Sunrise by William Black (love letters to the dead .TXT) 📕

not settled yet."

"What line shall you go by?"

"I don't know."

Lord Evelyn paused for a moment; then he said,

"I'll go with you, Brand."

Well, he had not the heart even to protest; for he thoroughly understood the generous friendship that had prompted such an offer. He might remonstrate afterward; now he would not. On the contrary, he began to speak of his experience of the various lines; of the delight of the voyage to any one not abnormally sensitive to sea-sickness; of the humors of the bagmen; of the occupations and amusements on board; of dolphins, fog-horns, icebergs, rope-quoits, grass-widows, and the chances of poker. It was all a holiday excursion, then? The two friends lit their cigars and went back to their arm-chairs. The tired and haggard look on George Brand's face had for the moment been banished.

But by-and-by he said, rather absently,

"I suppose, hereafter, Natalie and you will have many a talk over what has happened. And you will go there just as usual, and spend the evening, and hear her read, or listen to her singing with the zither. It seems strange. Perhaps she will be able to forget altogether--to cut this unhappy episode out of her life, as it were." Then he added, as if speaking to himself, "No, she is not likely to forget."

Lord Evelyn looked up.

"In the mean time, does she know about your going?"

"I presume not--not yet. But I must see her and tell her unless, indeed, Lind should try to prevent that too. He might lay injunctions on her that she was not to see me again."

"That is true," his friend said. "He might command. But the question is whether she would obey. I have known Natalie Lind longer than you have. She is capable of thinking and acting for herself."

Nothing further was said on this point; they proceeded to talk of other matters. It was perhaps a quarter of an hour afterward--close on eleven o'clock--that Waters knocked at the door and then came into the room.

"A letter for you, sir."

A quick glance at the envelope startled him.

"How did you get it?" he said instantly.

"A girl brought it, sir, in a cab. She is gone again. There was no answer, she said."

Waters withdrew. Brand hastily opened the letter, and read the following lines, written in pencil, apparently with a trembling hand:

"Dearest,--I spent this evening with Madame Potecki. My father came for me, and on the way home has told me something of what has occurred. It was for the purpose of telling me that you and I must not meet again--never, never. My own, I cannot allow you to pass a single night, or a single hour, thinking such a thing possible. Have I not promised to you? When it is your wish to see me, come to me: I am yours. Good-night, and Heaven guard you!

"NATALIE."

George Brand turned to his friend.

"This," said he; but his lip trembled, and he stopped for a second. Then he continued: "This is a message from her, Evelyn. And I know what poor old Calabressa would say of it, if he were here. He would say: 'This is what might have been expected from the daughter of Natalie Berezolyi!'"

"She knows, then?"

"Yes," said he, still looking at the hastily written lines in pencil, "and it is as you imagined. Her father has told her we must not see each other again, and she has refused to be bound by any such injunction. I rather fancy she thinks he must have conveyed the same intimation to me; at all events, she has written at once to assure me that she will not break her promise to me. It was kindly meant; was it not? I wish Anneli had waited for a second."

He folded up the letter and put it in his pocket-book: it was one more treasure he should carry with him to America. But when, later on, Evelyn had left, he took it out again, and re-read again and again the irregular, hurried, pencilled lines, and thought of the proud, quick, generous spirit that had prompted them. And was she still awake and thinking? And could her heart hear, through the silence of the night, the message of love and gratitude that he sent her? "Good-night, and Heaven guard you!" It had been a troubled and harassing day for him; but this tender good-night message came in at the close of it like a strain of sweet music that he would carry with him into the land of dreams.


CHAPTER XXX.


SOME TREASURES.

The next morning Natalie was sitting alone in the little dining-room, dressed ready to go out. Perhaps she had been crying a little by herself; but at all events, when she heard the sound of some one being admitted at the front-door and coming into the passage, she rose, with a flush of pleasure and relief appearing on her pale and saddened face. It was Madame Potecki.

"Ah, it is so good of you to come early," said Natalie to her friend, with a kind of forced cheerfulness. "Shall we start at once? I have been thinking and thinking myself into a state of misery; and what is the use of that?"

"Let me look at you," said the prompt little music mistress, taking both her hands, and regarding her with her clear, shrewd blue eyes. "No; you are not looking well. The walk will do you good, my dear. Come away, then."

But Natalie paused in the passage, with some appearance of embarrassment. Anneli was standing by the door.

"Remember this, Anneli; if any one calls and wishes to see me--and particularly wishes to see me--you will not say, 'My mistress is gone out;' you will say, 'My mistress is gone to the South Kensington Museum with Madame Potecki.' Do you understand that, Anneli?"

