny repeated the question, taking the Countess' hand and pressing it between his own with devout respect.

"Will you have the right hand or the left?" said she, smiling.

"The left," said he, "for I suppose you mean the truth or a fib."

"Well, then, I saw him," she said, speaking into the lawyer's ear. "And as I saw him looking so sad, so out of heart, I said to myself, Has he a cigar? Has he any money?"

"If you wish for the truth, I can tell it you," said the lawyer. "He is living as a husband with Fanny Beaupre. You have forced me to tell you this secret; I should never have told you, for you might have suspected me perhaps of an ungenerous motive."

Madame de la Baudraye grasped his hand.

"Your husband," said she to her chaperon, "is one of the rarest souls!--Ah! Why----"

She shrank into her corner, looking out of the window, but she did not finish her sentence, of which the lawyer could guess the end: "Why had not Lousteau a little of your husband's generosity of heart?"

This information served, however, to cure Dinah of her melancholy; she threw herself into the whirl of fashion. She wished for success, and she achieved it; still, she did not make much way with women, and found it difficult to get introductions.

In the month of March, Madame Piedefer's friends the priests and Monsieur de Clagny made a fine stroke by getting Madame de la Baudraye appointed receiver of subscriptions for the great charitable work founded by Madame de Carcado. Then she was commissioned to collect from the Royal Family their donations for the benefit of the sufferers from the earthquake at Guadeloupe. The Marquise d'Espard, to whom Monsieur de Canalis read the list of ladies thus appointed, one evening at the Opera, said, on hearing that of the Countess:

"I have lived a long time in the world, and I can remember nothing finer than the manoeuvres undertaken for the rehabilitation of Madame de la Baudraye."


In the early spring, which, by some whim of our planets, smiled on Paris in the first week of March in 1843, making the Champs-Elysees green and leafy before Longchamp, Fanny Beaupre's attache had seen Madame de la Baudraye several times without being seen by her. More than once he was stung to the heart by one of those promptings of jealousy and envy familiar to those who are born and bred provincials, when he beheld his former mistress comfortably ensconced in a handsome carriage, well dressed, with dreamy eyes, and his two little boys, one at each window. He accused himself with all the more virulence because he was waging war with the sharpest poverty of all--poverty unconfessed. Like all essentially light and frivolous natures, he cherished the singular point of honor which consists in never derogating in the eyes of one's own little public, which makes men on the Bourse commit crimes to escape expulsion from the temple of the goddess Per-cent, and has given some criminals courage enough to perform acts of virtue.

Lousteau dined and breakfasted and smoked as if he were a rich man. Not for an inheritance would he have bought any but the dearest cigars, for himself as well as for the playwright or author with whom he went into the shop. The journalist took his walks abroad in patent leather boots; but he was constantly afraid of an execution on goods which, to use the bailiff's slang, had already received the last sacrament. Fanny Beaupre had nothing left to pawn, and her salary was pledged to pay her debts. After exhausting every possible advance of pay from newspapers, magazines, and publishers, Etienne knew not of what ink he could churn gold. Gambling-houses, so ruthlessly suppressed, could no longer, as of old, cash I O U's drawn over the green table by beggary in despair. In short, the journalist was reduced to such extremity that he had just borrowed a hundred francs of the poorest of his friends, Bixiou, from whom he had never yet asked for a franc. What distressed Lousteau was not the fact of owing five thousand francs, but seeing himself bereft of his elegance, and of the furniture purchased at the cost of so many privations, and added to by Madame de la Baudraye.

On April the 3rd, a yellow poster, torn down by the porter after being displayed on the wall, announced the sale of a handsome suite of furniture on the following Saturday, the day fixed for sales under legal authority. Lousteau was taking a walk, smoking cigars, and seeking ideas--for, in Paris, ideas are in the air, they smile on you from a street corner, they splash up with a spurt of mud from under the wheels of a cab! Thus loafing, he had been seeking ideas for articles, and subjects for novels for a month past, and had found nothing but friends who carried him off to dinner or to the play, and who intoxicated his woes, telling him that champagne would inspire him.

"Beware," said the virulent Bixiou one night, the man who would at the same moment give a comrade a hundred francs and stab him to the heart with a sarcasm; "if you go to sleep drunk every night, one day you will wake up mad."

On the day before, the Friday, the unhappy wretch, although he was accustomed to poverty, felt like a man condemned to death. Of old he would have said:

"Well, the furniture is very old! I will buy new."

But he was incapable now of literary legerdemain. Publishers, undermined by piracy, paid badly; the newspapers made close bargains with hard-driven writers, as the Opera managers did with tenors that sang flat.

He walked on, his eye on the crowd, though seeing nothing, a cigar in his mouth, and his hands in his pockets, every feature of his face twitching, and an affected smile on his lips. Then he saw Madame de la Baudraye go by in a carriage; she was going to the Boulevard by the Rue de la Chaussee d'Antin to drive in the Bois.

"There is nothing else left!" said he to himself, and he went home to smarten himself up.

That evening, at seven, he arrived in a hackney cab at Madame de la Baudraye's door, and begged the porter to send a note up to the Countess--a few lines, as follows:

"Would Madame la Comtesse do Monsieur Lousteau the favor of receiving him for a moment, and at once?"

This note was sealed with a seal which as lovers they had both used. Madame de la Baudraye had had the word _Parce que_ engraved on a genuine Oriental carnelian--a potent word--a woman's word--the word that accounts for everything, even for the Creation.

The Countess had just finished dressing to go to the Opera; Friday was her night in turn for her box. At the sight of this seal she turned pale.

"I will come," she said, tucking the note into her dress.

She was firm enough to conceal her agitation, and begged her mother to see the children put to bed. She then sent for Lousteau, and received him in a boudoir, next to the great drawing-room, with open doors. She was going to a ball after the Opera, and was wearing a beautiful dress of brocade in stripes alternately plain and flowered with pale blue. Her gloves, trimmed with tassels, showed off her beautiful white arms. She was shimmering with lace and all the dainty trifles required by fashion. Her hair, dressed _a la Sevigne_, gave her a look of elegance; a necklace of pearls lay on her bosom like bubbles on snow.

"What is the matter, monsieur?" said the Countess, putting out her foot from below her skirt to rest it on a velvet cushion. "I thought, I hoped, I was quite forgotten."

"If I should reply _Never_, you would refuse to believe me," said Lousteau, who remained standing, or walked about the room, chewing the flowers he plucked from the flower-stands full of plants that scented the room.

For a moment silence reigned. Madame de la Baudraye, studying Lousteau, saw that he was dressed as the most fastidious dandy