Floyd Grandon's Honor by Amanda Minnie Douglas (finding audrey txt) π
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one is singing, and the sound floats outward to mingle with the summer air.
"Marcia certainly deserves credit," declares Eugene. "She is in her glory. She always did love to manage, and maybe she tries her arts upon Vulcan,--who knows."
"Mr. Wilmarth looks happy," says Violet, with gentle insistence.
"I suppose he is,--happy enough. But the marriage always has been a tremendous mystery to me. I should as soon have thought of the sky falling as Jasper Wilmarth marrying, and that he should take Marcia caps it all. I give it up," declares the young man.
"But Marcia is--I mean she has many nice ways," remarks Violet, as if deprecating harsher criticism.
"Well, for those who like her ways."
"You are not quite----" and Violet pauses.
"Generous or enthusiastic or any of the other womanish adjectives." Eugene pauses, for Marcia comes to meet them and Mr. Wilmarth stands on the porch.
"Well, you _have_ made your appearance at last!" begins Marcia, with an emphasis rendered more decisive from a remark uttered by her husband a few moments before.
"Yes, but you can be thankful that you have us at all," says Eugene, in a tone of lazy insolence. "We only came as representatives of the great family name whose dignity we are compelled to uphold in the absence of the august head of the house."
Jasper Wilmarth hears this and would like to knock down the young man.
"Where is Floyd?" asks Marcia, sharply.
"Gone to Europe," says Eugene, with charming mendacity.
"Oh," cries Violet, in consternation, "not Europe! It is Baltimore." And fearing Marcia will be hurt she adds quickly, "It was very important business."
"Well, some one else went or is going to Europe. He was in a panic for fear of missing a connection. And he left loads of regrets, didn't he, Violet?"
"He left all that word with you," replies the young wife, wondering in her secret soul if Floyd really meant her to come and why he did not speak of it in the note.
They are in the hall by this time. Eugene nods coolly to Wilmarth, and Violet speaks with a curious inflection, her thoughts are elsewhere, but Wilmarth's steel-gray eyes remark that without reading the motive.
"Where has your brother gone?" he asks of Eugene. "I was not aware of any urgent business when I saw him this morning."
"I dare say it is his own affairs. Some ruin-hunter is no doubt going to the East, and he wants to send for an old coin or a bit of stone with an inscription, or the missing link," and the young man laughs indolently.
Marcia is going up-stairs with Violet. "I think Floyd might have put off his journey until to-morrow," she says, in an offended tone. "He did not come to the dinner, either. Perhaps he thinks we are _not_ good enough, grand enough. You are quite sure you have not come against his wishes?"
Violet starts at this tirade, and if she had more courage would put on her hat again and walk out of the house.
"I am very sorry," she begins, but some one enters the dressing-room and she goes down presently to be warmly welcomed by several of the guests. Eugene constitutes himself her knight, and she feels very grateful. It is so strange to go in company without her husband; she can roam about the woods or drive her pony carriage and not feel lonely, but it seems quite solitary here, although she has met most of the people.
Eugene takes her arm and escorts her about. They are a charming young couple in their youth and beauty, and more than one person discerns the fitness. The business, too, would be of so much more account to Eugene, and he is in most need of a fortune. Jasper Wilmarth wonders if a time of regret will come to him.
Wafts of music float out on the summer night air. There is some dancing and much promenading. Marcia has a surprise in store, a series of tableaux arranged out of doors, with a pale rose light that renders them extremely effective, and they are warmly applauded. The guests sit at the tables and enjoy creams, ices, and salads: it is the perfection of a garden party. Marcia is in rather aesthetic attire, but it is becoming, and she is brimful of delight, though she wishes Floyd were here to see. She has a misgiving that he does not mean to rate Jasper Wilmarth very highly, and her wifely devotion resents it, for she is devoted. Jasper Wilmarth is both pleased and interested in the puppet he can move hither and thither to his liking, and occasionally to his service. He is gratified to see her party a success, though somewhat annoyed at the defection of his brother-in-law, who so far has not been his guest. He is piqued, too, about the sudden journey, and remembers now that a telegram came for him this morning. There is no business connection in Baltimore that need be made a secret, unless it is some secret of his own.
"There," exclaims Eugene, "a waltz at length! I began to think the ogre had forbidden so improper a proceeding. Now you are to waltz with me." And he rises, with her hand in his, but Violet keeps her seat.
"Why is waltzing considered improper?" she asks, slowly.
