Villette by Charlotte Brontë (learn to read activity book TXT) 📕

irritant to my emotions: but” (shrugging his shoulders) “you know nothing about these things; I’ll address myself to my mother. Mamma, I’m in a dangerous way.”

“As if that interested me!” said Mrs. Bretton.

“Alas! the cruelty of my lot!” responded her son. “Never man had a more unsentimental mother than mine: she never seems to think that such a calamity can befall her as a daughter-in-law.”

“If I don’t, it is not for want of having that same calamity held over my head: you have threatened me with it for the last ten years. ‘Mamma, I am going to be married soon!’ was the cry before you were well out of jackets.”

“But, mother, one of these days it will be realized. All of a sudden, when you think you are most secure, I shall go forth like Jacob or Esau, or any other patriarch, and take me a wife: perhaps of these which are of the daughters of the land.”

“At your peril, John Graham! that is all.”

“This mother of mine means me to be an old bachelor. What a jealous old lady it is! But now just look at that splendid creature in the pale blue satin dress, and hair of paler brown, with ‘reflets satinés’ as those of her robe. Would you not feel proud, mamma, if I were to bring that goddess home some day, and introduce her to you as Mrs. Bretton, junior?”

“You will bring no goddess to La Terrasse: that little château will not contain two mistresses; especially if the second be of the height, bulk, and circumference of that mighty doll in wood and wax, and kid and satin.”

“Mamma, she would fill your blue chair so admirably!”

“Fill my chair? I defy the foreign usurper! a rueful chair should it be for her: but hush, John Graham! Hold your tongue, and use your eyes.”

During the above skirmish, the hall, which, I had thought, seemed full at the entrance, continued to admit party after party, until the semicircle before the stage presented one dense mass of heads, sloping from floor to ceiling. The stage, too, or rather the wide temporary platform, larger than any stage, desert half an hour since, was now overflowing with life; round two grand pianos, placed about the centre, a white flock of young girls, the pupils of the Conservatoire, had noiselessly poured. I had noticed their gathering, while Graham and his mother were engaged in discussing the belle in blue satin, and had watched with interest the process of arraying and marshalling them. Two gentlemen, in each of whom I recognised an acquaintance, officered this virgin troop. One, an artistic-looking man, bearded, and with long hair, was a noted pianiste, and also the first music-teacher in Villette; he attended twice a week at Madame Beck’s pensionnat, to give lessons to the few pupils whose parents were rich enough to allow their daughters the privilege of his instructions; his name was M. Josef Emanuel, and he was half-brother to M. Paul: which potent personage was now visible in the person of the second gentleman.

M. Paul amused me; I smiled to myself as I watched him, he seemed so thoroughly in his element—standing conspicuous in presence of a wide and grand assemblage, arranging, restraining, over-aweing about one hundred young ladies. He was, too, so perfectly in earnest—so energetic, so intent, and, above all, so of the foreigners then resident in Villette. These took possession of the crimson benches; the ladies were seated; most of the men remained standing: their sable rank, lining the background, looked like a dark foil to the splendour displayed in front. Nor was this splendour without varying light and shade and gradation: the middle distance was filled with matrons in velvets and satins, in plumes and gems; the benches in the foreground, to the Queen’s right hand, seemed devoted exclusively to young girls, the flower—perhaps, I should rather say, the bud—of Villette aristocracy. Here were no jewels, no head-dresses, no velvet pile or silken sheen purity, simplicity, and aërial grace reigned in that virgin band. Young heads simply braided, and fair forms (I was going to write sylph forms, but that would have been quite untrue: several of these “jeunes filles,” who had not numbered more than sixteen or seventeen years, boasted contours as robust and solid as those of a stout Englishwoman of five-and-twenty)—fair forms robed in white, or pale rose, or placid blue, suggested thoughts of heaven and angels. I knew a couple, at least, of these “rose et blanche” specimens of humanity. Here was a pair of Madame Beck’s late pupils— Mesdemoiselles Mathilde and Angélique: pupils who, during their last year at school, ought to have been in the first class, but whose brains never got them beyond the second division. In English, they had been under my own charge, and hard work it was to get them to translate rationally a page of The Vicar of Wakefield. Also during three months I had one of them for my vis-à-vis at table, and the quantity of household bread, butter, and stewed fruit, she would habitually consume at “second déjeuner” was a real world’s wonder—to be exceeded only by the fact of her actually pocketing slices she could not eat. Here be truths—wholesome truths, too.

