The Last Days of Pompeii by Baron Edward Bulwer Lytton Lytton (best book reader .txt) 📕

in thy triumph—that I (the last son of forgotten monarchs) survey below, reservoirs of thine all-pervading power and luxury, I curse as I behold! The time shall come when Egypt shall be avenged! when the barbarian's steed shall make his manger in the Golden House of Nero! and thou that hast sown the wind with conquest shalt reap the harvest in the whirlwind of desolation!'

As the Egyptian uttered a prediction which fate so fearfully fulfilled, a more solemn and boding image of ill omen never occurred to the dreams of painter or of poet. The morning light, which can pale so wanly even the young cheek of beauty, gave his majestic and stately features almost the colors of the grave, with the dark hair falling massively around them, and the dark robes flowing long and loose, and the arm outstretched from that lofty eminence, and the glittering eyes, fierce with a savage gladness—half prophet and half fiend!

He turned his gaze from the city and the ocean; before him lay the vineyards and meadows of the rich Campania. The gate and walls—ancient, half Pelasgic—of the city, seemed not to bound its extent. Villas and villages stretched on every side up the ascent of Vesuvius, not nearly then so steep or so lofty as at present. For, as Rome itself is built on an exhausted volcano, so in similar security the inhabitants of the South tenanted the green and vine-clad places around a volcano whose fires they believed at rest for ever. From the gate stretched the long street of tombs, various in size and architecture, by which, on that side, the city is as yet approached. Above all, rode the cloud-capped summit of the Dread Mountain, with the shadows, now dark, now light, betraying the mossy caverns and ashy rocks, which testified the past conflagrations, and might have prophesied—but man is blind—that which was to come!

Difficult was it then and there to guess the causes why the tradition of the place wore so gloomy and stern a hue; why, in those smiling plains, for miles around—to Baiae and Misenum—the poets had imagined the entrance and thresholds of their hell—their Acheron, and their fabled Styx: why, in those Phlegrae, now laughing with the vine, they placed the battles of the gods, and supposed the daring Titans to have sought the victory of heaven—save, indeed, that yet, in yon seared and blasted summit, fancy might think to read the characters of the Olympian thunderbolt.

But it was neither the rugged height of the still volcano, nor the fertility of the sloping fields, nor the melancholy avenue of tombs, nor the glittering villas of a polished and luxurious people, that now arrested the eye of the Egyptian. On one part of the landscape, the mountain of Vesuvius descended to the plain in a narrow and uncultivated ridge, broken here and there by jagged crags and copses of wild foliage. At the base of this lay a marshy and unwholesome pool; and the intent gaze of Arbaces caught the outline of some living form moving by the marshes, and stooping ever and anon as if to pluck its rank produce.

'Ho!' said he, aloud, 'I have then, another companion in these unworldly night—watches. The witch of Vesuvius is abroad. What! doth she, too, as the credulous imagine—doth she, too, learn the lore of the great stars? Hath she been uttering foul magic to the moon, or culling (as her pauses betoken) foul herbs from the venomous marsh? Well, I must see this fellow-laborer. Whoever strives to know learns that no human lore is despicable. Despicable only you—ye fat and bloated things—slaves of luxury—sluggards in thought—who, cultivating nothing but the barren sense, dream that its poor soil can produce alike the myrtle and the laurel. No, the wise only can enjoy—to us only true luxury is given, when mind, brain, invention, experience, thought, learning, imagination, all contribute like rivers to swell the seas of SENSE!—Ione!'

As Arbaces uttered that last and charmed word, his thoughts sunk at once into a more deep and profound channel. His steps paused; he took not his eyes from the ground; once or twice he smiled joyously, and then, as he turned from his place of vigil, and sought his couch, he muttered, 'If death frowns so near, I will say at least that I have lived—Ione shall be mine!'

The character of Arbaces was one of those intricate and varied webs, in which even the mind that sat within it was sometimes confused and perplexed. In him, the son of a fallen dynasty, the outcast of a sunken people, was that spirit of discontented pride, which ever rankles in one of a sterner mould, who feels himself inexorably shut from the sphere in which his fathers shone, and to which Nature as well as birth no less entitles himself. This sentiment hath no benevolence; it wars with society, it sees enemies in mankind. But with this sentiment did not go its common companion, poverty. Arbaces possessed wealth which equalled that of most of the Roman nobles; and this enabled him to gratify to the utmost the passions which had no outlet in business or ambition. Travelling from clime to clime, and beholding still Rome everywhere, he increased both his hatred of society and his passion for pleasure. He was in a vast prison, which, however, he could fill with the ministers of luxury. He could not escape from the prison, and his only object, therefore, was to give it the character of the palace. The Egyptians, from the earliest time, were devoted to the joys of sense; Arbaces inherited both their appetite for sensuality and the glow of imagination which struck light from its rottenness. But still, unsocial in his pleasures as in his graver pursuits, and brooking neither superior nor equal, he admitted few to his companionship, save the willing slaves of his profligacy. He was the solitary lord of a crowded harem; but, with all, he felt condemned to that satiety which is the constant curse of men whose intellect is above their pursuits, and that which once had been the impulse of passion froze down to the ordinance of custom. From the disappointments of sense he sought to raise himself by the cultivation of knowledge; but as it was not his object to serve mankind, so he despised that knowledge which is practical and useful. His dark imagination loved to exercise itself in those more visionary and obscure researches which are ever the most delightful to a wayward and solitary mind, and to which he himself was invited by the daring pride of his disposition and the mysterious traditions of his clime. Dismissing faith in the confused creeds of the heathen world, he reposed the greatest faith in the power of human wisdom. He did not know (perhaps no one in that age distinctly did) the limits which Nature imposes upon our discoveries. Seeing that the higher we mount in knowledge the more wonders we behold, he imagined that Nature not only worked miracles in her ordinary course, but that she might, by the cabala of some master soul, be diverted from that course itself. Thus he pursued science, across her appointed boundaries, into the land of perplexity and shadow. From the truths of astronomy he wandered into astrological fallacy; from the secrets of chemistry he passed into the spectral labyrinth of magic; and he who could be sceptical as to the power of the gods, was credulously superstitious as to the power of man.

The cultivation of magic, carried at that day to a singular height among the would-be wise, was especially Eastern in its origin; it was alien to the early philosophy of the Greeks; nor had it been received by them with favor until Ostanes, who accompanied the army of Xerxes, introduced, amongst the simple credulities of Hellas, the solemn superstitions of Zoroaster. Under the Roman emperors it had become, however, naturalized at Rome (a meet subject for Juvenal's fiery wit). Intimately connected with magic was the worship of Isis, and the Egyptian religion was the means by which was extended the devotion to Egyptian sorcery.