The Machine That Floats by Joe Gibson (bill gates books recommendations .txt) đź“•
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- Author: Joe Gibson
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"Umm," Morrow ummed. "Building an experimental aircraft without authorization is unlawful, isn't it!"
"It's a federal offense!" Smitty exclaimed tersely. "Also, flying without a license is a federal offense—and you don't have one. And using government land without permission is a federal offense. And you'll have to quit your job with Western Electronics, won't you? What about your government contract?"
"I've given them two-weeks' notice," Morrow explained. "I'm allowed that. Of course, engineers are scarce—so scarce that by quitting my job here for no good reason, I'm getting myself blackballed out of every other company in the industry. None of 'em will hire me after that."
Smitty frowned concernedly. "Did you have to do it that way? I mean—suppose you just disappeared?"
Morrow shook his head. "There'd be federal investigators swarming around here three-deep!" he said. "I repeat, chum—engineers are scarce! And they don't like strange things happening to engineers who've been working on top-secret material. They catch more enemy agents that way."
"You sure they won't investigate you for quitting?" Smitty's gaze was thoughtful.
"I don't think so. In the next two weeks, I think I can convince them that I've simply turned out to be a stinker." Morrow grinned sourly. "They'll be glad to get rid of me, then."
"So you'll be ready to leave in two weeks." Smitty's tone was non-committal. "Then I'd better hop the next plane out this morning and start hunting up our base of operations."
"Don't you want to come out to Westerton and see the mechanism?"
"Uh-uh! Less we do to arouse suspicion, the better. I'll wire you, of course, when I find something. Have you got a gun?"
"Gun?" Morrow started. "No. Why should I?"
"Good." Smitty grinned lazily. "Don't carry one. They're too damned dangerous."
"I agree," Morrow said quietly. "It hadn't even occurred to me."
The train rattled and squealed through the hot summer afternoon, dust and foul-smelling smoke drifting back through the open coach windows. Morrow huddled in the corner of his seat and stared miserably out at the moving landscape.
Have you got a gun? The words echoed through his mind. Of course he didn't have a gun. He had never thought about it. Why should he need a gun?
But the answer was obvious. The secret of the gravity-control mechanism was precious.
Certain individuals, should they learn about it, would stop at nothing to get it. Including murder.
And if the government learned about it, they'd dump him into prison and throw the key away!
Thus, anyone who happened to find out about it would do one of two things—try to steal it or inform the authorities about it. Either one would mean catastrophe.
And there was only one sure way to keep anyone's mouth shut. Kill them!
Morrow knew he couldn't do that—he didn't have that sort of mentality. Nor could he stand by and let anyone else do it, not even Smitty.
But that was what Smitty had meant: he wouldn't stand by and let it happen, either.
Besides, any murder would bring on an investigation. They couldn't hide from that. So it boiled down to the simple fact that if anyone found out what they were doing, they'd be finished. Dead men don't talk, but they get a lot of other people curious.
Somehow, they had to keep it secret. They couldn't afford to let anyone find out about it.
And that could be disastrous. There had to be some alternative choice, in case anything like that should happen. There had to be an out. Without one, they'd be trapped.
They had to admit that some day, somehow, it would happen. Someone would find them out. And they had to be prepared to handle it. It would have to be handled in some way that didn't involve murder.
What other way was there?
There had to be some other way. Had to. Morrow chewed down his fingernails as the train lurched and rattled onward....
They pulled into Westerton with a hissing roar of steam and jolted to a stop beside the station. Morrow climbed down from the coach, wearily, and strode through the station to the street. It was late afternoon, but it was still hot. He pulled off his tie, stuffed it into his coat pocket, and unfastened his collar. Then he pulled off his coat, threw it over his shoulder, and rolled up his sleeves. That was better. Now for a bite to eat.
He strolled down the shady side of Railroad Avenue toward Switzer's Cafe.
Beyond the law! his footsteps rang on the sidewalk. Beyond the law, beyond the law—
Suppose someone did find them out? They could ask no one to protect their interests. There'd be no help from the authorities. They'd have to protect themselves—against anyone and everyone! How could they do that without guns, without the possibility of killing someone? They couldn't accept defeat that easily. The secret was too important to the future of mankind!
But what could they do?
Beyond the law! Beyond the law—
"Bill! Hey, wait up!"
Morrow stopped as if someone had jerked him back on a string. He whirled toward the sound of the voice before his mind had recognized it.
Gwyn came trotting down the street toward him, swinging a tennis racket in her hand. She was dressed in a white, short-skirted tennis suit. She stopped beside him, breathlessly, and put her arm through his. "Where you going?"
"Switzer's," he said. "Join me in a sandwich?"
"Okay." They strolled onward. Her skirt rippled over her smooth thighs, accentuating her tanned, slender legs. "I go on the four o'clock shift tomorrow. Want to come down at midnight and walk me home?"
"At midnight?" he taunted.
"Sure! It's the witching hour!" She wrinkled her nose up at him, teasingly. "What're you all dressed up in your suit for? Going somewhere?"
"Had to go to Newark today," he said. "To meet someone."
"Oh! Don't they even let you alone on Sundays?"
"Sometimes, honey." He grinned. "When are you going swimming with me again?"
"Well, if you want to swim—" She broke off and gazed up at him with mocking cynicism. Suddenly, her gaze went past him and she tugged at his arm. "Oh! Wait a second."
She guided him into the little newsstand and left him by the cigar counter, going on over to the magazine racks. Morrow stood back and admired her firm, shapely posterior.
"Ah!" she exclaimed, pulling out a magazine. She fished some change from the little purse on her belt and passed it to the newsstand operator. "Okay, let's go."
"What've you got there?" Morrow asked.
