Fromont and Risler by Alphonse Daudet (i love reading txt) 📕

of their streets. On all sides the faded flowers, the trees white with dust, the faces made pale and wan by the heat, all the sorrows, all the miseries of a great city, sitting dreamily, with bowed head, on the benches in the garden, feel its comforting, refreshing influence. The air is stirred, renewed by those strains that traverse it, filling it with harmony.
Poor Risler felt as if the tension upon all his nerves were relaxed.
"A little music does one good," he said, with glistening eyes. "My heart is heavy, old fellow," he added, in a lower tone; "if you knew--"
They sat without speaking, their elbows resting on the window-sill, while their coffee was served.
Then the music ceased, the garden became deserted. The light that had loitered in the corners crept upward to the roofs, cast its last rays upon the highest windowpanes, followed by the birds, the swallows, which saluted the close of day with a farewell chirp from the gutter where they were huddled together.
"Now, where shall we go?" said Planus, as they left the restaurant.
"Wherever you wish."
On the first floor of a building on the Rue Montpensier, close at hand, was a cafe chantant, where many people entered.
"Suppose we go in," said Planus, desirous of banishing his friend's melancholy at any cost, "the beer is excellent."
Risler assented to the suggestion; he had not tasted beer for six months.
It was a former restaurant transformed into a concert-hall. There were three large rooms, separated by gilded pillars, the partitions having been removed; the decoration was in the Moorish style, bright red, pale blue, with little crescents and turbans for ornament.
Although it was still early, the place was full; and even before entering one had a feeling of suffocation, simply from seeing the crowds of people sitting around the tables, and at the farther end, half-hidden by the rows of pillars, a group of white-robed women on a raised platform, in the heat and glare of the gas.
Our two friends had much difficulty in finding seats, and had to be content with a place behind a pillar whence they could see only half of the platform, then occupied by a superb person in black coat and yellow gloves, curled and waxed and oiled, who was singing in a vibrating voice--
Mes beaux lions aux crins dores,
Du sang des troupeaux alteres,
Halte la!--Je fais sentinello!
[My proud lions with golden manes
Who thirst for the blood of my flocks,
Stand back!--I am on guard!]
The audience--small tradesmen of the quarter with their wives and daughters-seemed highly enthusiastic: especially the women. He represented so perfectly the ideal of the shopkeeper imagination, that magnificent shepherd of the desert, who addressed lions with such an air of authority and tended his flocks in full evening dress. And so, despite their bourgeois bearing, their modest costumes and their expressionless shop-girl smiles, all those women, made up their little mouths to be caught by the hook of sentiment, and cast languishing glances upon the singer. It was truly comical to see that glance at the platform suddenly change and become contemptuous and fierce as it fell upon the husband, the poor husband tranquilly drinking a glass of beer opposite his wife: "You would never be capable of doing sentry duty in the very teeth of lions, and in a black coat too, and with yellow gloves!"
And the husband's eye seemed to reply:
"Ah! 'dame', yes, he's quite a dashing buck, that fellow."
Being decidedly indifferent to heroism of that stamp, Risler and Sigismond were drinking their beer without paying much attention to the music, when, at the end of the song, amid the applause and cries and uproar that followed it, Pere Planus uttered an exclamation:
"Why, that is odd; one would say--but no, I'm not mistaken. It is he, it's Delobelle!"
It was, in fact, the illustrious actor, whom he had discovered in the front row near the platform. His gray head was turned partly away from them. He was leaning carelessly against a pillar, hat in hand, in his grand make-up as leading man: dazzlingly white linen, hair curled with the tongs, black coat with a camellia in the buttonhole, like the ribbon of an order. He glanced at the crowd from time to time with a patronizing air: but his eyes were most frequently turned toward the platform, with encouraging little gestures and smiles and pretended applause, addressed to some one whom Pere Planus could not see from his seat.
There was nothing very extraordinary in the presence of the illustrious Delobelle at a cafe concert, as he spent all his evenings away from home; and yet the old cashier felt vaguely disturbed, especially when he discovered in the same row a blue cape and a pair of steely eyes. It was Madame Dobson, the sentimental singing-teacher. The conjunction of those two faces amid the pipe-smoke and the confusion of the crowd, produced upon Sigismond the effect of two ghosts evoked by a bad dream. He was afraid for his friend, without knowing exactly why; and suddenly it occurred to him to take him away.
"Let us go, Risler. The heat here is enough to kill one."
Just as they rose--for Risler was no more desirous to stay than to go--the orchestra, consisting of a piano and several violins, began a peculiar refrain. There was a flutter of curiosity throughout the room, and cries of "Hush! hush! sit down!"
They were obliged to resume their seats. Risler, too, was beginning to be disturbed.