"Yes, Fraulein; certainly."

Then they left, going by way of the Park. And the morning was fresh and bright; the energetic little Polish lady was more talkative and cheerful than ever; the girl with her had only to listen, with as much appearance of interest as was possible, considering that her thoughts were so apt to wonder away elsewhither.

"My dear, what a lovely morning for us to go and look at my treasures! The other day I was saying to myself, 'There is my adopted daughter Natalie, and I have not a farthing to leave her. What is the use of adopting a child if you have nothing to leave her? Then I said to myself, 'Never mind; I will teach her my theory of living; that will make her richer than a hundred legacies will do.' Dear, dear! that was all the legacy my poor husband left to me."

She passed her hand over her eyes.

"Don't you ever marry a man who has anything to do with politics, my child. Many a time my poor Potecki used to say to me, 'My angel, cultivate contentment; you may have to live on it some day.'"

"And you have taken his advice, madame; you are very content."

"Why? Because I have my theory. They think that I am poor. It is poor Madame Potecki, who earns her solitary supper by 'One, two, three, four; one, two, three, four;' who has not a treasure in the world--except a young Hungarian lady, who is almost a daughter to her. Well, well; but you know my way of thinking, my dear, you laugh at it; I know you do. You say, 'That mad little Madame Potecki.' But some day I will convince you."

"I am willing to be taught now, madame--seriously. Is it not wise to be content?"

"I am more than content, my dear; I am proud, I am vain. When I think of all the treasures that belong to the public, and to me as one of the public--the Turner landscapes in the National Gallery; the books and statues in the British Museum; the bronzes and china and jewellery at South Kensington--do you not think, my dear, that I am thankful I have no paltry little collection in my own house that I should be ashamed of? Then look at the care that is taken of them. I have no risk. I am not disheartened for a day because a servant has broken my best piece of Nankin blue. I have no trouble and no thought; it is only when I have a little holiday that I say to myself, 'Well, shall I go and see my Rembrandts? Or shall I look over my cases of Etruscan rings? Or shall I go and feast my eyes on the bleu de roi of a piece of jewelled Sevres?' Oh, my love!"

She clasped her hands in ecstasy. Her volubility had outrun itself and got choked.

"I will show you three vases," said she, presently, in almost a solemn way--"I will show you three vases, in white and brown crackle, and put all the color in the whole of my collection to shame. My dear, I have never seen in the world anything so lovely--the soft cream-white ground, the rich brown decoration--the beautiful, bold, graceful shape; and they only cost sixty pounds!--sixty pounds for three, and they are worth a kingdom! Why--But really, my dear Natalie, you walk too fast. I feel as if I were being marched off to prison!"

"Oh, I beg your pardon!" said the girl, laughing. "I am always forgetting; and papa scolds me often enough for it."

"Have you heard what I told you about those priceless vases in the South Kensington?"

"I am most anxious to see them, I assure you."

"My blue-and-white," Madame Potecki continued, seriously, "I am afraid is not always of the best. There are plenty of good pieces, it is true; but they are not the finest feature of the collection. Oh! the Benares brocades--I had forgotten them. Ah, my dear, these will make you open your eyes!"

"But don't you get bewildered, madame, with having to think of so many possessions?" said Natalie, respectfully.

"No," said the other, in a matter-of-fact way; "I take them one by one. I pay a morning call here, a morning call there, when I have no appointments, just to see that everything is going on well."

Presently she said,

"Ah, well, my dear, we are poor weak creatures. Here and there, in my wanderings I have met things that I almost coveted; but see what an impossible, monstrous collection they would make! Let me think, now. The Raphael at Dresden; two Titian portraits in the Louvre; the Venus of Milo--not the Medici one at all; I would not take it; I swear I would not accept it, that trivial little creature with the yellow skin!"

"My dear friend, the heavens will fall on you!" her companion exclaimed.

"Wait a moment," said the little music-mistress, reflectively. "I have not completed my collection. There is a Holy Family of Botticelli's--I forget where I saw it. And the bust of the Empress Messalina in the Uffizi: did you ever notice it, Natalie?"

"No."

"Do not forget it when you are in Florence again. You won't believe any of the stories about her when you see the beautiful refined face; only don't forget to remark how flat the top of her head is. Well, where are we, my dear? The bronze head of the goddess in the Castellani collection: I would have that; and the fighting Temeraire. Will these do? But then, my dear, even if one had