The Lock and Key Library: Classic Mystery and Detective Stories: Old Time English by - (top 10 ebook reader txt) 📕

"Why did you testify such horror at the funeral of Father Olavida?"—"Everyone testified horror and grief at the death of that venerable ecclesiastic, who died in the odor of sanctity. Had I done otherwise, it might have been reckoned a proof of my guilt." "Why did you interrupt the preacher with such extraordinary exclamations?"—To this no answer. "Why do you refuse to explain the meaning of those exclamations?"—No answer. "Why do you persist in this obstinate and dangerous silence? Look, I beseech you, brother, at the cross that is suspended against this wall," and the Inquisitor pointed to the large black crucifix at the back of the chair where he sat; "one drop of the blood shed there can purify you from all the sin you have ever committed; but all that blood, combined with the intercession of the Queen of Heaven, and the merits of all its martyrs, nay, even the absolution of the Pope, cannot deliver you from the curse of dying in unrepented sin."—"What sin, then, have I committed?"—"The greatest of all possible sins; you refuse answering the questions put to you at the tribunal of the most holy and merciful Inquisition;—you will not tell us what you know concerning the death of Father Olavida."—"I have told you that I believe he perished in consequence of his ignorance and presumption." "What proof can you produce of that?"— "He sought the knowledge of a secret withheld from man." "What was that?"—"The secret of discovering the presence or agency of the evil power." "Do you possess that secret?"—After much agitation on the part of the prisoner, he said distinctly, but very faintly, "My master forbids me to disclose it." "If your master were Jesus Christ, he would not forbid you to obey the commands, or answer the questions of the Inquisition."—"I am not sure of that." There was a general outcry of horror at these words. The examination then went on. "If you believed Olavida to be guilty of any pursuits or studies condemned by our mother the church, why did you not denounce him to the Inquisition?"—"Because I believed him not likely to be injured by such pursuits; his mind was too weak,— he died in the struggle," said the prisoner with great emphasis. "You believe, then, it requires strength of mind to keep those abominable secrets, when examined as to their nature and tendency?"—"No, I rather imagine strength of body." "We shall try that presently," said an Inquisitor, giving a signal for the torture.

. . . . .

The prisoner underwent the first and second applications with unshrinking courage, but on the infliction of the water-torture, which is indeed insupportable to humanity, either to suffer or relate, he exclaimed in the gasping interval, he would disclose everything. He was released, refreshed, restored, and the following day uttered the following remarkable confession. . . .

. . . . .

The old Spanish woman further confessed to Stanton, that. . . .

. . . . .

and that the Englishman certainly had been seen in the neighborhood since;—seen, as she had heard, that very night. "Great G—d!" exclaimed Stanton, as he recollected the stranger whose demoniac laugh had so appalled him, while gazing on the lifeless bodies of the lovers, whom the lightning had struck and blasted.

As the manuscript, after a few blotted and illegible pages, became more distinct, Melmoth read on, perplexed and unsatisfied, not knowing what connection this Spanish story could have with his ancestor, whom, however, he recognized under the title of the Englishman; and wondering how Stanton could have thought it worth his while to follow him to Ireland, write a long manuscript about an event that occurred in Spain, and leave it in the hands of his family, to "verify untrue things," in the language of Dogberry,— his wonder was diminished, though his curiosity was still more inflamed, by the perusal of the next lines, which he made out with some difficulty. It seems Stanton was now in England.

. . . . .

About the year 1677, Stanton was in London, his mind still full of his mysterious countryman. This constant subject of his contemplations had produced a visible change in his exterior,—his walk was what Sallust tells us of Catiline's,—his were, too, the "faedi oculi." He said to himself every moment, "If I could but trace that being, I will not call him man,"—and the next moment he said, "and what if I could?" In this state of mind, it is singular enough that he mixed constantly in public amusements, but it is true. When one fierce passion is devouring the soul, we feel more than ever the necessity of external excitement; and our dependence on the world for temporary relief increases in direct proportion to our contempt of the world and all its works. He went frequently to the theaters, THEN fashionable, when

     "The fair sat panting at a courtier's play,
      And not a mask went unimproved away."

. . . . .