I knew another of these seraphs—the prettiest, or, at any rate, the least demure and hypocritical looking of the lot: she was seated by the daughter of an English peer, also an honest, though haughty-looking girl: both had entered in the suite of the British embassy. She (i.e. my acquaintance) had a slight, pliant figure, not at all like the forms of the foreign damsels: her hair, too, was not close-braided, like a shell or a skull-cap of satin; it looked like hair, and waved from her head, long, curled, and flowing. She chatted away volubly, and seemed full of a light-headed sort of satisfaction with herself and her position. I did not look at Dr. Bretton; but I knew that he, too, saw Ginevra Fanshawe: he had become so quiet, he answered so briefly his mother’s remarks, he so often suppressed a sigh. Why should he sigh? He had confessed a taste for the pursuit of love under difficulties; here was full gratification for that taste. His lady-love beamed upon him from a sphere above his own: he could not come near her; he was not certain that he could win from her a look. I watched to see if she would so far favour him. Our seat was not far from the crimson benches; we must inevitably be seen thence, by eyes so quick and roving as Miss Fanshawe’s, and very soon those optics of hers were upon us: at least, upon Dr. and Mrs. Bretton. I kept rather in the shade and out of sight, not wishing to be immediately recognised: she looked quite steadily at Dr. John, and then she raised a glass to examine his mother; a minute or two afterwards she laughingly whispered her neighbour; upon the performance commencing, her rambling attention was attracted to the platform.

On the concert I need not dwell; the reader would not care to have my impressions thereanent: and, indeed, it would not be worth while to record them, as they were the impressions of an ignorance crasse. The young ladies of the Conservatoire, being very much frightened, made rather a tremulous exhibition on the two grand pianos. M. Josef Emanuel stood by them while they played; but he had not the tact or influence of his kinsman, who, under similar circumstances, would certainly have compelled pupils of his to demean themselves with heroism and self-possession. M. Paul would have placed the hysteric débutantes between two fires—terror of the audience, and terror of himself—and would have inspired them with the courage of desperation, by making the latter terror incomparably the greater: M. Josef could not do this.

Following the white muslin pianistes, came a fine, full-grown, sulky lady in white satin. She sang. Her singing just affected me like the tricks of a conjuror: I wondered how she did it—how she made her voice run up and down, and cut such marvellous capers; but a simple Scotch melody, played by a rude street minstrel, has often moved me more deeply.

Afterwards stepped forth a gentleman, who, bending his body a good deal in the direction of the King and Queen, and frequently approaching his white-gloved hand to the region of his heart, vented a bitter outcry against a certain “fausse Isabelle.” I thought he seemed especially to solicit the Queen’s sympathy; but, unless I am egregiously mistaken, her Majesty lent her attention rather with the calm of courtesy than the earnestness of interest. This gentleman’s state of mind was very harrowing, and I was glad when he wound up his musical exposition of the same.

Some rousing choruses struck me as the best part of the evening’s entertainment. There were present deputies from all the best provincial choral societies; genuine, barrel-shaped, native Labassecouriens. These worthies gave voice without mincing the matter their hearty exertions had at least this good result—the ear drank thence a satisfying sense of power.

Through the whole performance—timid instrumental duets, conceited vocal solos, sonorous, brass-lunged choruses—my attention gave but one eye and one ear to the stage, the other being permanently retained in the service of Dr. Bretton: I could not forget him, nor cease to question how he was feeling, what he was thinking, whether he was amused or the contrary. At last he spoke.

“And how do you like it all, Lucy? You are very quiet,” he said, in his own cheerful tone.

“I am quiet,” I said, “because I am so very, very much interested: not merely with the music, but with everything about me.”

He then proceeded to make some further remarks, with so much equanimity and composure that I began to think he had really not seen what I had seen, and I whispered—“Miss Fanshawe is here: have you noticed her?”

“Oh, yes! and I observed that you noticed her too?”

“Is she come with Mrs. Cholmondeley, do you think?”

“Mrs. Cholmondeley is there with a very grand party. Yes; Ginevra was in her train; and Mrs. Cholmondeley was in Lady –-‘s train, who was in the Queen’s train. If this were not one of the compact little minor European courts, whose very formalities are little more imposing than familiarities, and whose gala grandeur is but homeliness in Sunday array, it would sound all very fine.”

“Ginevra saw you, I think?”

“So do I think so. I have had my eye on her several times since you withdrew yours; and I have had the honour of witnessing a little spectacle which you were spared.”

I did not ask what; I waited voluntary information, which was presently given.

“Miss Fanshawe,” he said, “has a companion with her—a lady of rank. I happen to know Lady Sara by sight; her noble mother has called me in professionally. She is a proud girl, but not in the least insolent, and I doubt whether Ginevra will have gained ground in her estimation by making a butt of her neighbours.”

“What neighbours?”

“Merely myself and my mother. As to me it is all very natural: nothing, I suppose, can be fairer game than the young bourgeois doctor; but my mother! I never saw her ridiculed before. Do you know, the curling lip, and sarcastically levelled glass thus directed, gave me a most curious sensation?”

“Think nothing of it, Dr. John: it is not worth while. If Ginevra were in a giddy mood, as she is eminently to-night, she would make no scruple of laughing at that mild, pensive Queen, or that melancholy King. She is not actuated by malevolence, but sheer, heedless folly. To a feather-brained school-girl nothing is sacred.”

“But you forget: I have not been accustomed to look on