The Last Days of Pompeii by Baron Edward Bulwer Lytton Lytton (best book reader .txt) 📕

Chapter IX

WHAT BECOMES OF IONE IN THE HOUSE OF ARBACES. THE FIRST SIGNAL OF THE WRATH OF THE DREAD FOE.

WHEN Ione entered the spacious hall of the Egyptian, the same awe which had crept over her brother impressed itself also upon her: there seemed to her as to him something ominous and warning in the still and mournful faces of those dread Theban monsters, whose majestic and passionless features the marble so well portrayed:

Their look, with the reach of past ages, was wise, And the soul of eternity thought in their eyes. The tall AEthiopian slave grinned as he admitted her, and motioned to her to proceed. Half-way up the hall she was met by Arbaces himself, in festive robes, which glittered with jewels. Although it was broad day without, the mansion, according to the practice of the luxurious, was artificially darkened, and the lamps cast their still and odor-giving light over the rich floors and ivory roofs.

'Beautiful Ione,' said Arbaces, as he bent to touch her hand, 'it is you that have eclipsed the day—it is your eyes that light up the halls—it is your breath which fills them with perfumes.'

'You must not talk to me thus,' said Ione, smiling, 'you forget that your lore has sufficiently instructed my mind to render these graceful flatteries to my person unwelcome. It was you who taught me to disdain adulation: will you unteach your pupil?'

There was something so frank and charming in the manner of Ione, as she thus spoke, that the Egyptian was more than ever enamoured, and more than ever disposed to renew the offence he had committed; he, however, answered quickly and gaily, and hastened to renew the conversation.

He led her through the various chambers of a house, which seemed to contain to her eyes, inexperienced to other splendor than the minute elegance of Campanian cities, the treasures of the world.

In the walls were set pictures of inestimable art, the lights shone over statues of the noblest age of Greece. Cabinets of gems, each cabinet itself a gem, filled up the interstices of the columns; the most precious woods lined the thresholds and composed the doors; gold and jewels seemed lavished all around. Sometimes they were alone in these rooms—sometimes they passed through silent rows of slaves, who, kneeling as she passed, proffered to her offerings of bracelets, of chains, of gems, which the Egyptian vainly entreated her to receive.

'I have often heard,' said she, wonderingly, 'that you were rich; but I never dreamed of the amount of your wealth.'

'Would I could coin it all,' replied the Egyptian, 'into one crown, which I might place upon that snowy brow!'

'Alas! the weight would crush me; I should be a second Tarpeia,' answered Ione, laughingly.

'But thou dost not disdain riches, O Ione! they know not what life is capable of who are not wealthy. Gold is the great magician of earth—it realizes our dreams—it gives them the power of a god—there is a grandeur, a sublimity, in its possession; it is the mightiest, yet the most obedient of our slaves.'

The artful Arbaces sought to dazzle the young Neapolitan by his treasures and his eloquence; he sought to awaken in her the desire to be mistress of what she surveyed: he hoped that she would confound the owner with the possessions, and that the charms of his wealth would be reflected on himself. Meanwhile, Ione was secretly somewhat uneasy at the gallantries which escaped from those lips, which, till lately, had seemed to disdain the common homage we pay to beauty; and with that delicate subtlety, which woman alone possesses, she sought to ward off shafts deliberately aimed, and to laugh or to talk away the meaning from his warming language. Nothing in the world is more pretty than that same species of defence; it is the charm of the African necromancer who professed with a feather to turn aside the winds.

The Egyptian was intoxicated and subdued by her grace even more than by her beauty: it was with difficulty that he suppressed his emotions; alas! the feather was only powerful against the summer breezes—it would be the sport of the storm.

Suddenly, as they stood in one hall, which was surrounded by draperies of silver and white, the Egyptian clapped his hands, and, as if by enchantment, a banquet rose from the floor—a couch or throne, with a crimson canopy, ascended simultaneously at the feet of Ione—and at the same instant from behind the curtains swelled the invisible and softest music.

Arbaces placed himself at the feet of Ione—and children, young and beautiful as Loves, ministered to the feast.

The feast was over, the music sank into a low and subdued strain, and Arbaces thus addressed his beautiful guest:

'Hast thou never in this dark and uncertain world—hast thou never aspired, my pupil, to look beyond—hast thou never wished to put aside the veil of futurity, and to behold on the shores of Fate the shadowy images of things to be? For it is not the past alone that has its ghosts: each event to come has also its spectrum—its shade; when the hour arrives, life enters it, the shadow becomes corporeal, and walks the world. Thus, in the land beyond the grave, are ever two impalpable and spiritual hosts—the things to be, the things that have been! If by our wisdom we can penetrate that land, we see the one as the other, and learn, as I have learned, not alone the mysteries of the dead, but also the destiny of the living.'

'As thou hast learned!—Can wisdom attain so far?'

'Wilt thou prove my knowledge, Ione, and behold the representation of thine own fate? It is a drama more striking than those of AEschylus: it is one I have prepared for thee, if thou wilt see the shadows perform their part.'

The Neapolitan trembled; she thought of Glaucus, and