"You can see it after I have," she retorted. "Why don't you buy one yourself, for a change?"
She flipped through the magazine's pages as they walked along. Morrow took her elbow, guided her around a telephone pole, and maintained a discreet silence.
As they seated themselves in a booth, Gwyn closed the magazine and slid it across to him. Smiling, Morrow glanced down at it—then stiffened, staring at the cover illustration.
It was no more than a typical science-fiction cover. The setting was a typical street scene at night—some dark side-street in the metropolitan section of some city like New York. In the foreground stood a young man....
But from there on, it was nothing ordinary. The young man was slumped back against the wall of a building as if he were trying to mold himself right into it. The expression on his face was one of mixed surprise, incredulity, and fear. It showed plainly that he knew no one else would believe him if he told what he was seeing; and furthermore, he didn't believe it himself.
In the background, farther up the street, a group of people were emerging from a doorway. A beautiful girl was in the lead, and behind her came creatures that looked like men with blue skins, except that they had tentacles instead of arms. The light of a street lamp revealed the skin-tight garments they were wearing, and the octopus-armed men had transparent helmets over their hairless heads. The girl wore a helmet that was thrown back.
And before them was a tall, gleaming rocket ship, standing on its tail-fins in the middle of the street!
And the young onlooker didn't believe it!
"She is pretty, isn't she!" Gwyn's acid tones cut through his thoughts.
Morrow noticed, then, that the cover-girl's costume was not only skin-tight, but there wasn't much of it. He grinned wordlessly, then thumbed through the rest of the magazine. Its pages hardly registered on his mind. He was beginning to form an idea....
By the end of the following week, Morrow had convinced everyone at the labs that he was a heel. But that wasn't all. He also felt like a heel.
It began the first day, with Borgesdorf. Alec Borgesdorf was chief of the Research Division. He sent word for Morrow to drop into his office. When Morrow walked in, he saw his letter of resignation on the desk. Borgesdorf was grinning and frowning at the same time.
"What the hell is this, Bill?" he asked good-naturedly.
"What's it look like, 'Greetings from the President?'" Morrow retorted.
Borgesdorf's grin faltered. His frown turned to amazement. "Well holy cow, Bill!" he exclaimed. "What's the trouble? Why're you quitting?"
"I'm quitting this whole blasted mess!" Morrow said flatly. "Does that answer your question?"
"Wh—well, yes, if you say so. But—you know what this means, Bill! Why?"
Morrow looked at him, coldly. "Suppose you mind your own business?"
Borgesdorf tensed behind his desk. The friendliness faded slowly from his gaze. "All right," he said abruptly. "But if there's anything wrong around here, I think you should tell me about it."
"Don't worry about it," Morrow sneered. "I'm quitting and that's that. Keep your dirty nose out of it."
Borgesdorf's big, fleshy face reddened slightly, but that was all. He didn't say anything for a few minutes. Then he gave a barely perceptible nod. "Very well, Morrow. That's all."
"Sure." Morrow wheeled and stalked out.
Two days later, it was little Petersen. Petersen was a wizened, little guy nearly sixty years old; he'd been playing around with radio when it was a crystal and the cat's whiskers. He had consternation written all over his seamed face as he came shuffling up to Morrow.
Morrow could almost hear the discussing that had gone on between him and Borgesdorf—Petersen frowning worriedly as the chief said, I couldn't get a thing out of him, Pete. Can't understand it at all. See what you can get out of him, will you?
So here was little Pete.
"Hear you're quittin' us, Bill," he drawled nasally.
"What about it?" Morrow retorted, cursing himself mentally. Pete was a nice, old guy—everybody in the labs liked him. Morrow liked him, too ... but this was different.
"Nobody's done anything against you, have they?" Pete complained. "You're throwing away a whole lot, son. It won't be gotten back easy." His shrewd, little eyes watched Morrow, pensively. "The country needs young fellas like you now, Bill—"
Morrow forced the sneer across his face again. "That's just too damn' bad," he said evenly.
Pete's eyes narrowed. "You're talkin' like a commie—"
Morrow lashed out. The back of his hand smacked across the little man's mouth. "Beat it," he said huskily. "Beat it, you damned little shrimp."
Pete stared at him for a moment, then turned slowly and walked away.
Instantly, Mart Sumter came stalking across the lab. Sumter was big, broad-shouldered, with muscles bulging against his stained smock. He stopped in front of Morrow, his fists clenched.
"If I ever see you do that again," he said softly, "I'll give you the worst beating you've ever had in your life!"
Morrow returned his angry glare, then whirled and went back to his work.
"You heard me, didn't you?" Sumter's breath whispered on his neck.
"I heard you," Morrow rasped.
"Don't forget it." Then Sumter strode away.
Morrow grinned shakily. He was certainly getting what he deserved!
At home, an idea was rapidly taking on form and dimension in his mind. He set up his drafting board, collected his inks, and worked doggedly through the night, etching out diagrams that showed—theoretically, at least—how his idea would work.
At midnight, he would show up at Switzer's Cafe to walk Gwyn home.
The nights were cool and pleasant, with deep shadows along the tree-lined streets and the street lights filtering through the treetops, dappling the silent fronts of the houses. They strolled along, slowly, their arms around each other, Gwyn's body pressed close to his.
"I like a small town," Gwyn murmured softly, one night. "'Specially at night—so peaceful, so cozy."
"I like the dark," Morrow said.
"Why?"
"I don't know. It changes things. It's a different world."
She looked up at him, wonderingly. "I think of a small town. You think of a different world. Why is that, Bill?"
"You're tired, maybe." He grinned down at her. "You've been on your feet eight hours."
"That makes me think of a small town?"
"Contentment," he said. "Small towns are contented."
"And a different world—that's exciting, isn't it?"
"Sometimes it's
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