"I know that tune," he said to himself. "Where have I heard it?"
A thunder of applause and an exclamation from Planus made him raise his eyes.
"Come, come, let us go," said the cashier, trying to lead him away.
But it was too late.
Risler had already seen his wife come forward to the front of the stage and curtsey to the audience with a ballet-dancer's smile.
She wore a white gown, as on the night of the ball; but her whole costume was much less rich and shockingly immodest.
The dress was barely caught together at the shoulders; her hair floated in a blond mist low over her eyes, and around her neck was a necklace of pearls too large to be real, alternated with bits of tinsel. Delobelle was right: the Bohemian life was better suited to her. Her beauty had gained an indefinably reckless expression, which was its most characteristic feature, and made her a perfect type of the woman who has escaped from all restraint, placed herself at the mercy of every accident, and is descending stage by stage to the lowest depths of the Parisian hell, from which nothing is powerful enough to lift her and restore her to the pure air and the light.
And how perfectly at ease she seemed in her strolling life! With what self-possession she walked to the front of the stage! Ah! could she have seen the desperate, terrible glance fixed upon her down there in the hall, concealed behind a pillar, her smile would have lost that equivocal placidity, her voice would have sought in vain those wheedling, languorous tones in which she warbled the only song Madame Dobson had ever been able to teach her:
Pauv' pitit Mamz'elle Zizi,
C'est l'amou, l'amou qui tourne
La tete a li.
Risler had risen, in spite of Planus's efforts. "Sit down! sit down!" the people shouted. The wretched man heard nothing. He was staring at his wife.
C'est l'amou, l'amou qui tourne
La tete a li,
Sidonie repeated affectedly.
For a moment he wondered whether he should not leap on the platform and kill her. Red flames shot before his eyes, and he was blinded with frenzy.
Then, suddenly, shame and disgust seized upon him and he rushed from the hall, overturning chairs and tables, pursued by the terror and imprecations of all those scandalized bourgeois.


CHAPTER XXIV. SIDONIE'S VENGEANCE
Never had Sigismond Planus returned home so late without giving his sister warning, during the twenty years and more that he had lived at Montrouge. Consequently Mademoiselle Planus was greatly worried. Living in community of ideas and of everything else with her brother, having but one mind for herself and for him, the old maid had felt for several months the rebound of all the cashier's anxiety and indignation; and the effect was still noticeable in her tendency to tremble and become agitated on slight provocation. At the slightest tardiness on Sigismond's part, she would think:
"Ah! mon Dieu! If only nothing has happened at the factory!"
That is the reason why on the evening in question, when the hens and chickens were all asleep on their perches, and the dinner had been removed untouched, Mademoiselle Planus was sitting in the little ground-floor living-room, waiting, in great agitation.
At last, about eleven o'clock, some one rang. A timid, melancholy ring, in no wise resembling Sigismond's vigorous pull.
"Is it you, Monsieur Planus?" queried the old lady from behind the door.
It was he; but he was not alone. A tall, bent old man accompanied him, and, as they entered, bade her good-evening in a slow, hesitating voice. Not till then did Mademoiselle Planus recognize Risler Aine, whom she had not seen since the days of the New Year's calls, that is to say, some time before the dramas at the factory. She could hardly restrain an exclamation of pity; but the grave taciturnity of the two men told her that she must be silent.
"Mademoiselle Planus, my sister, you will put clean sheets on my bed. Our friend Risler does us the honor to pass the night with us."
The sister hastened away to prepare the bedroom with an almost affectionate zeal; for, as we know, beside "Monsieur Planus, my brother," Risler was the only man excepted from the general reprobation in which she enveloped the whole male sex.
Upon leaving the cafe concert, Sidonie's husband had had a moment of frantic excitement. He leaned on Planus's arm, every nerve in his body strained to the utmost. At that moment he had no thought of going to Montrouge to get the letter and the package.
"Leave me--go away," he said to Sigismond. "I must be alone."
But the other knew better than to abandon him thus to his despair. Unnoticed by Risler, he led him away from the factory, and as his affectionate heart suggested to the old cashier what he had best say to his friend, he talked to him all the time of Frantz, his little Frantz whom he loved so dearly.
"That was genuine affection, genuine and trustworthy. No treachery to fear with such hearts as that!"
While they talked they left behind them the noisy streets of the centre of Paris. They walked along the quays, skirted the Jardin des Plantes, plunged into Faubourg Saint-Marceau. Risler followed where the other led. Sigismond's words did him so much good!
In due time they came to the Bievre, bordered at that point with tanneries whose tall drying-houses with open sides were outlined in blue against the sky; and then the ill-defined plains of Montsouris, vast tracts of land scorched and stripped of vegetation by