The Portent & Other Stories by George MacDonald (best interesting books to read TXT) 📕

to visit their old homes. 'Poor dead!' I thought with myself; 'have you any place to call a home now? If you have, surely you will not wander back here, where all that you called home has either vanished or given itself to others, to be their home now and yours no more! What an awful doom the old fancy has allotted you! To dwell in your graves all the year, and creep out, this one night, to enter at the midnight door, left open for welcome! A poor welcome truly!-just an open door, a clean-swept floor, and a fire to warm your rain-sodden limbs! The household asleep, and the house-place swarming with the ghosts of ancient times,-the miser, the spendthrift, the profligate, the coquette,-for the good ghosts sleep, and are troubled with no waking like yours! Not one man, sleepless like yourselves, to question you, and be answered after the fashion of the old nursery rhyme-

"'What makes your eyes so holed?'
'I've lain so long among the mould.'
'What makes your feet so broad?'
'I've walked more than ever I rode!'

"'Yet who can tell?' I went on to myself. 'It may be your hell to return thus. It may be that only on this one night of all the year you can show yourselves to him who can see you, but that the place where you were wicked is the Hades to which you are doomed for ages.' I thought and thought till I began to feel the air alive about me, and was enveloped in the vapours that dim the eyes of those who strain them for one peep through the dull mica windows that will not open on the world of ghosts. At length I cast my fancies away, and fled from them to the library, where the bodily presence of Laetitia made the world of ghosts appear shadowy indeed.

"'What a reality there is about a bodily presence!' I said to myself, as I took my chamber-candle in my hand. 'But what is there more real in a body?' I said again, as I crossed the hall. 'Surely nothing,' I went on, as I ascended the broad staircase to my room. 'The body must vanish. If there be a spirit, that will remain. A body can but vanish. A ghost can appear.'

"I woke in the morning with a sense of such discomfort as made me spring out of bed at once. My foot lighted upon my spectacles. How they came to be on the floor I could not tell, for I never took them off when I went to bed. When I lifted them I found they were in two pieces; the bridge was broken. This was awkward. I was so utterly helpless without them! Indeed, before I could lay my hand on my hair-brush I had to peer through one eye of the parted pair. When I looked at my watch after I was dressed, I found I had risen an hour earlier than usual. I groped my way downstairs to spend the hour before breakfast in the library.

"No sooner was I seated with a book than I heard the voice of Laetitia scolding the butler, in no very gentle tones, for leaving the garden door open all night. The moment I heard this, the strange occurrences I am about to relate began to dawn upon my memory. The door had been open the night long between All Saints and All Souls. In the middle of that night I awoke suddenly. I knew it was not the morning by the sensations I had, for the night feels altogether different from the morning. It was quite dark. My heart was beating violently, and I either hardly could or hardly dared breathe. A nameless terror was upon me, and my sense of hearing was, apparently by the force of its expectation, unnaturally roused and keen. There it was-a slight noise in the room!-slight, but clear, and with an unknown significance about it! It was awful to think it would come again. I do believe it was only one of those creaks in the timbers which announce the torpid, age-long, sinking flow of every house back to the dust-a motion to which the flow of the glacier is as a torrent, but which is no less inevitable and sure. Day and night it ceases not; but only in the night, when house and heart are still, do we hear it. No wonder it should sound fearful! for are we not the immortal dwellers in ever-crumbling clay? The clay is so near us, and yet not of us, that its every movement starts a fresh dismay. For what will its final ruin disclose? When it falls from about us, where shall we find that we have existed all the time?

"My skin tingled with the bursting of the moisture from its pores. Something was in the room beside me. A confused, indescribable sense of utter loneliness, and yet awful presence, was upon me, mingled with a dreary, hopeless desolation, as of burnt-out love and aimless life. All at once I found myself sitting up. The terror that a cold hand might be laid upon me, or a cold breath blow on me, or a corpse-like face bend down through the darkness over me, had broken my bonds!-I would meet half-way whatever might be approaching. The moment that my will burst into action the terror began to ebb.