It was that memorable night, when, according to the history of the veteran Betterton,* Mrs. Barry, who personated Roxana, had a green- room squabble with Mrs. Bowtell, the representative of Statira, about a veil, which the partiality of the property man adjudged to the latter. Roxana suppressed her rage till the fifth act, when, stabbing Statira, she aimed the blow with such force as to pierce through her stays, and inflict a severe though not dangerous wound. Mrs. Bowtell fainted, the performance was suspended, and, in the commotion which this incident caused in the house, many of the audience rose, and Stanton among them. It was at this moment that, in a seat opposite to him, he discovered the object of his search for four years,—the Englishman whom he had met in the plains of Valencia, and whom he believed the same with the subject of the extraordinary narrative he had heard there.

* Vide Betterton's History of the Stage.

He was standing up. There was nothing particular or remarkable in his appearance, but the expression of his eyes could never be mistaken or forgotten. The heart of Stanton palpitated with violence,—a mist overspread his eye,—a nameless and deadly sickness, accompanied with a creeping sensation in every pore, from which cold drops were gushing, announced the. . . .

. . . . .

Before he had well recovered, a strain of music, soft, solemn, and delicious, breathed round him, audibly ascending from the ground, and increasing in sweetness and power till it seemed to fill the whole building. Under the sudden impulse of amazement and pleasure, he inquired of some around him from whence those exquisite sounds arose. But, by the manner in which he was answered, it was plain that those he addressed considered him insane; and, indeed, the remarkable change in his expression might well justify the suspicion. He then remembered that night in Spain, when the same sweet and mysterious sounds were heard only by the young bridegroom and bride, of whom the latter perished on that very night. "And am I then to be the next victim?" thought Stanton; "and are those celestial sounds, that seem to prepare us for heaven, only intended to announce the presence of an incarnate fiend, who mocks the devoted with 'airs from heaven,' while he prepares to surround them with 'blasts from hell'?" It is very singular that at this moment, when his imagination had reached its highest pitch of elevation,—when the object he had pursued so long and fruitlessly, had in one moment become as it were tangible to the grasp both of mind and body,—when this spirit, with whom he had wrestled in darkness, was at last about to declare its name, that Stanton began to feel a kind of disappointment at the futility of his pursuits, like Bruce at discovering the source of the Nile, or Gibbon on concluding his History. The feeling which he had dwelt on so long, that he had actually converted it into a duty, was after all mere curiosity; but what passion is more insatiable, or more capable of giving a kind of romantic grandeur to all its wanderings and eccentricities? Curiosity is in one respect like love, it always compromises between the object and the feeling; and provided the latter possesses sufficient energy, no matter how contemptible the former may be. A child might have smiled at the agitation of Stanton, caused as it was by the accidental appearance of a stranger; but no man, in the full energy of his passions, was there, but must have trembled at the horrible agony of emotion with which he felt approaching, with sudden and irresistible velocity, the crisis of his destiny.

When the play was over, he stood for some moments in the deserted streets. It was a beautiful moonlight night, and he saw near him a figure, whose shadow, projected half across the street (there were no flagged ways then, chains and posts were the only defense of the foot passenger), appeared to him of gigantic magnitude. He had been so long accustomed to contend with these phantoms of the imagination, that he took a kind of stubborn delight in subduing them. He walked up to the object, and observing the shadow only was magnified, and the figure was the ordinary height of man, he approached it, and discovered the very object of his search,—the man whom he had seen for a moment in Valencia, and, after a search of four years, recognized at the theater.

. . . . .

"You were in quest of me?"—"I was." "Have you anything to inquire of me?"—"Much." "Speak, then."—"This is no place." "No place! poor wretch, I am independent of time and place. Speak, if you have anything to ask or to learn."—"I have many things to ask, but nothing to learn, I hope, from you." "You deceive yourself, but you will be undeceived when next we meet."—"And when shall that be?" said Stanton, grasping his arm; "name your hour and your place." "The hour shall be midday," answered the stranger, with a horrid and unintelligible smile; "and the place shall be the bare walls of a madhouse, where you shall rise rattling in your chains, and rustling from your straw, to greet me,—yet still you shall have THE CURSE OF SANITY, and of memory. My voice shall ring in your ears till then, and the glance of these eyes shall be reflected from every object, animate or inanimate, till you behold them again."—"Is it under circumstances so horrible we are to meet again?" said Stanton, shrinking under the full-lighted blaze of those demon eyes. "I never," said the stranger, in an emphatic tone,—"I never desert my friends in misfortune. When they are plunged in the lowest abyss of human calamity, they are sure to be visited by me."

. . .