"Upon my life I don't know, unless, like the woman, you have to draw the line somewhere, and it is drawn at your relations or your husband. I have it--bright thought--it is to give _them_ some especial privileges that will rouse the envy of the rest of the world. For myself I think it a humbug. There are other dances quite as reprehensible when you come to that, but I've never come to harm in any," and he laughs. "And as for flirting, there are devices many and various; when you reach that point, Madame Lepelletier can do more with her eyes than any dozen girls I know could with their feet. Come."
"I think--I do not feel like it," replies Violet.
"Oh, don't wear the willow!" advises the young man. "You have just been up in one quadrille, and people will notice it. Besides, I was very particular to respect any lingering prejudice my august brother might have had."
"And he said you were to waltz with me?"
"Oh," he rejoins, in a kind of hurt tone, "you really do not suppose I would tell you a falsehood in this matter! I really do want to waltz with you, but I shouldn't descend to any such smallness as that."
She is touched by his air and disappointment.
"Well," she answers, reluctantly.
Just then madame floats by them. Violet rises, and they go gracefully down in the widening circles. Eugene waltzes to perfection. A few young girls look on with envious eyes, and something about Lucia Brade's face appeals to Violet. She _does_ carry her heart on her sleeve, and has always been fond of Eugene Grandon.
"Let us stop," entreats Violet.
"Why, we were just going so perfectly! It was like a dream. How beautifully you do waltz! What is the matter?"
All this is uttered in a breath.
"I want you to go waltz with Miss Brade," says Violet. "She looks so lonely talking to that old Mr. Carpenter."
"Nonsense." And he tries to swing her into line.
"No; I do not feel as if I had any business with the young men," says Violet, rather promptly, standing her ground with resolution.
"See here," exclaims Eugene, suddenly, "if I waltz with her, will you give me another somewhere? If you won't, I shall not dance another step to-night," and he shakes his black curls defiantly.
That means he will keep close to her as a shadow, and she wishes he would not.
"Yes," she answers, "if you will do your duty you shall be rewarded."
"Be good and you will be happy," he quotes.
"Take _me_ over to Mr. Carpenter."
"He will prose you to death. See, there is Mrs. Carpenter waltzing with Fred Kirkbride. That is the way young and pretty second wives enjoy themselves," says this candid young man.
Lucia Brade goes off supremely happy. Violet watches them from her rustic seat. She has been a little amazed at Lucia's evident preference, so plainly shown. Mr. Carpenter only needs a listener to render him supremely happy in his monologues, so Violet can follow her own thoughts.
She is wondering why she feels so lost and lonely in this bright scene, and why the waltz did not enchant her! Where is Mr. Grandon--drowsing in a railway car? If he were here! The very thought thrills her. Yes, it _is_ her husband she misses,--not quite as she used to miss him, either. He has grown so much more to her, he fills all the spaces of her life. He may be absent bodily, but he is in her soul, he has possession of her very being. Is this love?
A strange thrill runs over her. The lights, the dancing, the talk beside her, might all be leagues away. She is penetrated, possessed by a blissful knowledge, something deeper, finer, keener than she has ever dreamed, not simply the reverence and obedience of the marriage vow that she has supposed included all. And then comes another searching question,--how much of just this kind of love has Floyd Grandon for her?
The waltz has ended, and the lanciers begun. She will not dance that, but sends Eugene in quest of another partner, at which he grumbles. The Latimers are not here,--a sick baby has prevented,--though now Violet begins to feel quite at home with many of the dwellers in the park and about. Even madame searches her out presently.
"My dear child," she says, in that soft, suave tone, "are you not well this evening? You are such a little recluse."
"Quite well." And the brilliant face answers for her.
"Then you are not enjoying yourself. You young people ought to be up in every set."
"I did dance. But I like to look on. The figures are so graceful, and the music is bewitching."
"It seems unnatural for one of your age to be merely a spectator. How lovely Eugene and Mrs. Carpenter look together! She is just about your size and dances with the _verve_ of youth, which I admire extremely. Gravity at that age always seems far-fetched, put on as a sort of garment to hide something not quite frank or open, but it never can conceal the fact that it covers thoughts foreign to youth."
Violet wonders if she has been unduly grave this evening. She _has_ something to conceal, a sweet, sacred secret that only one person may inquire into. Will he, some day? He has never yet asked her the lover's question to which it would be so sweet to reply.
"There," exclaims Eugene, sitting down beside her, "I have done my duty. The very next waltz, remember."
The last is in a whisper, and it brings the bright color to her face, brighter because madame's eyes are upon her; but fortunately for her peace, madame is wanted.
