The Lock and Key Library: Classic Mystery and Detective Stories: Old Time English by - (top 10 ebook reader txt) 📕

most part, and vivaciously commonplace. I don't know which made me feel most dreary. The predominance of my countrymen gave the dinner the gayety of a funeral; the predominance of the Mossoo gave it the fatigue of got-up enthusiasm, of trivial expansiveness. To hear strangers imparting the scraps of erudition and connoisseurship which they had that morning gathered from their valets de place and guide-books, or describing the sights they had just seen, to you, who either saw them yesterday, or would see them to-morrow, could not be permanently attractive. My mind refuses to pasture on such food with gusto. I cannot be made to care what the Herr Baron's sentiments about Albert Durer or Lucas Cranach may be. I can digest my rindfleisch without the aid of the commis voyageur's criticisms on Gothic architecture. This may be my misfortune. In spite of the Italian blood which I inherit, I am a shy man—shy as the purest Briton. But, like other shy men, I make up in obstinacy what may be deficient in expansiveness. I can be frightened into silence, but I won't be dictated to. You might as well attempt the persuasive effect of your eloquence upon a snail who has withdrawn into his shell at your approach, and will not emerge till his confidence is restored. To be told that I MUST see this, and ought to go there, because my casual neighbor was charme, has never presented itself to me as an adequate motive.

From this you readily gather that I am severely taciturn at a table d'hote. I refrain from joining in the "delightful conversation" which flies across the table, and know that my reticence is attributed to "insular pride." It is really and truly nothing but impatience of commonplace. I thoroughly enjoy good talk; but, ask yourself, what are the probabilities of hearing that rare thing in the casual assemblage of forty or fifty people, not brought together by any natural affinities or interests, but thrown together by the accident of being in the same district, and in the same hotel? They are not "forty feeding like one," but like forty. They have no community, except the community of commonplace. No, tables d'hote are not delightful, and do not gather interesting people together.

Such has been my extensive experience. But this at Nuremberg is a conspicuous exception. At that table there was one guest who, on various grounds, personal and incidental, remains the most memorable man I ever met. From the first he riveted my attention in an unusual degree. He had not, as yet, induced me to emerge from my habitual reserve, for in truth, although he riveted my attention, he inspired me with a strange feeling of repulsion. I could scarcely keep my eyes from him; yet, except the formal bow on sitting down and rising from the table, I had interchanged no sign of fellowship with him. He was a young Russian, named Bourgonef, as I at once learned; rather handsome, and peculiarly arresting to the eye, partly from an air of settled melancholy, especially in his smile, the amiability of which seemed breaking from under clouds of grief, and still more so from the mute appeal to sympathy in the empty sleeve of his right arm, which was looped to the breast-button of his coat. His eyes were large and soft. He had no beard or whisker, and only delicate moustaches. The sorrow, quiet but profound, the amiable smile and the lost arm, were appealing details which at once arrested attention and excited sympathy. But to me this sympathy was mingled with a vague repulsion, occasioned by a certain falseness in the amiable smile, and a furtiveness in the eyes, which I saw—or fancied—and which, with an inexplicable reserve, forming as it were the impregnable citadel in the center of his outwardly polite and engaging manner, gave me something of that vague impression which we express by the words "instinctive antipathy."

It was, when calmly considered, eminently absurd. To see one so young, and by his conversation so highly cultured and intelligent, condemned to early helplessness, his food cut up for him by a servant, as if he were a child, naturally engaged pity, and, on the first day, I cudgeled my brains during the greater part of dinner in the effort to account for his lost arm. He was obviously not a military man; the unmistakable look and stoop of a student told that plainly enough. Nor was the loss one dating from early life: he used his left arm too awkwardly for the event not to have had a recent date. Had it anything to do with his melancholy? Here was a topic for my vagabond imagination, and endless were the romances woven by it during my silent dinner. For the reader must be told of one peculiarity in me, because to it much of the strange complications of my story are due; complications into which a mind less active in weaving imaginary hypotheses to interpret casual and trifling facts would never have been drawn. From my childhood I have been the victim of my constructive imagination, which has led me into many mistakes and some scrapes; because, instead of contenting myself with plain, obvious evidence, I have allowed myself to frame hypothetical interpretations, which, to acts simple in themselves, and explicable on ordinary motives, render the simple-seeming acts portentous. With bitter pangs of self-reproach I have at times discovered that a long and plausible history constructed by me, relating to personal friends, has crumpled into a ruin of absurdity, by the disclosure of the primary misconception on which the whole history was based. I have gone, let us say, on the supposition that two people were secretly lovers; on this supposition my imagination has constructed a whole scheme to explain certain acts, and one fine day I have discovered indubitably that the supposed lovers were not lovers, but confidants of their passions in other directions, and, of course, all my conjectures have been utterly false. The secret flush of shame at failure has not, however, prevented my falling into similar mistakes immediately after.