"The room in which I slept was a large one, perfectly dreary with tidiness. I did not know till afterwards that it was Laetitia's room, which she had given up to me rather than prepare another. The furniture, all but one article, was modern and commonplace. I could not help remarking to myself afterwards how utterly void the room was of the nameless charm of feminine occupancy. I had seen nothing to wake a suspicion of its being a lady's room. The article I have excepted was an ancient bureau, elaborate and ornate, which stood on one side of the large bow window. The very morning before, I had seen a bunch of keys hanging from the upper part of it, and had peeped in. Finding however, that the pigeon-holes were full of papers, I closed it at once. I should have been glad to use it, but clearly it was not for me. At that bureau the figure of a woman was now seated in the posture of one writing. A strange dim light was around her, but whence it proceeded I never thought of inquiring. As if I, too, had stepped over the bourne, and was a ghost myself, all fear was now gone. I got out of bed, and softly crossed the room to where she was seated. 'If she should be beautiful!' I thought-for I had often dreamed of a beautiful ghost that made love to me. The figure did not move. She was looking at a faded brown paper. 'Some old love-letter,' I thought, and stepped nearer. So cool was I now, that I actually peeped over her shoulder. With mingled surprise and dismay I found that the dim page over which she bent was that of an old account-book. Ancient household records, in rusty ink, held up to the glimpses of the waning moon, which shone through the parting in the curtains, their entries of shillings and pence!-Of pounds there was not one. No doubt pounds and farthings are much the same in the world of thought-the true spirit-world; but in the ghost-world this eagerness over shillings and pence must mean something awful! I To think that coins which had since been worn smooth in other pockets and purses, which had gone back to the Mint, and been melted down, to come out again and yet again with the heads of new kings and queens,-that dinners, eaten by men and women and children whose bodies had since been eaten by the worms,-that polish for the floors, inches of whose thickness had since been worn away,-that the hundred nameless trifles of a life utterly vanished, should be perplexing, annoying, and worst of all, interesting the soul of a ghost who had been in Hades for centuries! The writing was very old-fashioned, and the words were contracted. I could read nothing but the moneys and one single entry-'Corinths, Vs.'

"Currants for a Christmas pudding, most likely!-Ah, poor lady! the pudding and not the Christmas was her care; not the delight of the children over it, but the beggarly pence which it cost. And she cannot get it out of her head, although her brain was 'powdered all as thin as flour' ages ago in the mortar of Death. 'Alas, poor ghost!' It needs no treasured hoard left behind, no floor stained with the blood of the murdered child, no wickedly hidden parchment of landed rights! An old account-book is enough for the hell of the housekeeping gentlewoman!

"She never lifted her face, or seemed to know that I stood behind her. I left her, and went into the bow window, where I could see her face. I was right. It was the same old lady I had met in Russell Square, walking in front of James Hetheridge. Her withered lips went moving as if they would have uttered words had the breath been commissioned thither; her brow was contracted over her thin nose; and once and again her shining forefinger went up to her temple as if she were pondering some deep problem of humanity. How long I stood gazing at her I do not know, but at last I withdrew to my bed, and left her struggling to solve that which she could never solve thus. It was the symbolic problem of her own life, and she had failed to read it. I remember nothing more. She may be sitting there still, solving at the insolvable.

"I should have felt no inclination, with the broad sun of the squire's face, the keen eyes of James, and the beauty of Laetitia before me at the breakfast table, to say a word about what I had seen, even if I had not been afraid of the doubt concerning my sanity which the story would certainly awaken. What with the memories of the night and the want of my spectacles, I passed a very dreary day, dreading the return of the night, for, cool as I had been in her presence, I could not regard the possible reappearance of the ghost with equanimity. But when the night did come, I slept soundly till the morning.

"The next day, not being able to read with comfort, I went wandering about the place, and at length began to fit the outside and inside of the house together. It was a large and rambling edifice, parts of it very old, parts comparatively modern. I first found my own window, which looked out of the back. Below this window, on one side, there was a door. I wondered whither it led, but found it locked. At the moment James approached from the stables. 'Where does this door lead?' I asked him. 'I will get the key,' he answered. 'It is rather a queer old place. We used to like it when we were children.' 'There's a stair, you see,' he said, as he threw the door open. 'It leads up over the kitchen.' I followed him up the stair. 'There's a door into your room,' he said, 'but it's always locked now.-And here's Grannie's room, as they call it, though why, I have not the least idea,' he added, as he pushed open the door of an old-fashioned parlour, smelling very musty. A few old books lay on a side table. A china bowl stood beside them, with some shrivelled, scentless rose-leaves in the bottom of it. The cloth that covered