"Do you know," says Eugene, "I am very glad you married Floyd, for I _do_ think it would have ended by his taking her; not that he cared particularly, and the queer thing was that Cecil would not make friends with her; but she is the kind of woman who generally gets everything she tries for. And I do believe she envies you your
"Marcia certainly deserves credit," declares Eugene. "She is in her glory. She always did love to manage, and maybe she tries her arts upon Vulcan,--who knows."
"Mr. Wilmarth looks happy," says Violet, with gentle insistence.
"I suppose he is,--happy enough. But the marriage always has been a tremendous mystery to me. I should as soon have thought of the sky falling as Jasper Wilmarth marrying, and that he should take Marcia caps it all. I give it up," declares the young man.
"But Marcia is--I mean she has many nice ways," remarks Violet, as if deprecating harsher criticism.
"Well, for those who like her ways."
"You are not quite----" and Violet pauses.
"Generous or enthusiastic or any of the other womanish adjectives." Eugene pauses, for Marcia comes to meet them and Mr. Wilmarth stands on the porch.
"Well, you _have_ made your appearance at last!" begins Marcia, with an emphasis rendered more decisive from a remark uttered by her husband a few moments before.
"Yes, but you can be thankful that you have us at all," says Eugene, in a tone of lazy insolence. "We only came as representatives of the great family name whose dignity we are compelled to uphold in the absence of the august head of the house."
Jasper Wilmarth hears this and would like to knock down the young man.
"Where is Floyd?" asks Marcia, sharply.
"Gone to Europe," says Eugene, with charming mendacity.
"Oh," cries Violet, in consternation, "not Europe! It is Baltimore." And fearing Marcia will be hurt she adds quickly, "It was very important business."
"Well, some one else went or is going to Europe. He was in a panic for fear of missing a connection. And he left loads of regrets, didn't he, Violet?"
"He left all that word with you," replies the young wife, wondering in her secret soul if Floyd really meant her to come and why he did not speak of it in the note.
They are in the hall by this time. Eugene nods coolly to Wilmarth, and Violet speaks with a curious inflection, her thoughts are elsewhere, but Wilmarth's steel-gray eyes remark that without reading the motive.
"Where has your brother gone?" he asks of Eugene. "I was not aware of any urgent business when I saw him this morning."
"I dare say it is his own affairs. Some ruin-hunter is no doubt going to the East, and he wants to send for an old coin or a bit of stone with an inscription, or the missing link," and the young man laughs indolently.
Marcia is going up-stairs with Violet. "I think Floyd might have put off his journey until to-morrow," she says, in an offended tone. "He did not come to the dinner, either. Perhaps he thinks we are _not_ good enough, grand enough. You are quite sure you have not come against his wishes?"
Violet starts at this tirade, and if she had more courage would put on her hat again and walk out of the house.
"I am very sorry," she begins, but some one enters the dressing-room and she goes down presently to be warmly welcomed by several of the guests. Eugene constitutes himself her knight, and she feels very grateful. It is so strange to go in company without her husband; she can roam about the woods or drive her pony carriage and not feel lonely, but it seems quite solitary here, although she has met most of the people.
Eugene takes her arm and escorts her about. They are a charming young couple in their youth and beauty, and more than one person discerns the fitness. The business, too, would be of so much more account to Eugene, and he is in most need of a fortune. Jasper Wilmarth wonders if a time of regret will come to him.
Wafts of music float out on the summer night air. There is some dancing and much promenading. Marcia has a surprise in store, a series of tableaux arranged out of doors, with a pale rose light that renders them extremely effective, and they are warmly applauded. The guests sit at the tables and enjoy creams, ices, and salads: it is the perfection of a garden party. Marcia is in rather aesthetic attire, but it is becoming, and she is brimful of delight, though she wishes Floyd were here to see. She has a misgiving that he does not mean to rate Jasper Wilmarth very highly, and her wifely devotion resents it, for she is devoted. Jasper Wilmarth is both pleased and interested in the puppet he can move hither and thither to his liking, and occasionally to his service. He is gratified to see her party a success, though somewhat annoyed at the defection of his brother-in-law, who so far has not been his guest. He is piqued, too, about the sudden journey, and remembers now that a telegram came for him this morning. There is no business connection in Baltimore that need be made a secret, unless it is some secret of his own.
"There," exclaims Eugene, "a waltz at length! I began to think the ogre had forbidden so improper a proceeding. Now you are to waltz with me." And he rises, with her hand in his, but Violet keeps her seat.
"Why is waltzing considered improper?" she asks, slowly.
"Upon my life I don't know, unless, like the woman, you have to draw the line somewhere, and it is drawn at your relations or your husband. I have it--bright thought--it is to give _them_ some especial privileges that will rouse the envy of the rest of the world. For myself I think it a humbug. There are other dances quite as reprehensible when you come to that, but I've never come to harm in any," and he laughs. "And as for flirting, there are devices many and various; when you reach that point, Madame Lepelletier can do more with her eyes than any dozen girls I know could with their feet. Come."