When, therefore, I hereafter speak of my "constructive imagination," the reader will know to what I am alluding. It was already busy with Bourgonef. To it must be added that vague repulsion, previously mentioned. This feeling abated on the second day; but, although lessened, it remained powerful enough to prevent my speaking to him. Whether it would have continued to abate until it disappeared, as such antipathies often disappear, under the familiarities of prolonged intercourse, without any immediate appeal to my amour propre, I know not; but every reflective mind, conscious of being accessible to antipathies, will remember that one certain method of stifling them is for the object to make some appeal to our interest or our vanity: in the engagement of these more powerful feelings, the antipathy is quickly strangled. At any rate it is so in my case, and was so now.

On the third day, the conversation at table happening to turn, as it often turned, upon St. Sebald's Church, a young Frenchman, who was criticising its architecture with fluent dogmatism, drew Bourgonef into the discussion, and thereby elicited such a display of accurate and extensive knowledge, no less than delicacy of appreciation, that we were all listening spellbound. In the midst of this triumphant exposition the irritated vanity of the Frenchman could do nothing to regain his position but oppose a flat denial to a historical statement made by Bourgonef, backing his denial by the confident assertion that "all the competent authorities" held with him. At this point Bourgonef appealed to me, and in that tone of deference so exquisitely flattering from one we already know to be superior he requested my decision; observing that, from the manner in which he had seen me examine the details of the architecture, he could not be mistaken in his confidence that I was a connoisseur. All eyes were turned upon me. As a shy man, this made me blush; as a vain man, the blush was accompanied with delight. It might easily have happened that such an appeal, acting at once upon shyness and ignorance, would have inflamed my wrath; but the appeal happening to be directed on a point which I had recently investigated and thoroughly mastered, I was flattered at the opportunity of a victorious display.

The pleasure of my triumph diffused itself over my feelings towards him who had been the occasion of it. The Frenchman was silenced; the general verdict of the company was too obviously on our side. From this time the conversation continued between Bourgonef and myself; and he not only succeeded in entirely dissipating my absurd antipathy—which I now saw to have been founded on purely imaginary grounds, for neither the falseness nor the furtiveness could now be detected—but he succeeded in captivating all my sympathy. Long after dinner was over, and the salle empty, we sat smoking our cigars, and discussing politics, literature, and art in that suggestive desultory manner which often gives a charm to casual acquaintances.

It was a stirring epoch, that of February, 1848. The Revolution, at first so hopeful, and soon to manifest itself in failure so disastrous, was hurrying to an outburst. France had been for many months agitated by cries of electoral reform, and by indignation at the corruption and scandals in high places. The Praslin murder, and the dishonor of M. Teste, terminated by suicide, had been interpreted as signs of the coming destruction. The political banquets given in various important cities had been occasions for inflaming the public mind, and to the far-seeing, these banquets were interpreted as the sounds of the tocsin. Louis Philippe had become odious to France, and contemptible to Europe. Guizot and Duchatel, the ministers of that day, although backed by a parliamentary majority on which they blindly relied, were unpopular, and were regarded as infatuated even by their admirers in Europe. The Spanish marriages had all but led to a war with England. The Opposition, headed by Thiers and Odillon Barrot, was strengthened by united action with the republican party, headed by Ledru Rollin, Marrast, Flocon, and Louis Blanc.

Bourgonef was an ardent republican. So was I; but my color was of a different shade from his. He belonged to the Reds. My own dominant tendencies being artistic and literary, my dream was of a republic in which intelligence would be the archon or ruler; and, of course, in such a republic, art and literature, as the highest manifestation of mind, would have the supreme direction. Do you smile, reader? I smile now; but it was serious earnest with me then. It is unnecessary to say more on this point. I have said so much to render intelligible the stray link of communion which riveted the charm of my new acquaintance's conversation; there was both agreement enough and difference enough in our views to render our society mutually fascinating.

On retiring to my room that afternoon I could not help laughing at my absurd antipathy against Bourgonef. All his remarks had disclosed a generous, ardent, and refined nature. While my antipathy had specially fastened upon a certain falseness in his smile—a falseness the more poignantly hideous if it were falseness, because hidden amidst the wreaths of amiability—my delight in his conversation had specially justified itself by the truthfulness of his mode of looking at things. He seemed to be sincerity itself. There was, indeed, a certain central reserve; but that might only he an integrity of pride; or it might be connected with painful circumstances in his history, of which the melancholy in his face was the outward sign.

That very evening my constructive imagination was furnished with a detail on which it was soon to be actively set to work. I had been rambling about the old fortifications, and was returning at nightfall through the old archway near Albert Durer's house, when a man passed by me. We looked at each other in that automatic way in which men look when they meet in narrow places, and I felt, so to speak, a start of recognition in the eyes of the man who passed. Nothing else, in features or gestures, betrayed recognition or surprise. But although there was only that, it flashed from his eyes to mine like an electric shock. He passed. I looked back. He continued his way without turning. The face was certainly known to me; but it floated in a mist of confused memories.

I walked on slowly, pestering my memory with fruitless calls upon it, hopelessly trying to recover the place