"I think--I do not feel like it," replies Violet.
"Oh, don't wear the willow!" advises the young man. "You have just been up in one quadrille, and people will notice it. Besides, I was very particular to respect any lingering prejudice my august brother might have had."
"And he said you were to waltz with me?"
"Oh," he rejoins, in a kind of hurt tone, "you really do not suppose I would tell you a falsehood in this matter! I really do want to waltz with you, but I shouldn't descend to any such smallness as that."
She is touched by his air and disappointment.
"Well," she answers, reluctantly.
Just then madame floats by them. Violet rises, and they go gracefully down in the widening circles. Eugene waltzes to perfection. A few young girls look on with envious eyes, and something about Lucia Brade's face appeals to Violet. She _does_ carry her heart on her sleeve, and has always been fond of Eugene Grandon.
"Let us stop," entreats Violet.
"Why, we were just going so perfectly! It was like a dream. How beautifully you do waltz! What is the matter?"
All this is uttered in a breath.
"I want you to go waltz with Miss Brade," says Violet. "She looks so lonely talking to that old Mr. Carpenter."
"Nonsense." And he tries to swing her into line.
"No; I do not feel as if I had any business with the young men," says Violet, rather promptly, standing her ground with resolution.
"See here," exclaims Eugene, suddenly, "if I waltz with her, will you give me another somewhere? If you won't, I shall not dance another step to-night," and he shakes his black curls defiantly.
That means he will keep close to her as a shadow, and she wishes he would not.
"Yes," she answers, "if you will do your duty you shall be rewarded."
"Be good and you will be happy," he quotes.
"Take _me_ over to Mr. Carpenter."
"He will prose you to death. See, there is Mrs. Carpenter waltzing with Fred Kirkbride. That is the way young and pretty second wives enjoy themselves," says this candid young man.
Lucia Brade goes off supremely happy. Violet watches them from her rustic seat. She has been a little amazed at Lucia's evident preference, so plainly shown. Mr. Carpenter only needs a listener to render him supremely happy in his monologues, so Violet can follow her own thoughts.
She is wondering why she feels so lost and lonely in this bright scene, and why the waltz did not enchant her! Where is Mr. Grandon--drowsing in a railway car? If he were here! The very thought thrills her. Yes, it _is_ her husband she misses,--not quite as she used to miss him, either. He has grown so much more to her, he fills all the spaces of her life. He may be absent bodily, but he is in her soul, he has possession of her very being. Is this love?
A strange thrill runs over her. The lights, the dancing, the talk beside her, might all be leagues away. She is penetrated, possessed by a blissful knowledge, something deeper, finer, keener than she has ever dreamed, not simply the reverence and obedience of the marriage vow that she has supposed included all. And then comes another searching question,--how much of just this kind of love has Floyd Grandon for her?
The waltz has ended, and the lanciers begun. She will not dance that, but sends Eugene in quest of another partner, at which he grumbles. The Latimers are not here,--a sick baby has prevented,--though now Violet begins to feel quite at home with many of the dwellers in the park and about. Even madame searches her out presently.
"My dear child," she says, in that soft, suave tone, "are you not well this evening? You are such a little recluse."
"Quite well." And the brilliant face answers for her.
"Then you are not enjoying yourself. You young people ought to be up in every set."
"I did dance. But I like to look on. The figures are so graceful, and the music is bewitching."
"It seems unnatural for one of your age to be merely a spectator. How lovely Eugene and Mrs. Carpenter look together! She is just about your size and dances with the _verve_ of youth, which I admire extremely. Gravity at that age always seems far-fetched, put on as a sort of garment to hide something not quite frank or open, but it never can conceal the fact that it covers thoughts foreign to youth."
Violet wonders if she has been unduly grave this evening. She _has_ something to conceal, a sweet, sacred secret that only one person may inquire into. Will he, some day? He has never yet asked her the lover's question to which it would be so sweet to reply.
"There," exclaims Eugene, sitting down beside her, "I have done my duty. The very next waltz, remember."
The last is in a whisper, and it brings the bright color to her face, brighter because madame's eyes are upon her; but fortunately for her peace, madame is wanted.
"Do you know," says Eugene, "I am very glad you married Floyd, for I _do_ think it would have ended by his taking her; not that he cared particularly, and the queer thing was that Cecil would not make friends with her; but she is the kind of woman who generally gets everything she tries for. And I do believe she envies you your
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